The famous films‚ Psycho and Rear Window‚ by Alfred Hitchcock use editing and color differently‚ yet have similar base plots. While both films are justly considered suspenseful masterpieces‚ they each achieve this differently. In the film Rear Window‚ the point of view was always set as the main character‚ Jeff. Jeff was stuck in his apartment room due to a broken leg; therefore the camera only showed shots from looking out of his window or in his own room. Hitchcock chose to do this as a way to
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In the 1950’s film Rear Window‚ director Alfred Hitchcock sets his entire work looking through a man‚ L.B. Jeffries’ rear window. Because of his broken leg‚ Jeffries is confined to his apartment‚ and even to his wheelchair. It is here‚ in his apartment‚ that the protagonist watches‚ or even spies on his neighbors. He draws conclusions on these people‚ but from a distance: across the apartment-building courtyard. In addition to this physical distance separating Jeffries from his neighbors‚ his perspective
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Alfred Hitchcock’s suspense Rear Window (1954) is focused on Jeff‚ formally L.B. Jefferies‚ a cooped up action-shot photographer. After being injured from work‚ Jeff is left with a full-leg cast and nothing to do but peer at his neighbors (a salesman with a spotty marriage‚ a dancer‚ a failing musician‚ a lonely woman and others) through his back window. Jeff’s girlfriend Lisa Fremont‚ a model and fashion consultant‚ and the enthusiastic Stella‚ Jeff’s home nurse‚ both assist Jeff by being his ‘feet
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Rear Window is a 1954 suspense film‚ which was directed by Alfred Hitchcock. It was written by John Michael Hayes. The film starts James Stewart‚ Grace Kelly‚ Wendell Corey‚ Thelma Ritter and Raymond Burr. The plot of the film is about a photographer who confined to a wheel chair after being in a racecar accident because he was trying to take a picture. Jeffries is the main character the one confined to a wheel chair is also in love with Lisa Fermont his girlfriend. However‚ Jeffries does not want
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English B1A 9 September 2013 An Abnormal L.B. Jeffries in Rear Window The movie Rear Window by Alfred Hitchcock is about a photographer Jeffries‚ who has a broken leg‚ is sitting next to his window‚ spying on his neighbors since they share the same courtyard‚ and later on being curious about one his neighbors‚ Mr. Thorwald‚ must have involved in his wife ’s disappearance. Hitchcook ’s label for most of his work is the lack of romantic
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Essay #1 Voyeurism In both films‚ Rear Window and Vertigo‚ film director Alfred Hitchcock requires audiences to put themselves in the position of voyeur as they witness the action of the film through the eyes of the protagonists. Hitchcock introduces to us the meaning of the word voyeurism and the control it can possess over a person. The main characters in both films are voyeurs’ and get their excitement from invading others’ life. Hitchcock was an English-American film director‚ writer‚ and
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visual sense as well and director Alfred Hitchcock knew this and applied it in his movie Rear Window. When Alfred Hitchcock fans refer to his style‚ they are usually referring to Hitchcock’s camera magic and editing. When I think about Hitchcock the first thing that comes to mind is his use of sound effects‚ language‚ and music to create suspense or a sense of understanding. In the film Rear Window‚ there are many occasions where Hitchcock uses sound in order to convey a feeling of terror
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In the film Rear Window‚ Alfred Hitchcock likes to play around with different perspectives to convey different branches of his narrative without deviating too much from the main plot. The other thing about meddling with perspectives in this film is that it goes hand in hand with the themes of spectatorship and voyeurism that this film is teeming with. What Rear Window tries to do with its shot selection and camera angles is to immerse the viewer by putting them into Jeff’s shoes while also trying
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In Alfred Hitchcock’s The Rear Window‚ we’re introduced to L.B. Jefferies‚ a middle-aged man‚ injured in a photo-shoot accident. Because of his limited mobility‚ he passes time observing his neighbors through a window‚ overlooking his apartment lot. Through L.B.J.’s lens‚ the audience is introduced to a recently moved in‚ newly-wed couple. One day‚ L.B.J. sees the husband peering out of his window‚ wearing a white tank-top‚ with a cigarette in one hand‚ smoke already in his mouth. He appears to
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Rear Window (1954) is an intriguing‚ brilliant‚ macabre Hitchcockian visual study of obsessive human curiosity and voyeurism. John Michael Hayes’ screenplay was based on Cornell Woolrich’s (with pen-name William Irish) original 1942 short story or novelette‚ It Had to Be Murder. This film masterpiece was made entirely on one confined set built at Paramount Studios - a realistic courtyard composed of 32 apartments (12 completely furnished) - at a non-existent address in Manhattan (125 W. 9th Street)
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