The famous films‚ Psycho and Rear Window‚ by Alfred Hitchcock use editing and color differently‚ yet have similar base plots. While both films are justly considered suspenseful masterpieces‚ they each achieve this differently. In the film Rear Window‚ the point of view was always set as the main character‚ Jeff. Jeff was stuck in his apartment room due to a broken leg; therefore the camera only showed shots from looking out of his window or in his own room. Hitchcock chose to do this as a way to
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Rear Window The film I choose to watch and analyze for film techniques is Rear Window‚ Alfred Hitchcock‚ Paramount Pictures‚ 1954. Alfred Hitchcock was known as the “Master of Suspense” for his skills at directing psychological thrillers. How many directors today could make a great thriller like Rear Window work with a camera‚ lights‚ and a window? The fear was not projected up on the movie screen but within the minds of his audiences viewing it. Rear Window has a classification of Genre as a
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Alfred Hitchcock’s suspense Rear Window (1954) is focused on Jeff‚ formally L.B. Jefferies‚ a cooped up action-shot photographer. After being injured from work‚ Jeff is left with a full-leg cast and nothing to do but peer at his neighbors (a salesman with a spotty marriage‚ a dancer‚ a failing musician‚ a lonely woman and others) through his back window. Jeff’s girlfriend Lisa Fremont‚ a model and fashion consultant‚ and the enthusiastic Stella‚ Jeff’s home nurse‚ both assist Jeff by being his ‘feet
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In the film Rear Window‚ Alfred Hitchcock likes to play around with different perspectives to convey different branches of his narrative without deviating too much from the main plot. The other thing about meddling with perspectives in this film is that it goes hand in hand with the themes of spectatorship and voyeurism that this film is teeming with. What Rear Window tries to do with its shot selection and camera angles is to immerse the viewer by putting them into Jeff’s shoes while also trying
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In Alfred Hitchcock’s The Rear Window‚ we’re introduced to L.B. Jefferies‚ a middle-aged man‚ injured in a photo-shoot accident. Because of his limited mobility‚ he passes time observing his neighbors through a window‚ overlooking his apartment lot. Through L.B.J.’s lens‚ the audience is introduced to a recently moved in‚ newly-wed couple. One day‚ L.B.J. sees the husband peering out of his window‚ wearing a white tank-top‚ with a cigarette in one hand‚ smoke already in his mouth. He appears to
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After watching Rear Window for a second time I’ve come to realize that not only is Alfred Hitchcock a great director‚ but also a great movie watcher. What I’m trying to say is that he knows exactly what people want to see in certain movies. Voyeurism captures the attention of anyone‚ viewers want to “spy” on the characters without being seen‚ and they want to be in positions that reality doesn’t allow them to be in. Hitchcock knows this feeling all too well‚ making one of the greatest movies of all
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stand out are the thrillers Rear Window and Psycho. These films capture the viewer and create an atmosphere so unique and fresh that you feel as though you personally know the characters; sometimes you even feel like you’re becoming the characters. Although the films have many similarities they both have completely different moods and themes. Most importantly the films can still hold up against today’s incredibly high-budget Hollywood movies. A main theme in Rear Window is voyeurism‚ exhibited by
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these films are Psycho‚ Perfect Crime‚ The Man Who Knew Too Much and Rear Window. At first it was quite difficult to pinpoint a particular film to choose as he used brilliant techniques in all of them. However‚ I have chosen to talk about Rear Window. This is because the fact that the whole film occurs in the same setting and still holds our interest is very hard to do but he was able to by using diverse camera angles and playing with lighting. The film Rear Window is about a man called Jeffries
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Firstly I would like to say that Rear window is a true classic film. The film is a is the mother of all suspense thriller film and the director Alfred Hitchcock is the father of the genre. The predictability of the film proof its originality ‚pioneered and innocence compared to the films of its genre today. Films today has matured from its roots which is Rear Window but have not lost its core elements. The only difference between films today of the same genre and Rear Window is that movies nowadays forcefully
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Rear Window and Vertigo are two Hitchcock films in which the main character shows voyeuristic behavior‚ experiences relationship problems and suffers from some sort of a handicap‚ be it physical or psychological. Rear Window has to do with a group of peeping toms. As his broken leg heals‚ wheelchair-bound L.B. Jefferies becomes absorbed with the parade of life outside his window and soon fixates on a mysterious man whose behavior has Jefferies convinced a murder has taken place. Many would believe
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