Deception and Vision in Shakespeare’s Othello Walter Scott once stated‚ “Oh‚ what a tangled web we weave... when first we practice to deceive” (Quotation). Scott’s statement is overwhelmingly evident in William Shakespeare’s Othello. Deception is a reoccurring theme in Othello‚ that touches each character individually and on various levels. The theme that affects Othello directly is vision. Vision is the “ocular proof” that Othello demands from Iago‚ and how his actions are based on what he hears
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Act 4‚ Scene 1 1. a) Othello falls down because he believes that Desdemona is cheating on him and passes out in fear b) Iago is very happy and proud of his work when Othello passes out 2. Iago tells Othello that if he listens to his and Cassio’s conversation he will get Cassio to admit that he is having an affair with Desdemona 3. a) Iago jokes with Cassio about Bianca so that it seems like Cassio is laughing about the affair he is having with
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that he would use Cassio to make Othello jealous because Othello chose Cassio over him to be a second command man because Cassio was more experience than he was. Desdemona and Cassio knew each other before she knew Othello because he worked for Othello before. Iago implied that he was going to make Othello look like a fool by having Desdemona cheat on him with Cassio. Iago never directly said Desdemona and Cassio are having an affair but he was going to make Othello think they were having affair by
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Psychoanalytical Approach of William Shakespeare’s Othello "Jealousy is bred in doubts. When those doubts change into certainties‚ then the passion either ceases or turns absolute madness‚"- Francois De La Rochefoucauld. All people have the seed of jealousy inside them. However‚ the doubts of one’s self help grow the seed of jealousy. Othello was never what seemed to be a jealous man but when Iago led him to believe Desdemona was being unfaithful‚ Othello started to show his side of jealousy which
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A Miller Prof. Gould ENG 262 12-3-11 Recognition and Reversal: Othello Aristotle classifies both recognitions and reversals as the greatest point of tragedy in a play or story. Recognitions and reversals are consistently used to develop character‚ advance the plot‚ and get a reaction of pity and fear from the audience. Recognition is the act of realization or knowledge or feeling that someone or something present has been encountered before. Reversals
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of Othello ‘s weakness’‚ it would be a pointless skill‚ which is why the main cause of Othello’s tragedies is his weaknesses. His passion to follow his will‚ not his mind‚ means he is easily susceptible to jealously which‚ for Desdemona‚ means her untimely death. The fact that Othello is an outsider makes him vulnerable to questioning how well he knows the customs and traditions of the foreign land he is in. However Iago’s malice is the key to Othello’s downfall; without him taunting Othello into
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Critical- how Iago manipulates Othello by manipulating his trust Trust is the belief that someone is truthful‚ reliable‚ and honest. In the play Othello by William Shakespeare‚ the character Othello shows a great amount of trust‚ which when manipulated‚ ultimately leads to his downfall. Trust is an honourable trait but in excess can be detrimental. In Othello‚ Iago uses several techniques of manipulation to shift Othello’s absolute trust from his wife‚ Desdemona‚ to himself. The first of these
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Alfredo Alvarez English 1302 Jennifer Jordan November 30‚ 2011 Othello Othello is properly held to be one of William Shakespeare ’s most powerful and moving tragedies‚ and there are many ways that the play can be interpreted‚ helping to enhance the play ’s value and keep it relevant and timely even in the modern era. In particular‚ the play provides an early example of placing minorities in central‚ even heroic‚ positions. Othello is the nominal protagonist of the story‚ and while he does follow
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To what extent can Othello be considered a ‘tragic hero’? The extent of which Othello is a tragic hero has been open to much debate; the basis on which he is judged falls to Aristotle’s established view of the crucial elements that distinguish whether a person is truly tragic. According to Aristotle‚ a tragic protagonist is a nobleman or person from high status‚ who contributes to his own demise and illustrates a flaw or weakness in judgment. The tragic protagonist must make a fall from a high
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Script 1 OTHELLO/RAPE OF THE LOCK/SCHOOL FOR SCANDAL SCRIPT 3 (b) ‘Othello is a play about the desperate need for certainty.’ By considering the action and effects of the play‚ evaluate this view. Well developed and consistently detailed discussion of effects; remarkably sustained substance and subtlety in the use of AO2 OVERALL SCRIPT Band 6 58 Marks Grade A(*) Othello‚ one of Shakespeare’s four ‘great tragedies’‚ is a text with many applicable themes: oppression of race‚ subjection
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