Ethan Coen‚ Quentin Tarantino‚ Martin Scorsese‚ and Alejandro Gonzalez Inarritu are the definitions of great filmmakers. First of all a great film maker needs to have a great story. Ethan Coen has his own genre when he makes movies. He tends to make movies that have a very intelligent lead actor‚ and they usually follow a man who is going through a hard time in their life. His movies are very intelligent but at the same time are humorous. His movies give one moments where they laugh‚ cry‚ and
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Quentin Tarantino’s Django Unchained‚ follows the story of a slave named Django (Jamie Foxx) who is on a quest to save his wife after being liberated by a German bounty hunter‚ Dr. Schultz (Christoph Waltz). The first half of the film has many western themes and characters including bounty hunters‚ a sheriff‚ and pays homage to the old western movies. The second half of the film is more a Blaxploitation/revenge film and focuses on trying to create a black hero. The film follows Django who starts
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How to Write a Movie Review Writing a movie review is a great way of expressing your opinion of a movie. The purpose of most movie reviews is to help the reader in determining whether they want to watch‚ rent or buy the movie. The review should give enough details about the movie that the reader can make an informed decision‚ without giving anyway any essentials such as the plot or any surprises. Below are our guidelines and tips for writing a good movie review. 1. Watch the movie
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Revenge fuels the engine that drives “The Bride” in Quentin Tarantino’s ultra violent thriller‚ Kill Bill. In this critically acclaimed film‚ a clouded focal point steers the leading lady down a murderous path to avenge the attack of her wedding party. Her hit list is occupied by a group of people known as the Deadly Viper Assassination Squad‚ and specifically aims to kill her ex lover‚ Bill – the mastermind behind it all. Tarantino uses a combination of surrealism and extreme violence in this film
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hero in that era‚ challenges the stereotype of all cowboys usually being white westerners. This movie visits America’s lowest point in history‚ but it is worth the watch because in the end‚ the intelligent‚ boastfulness‚ loyal slave wins. In 2007‚ Tarantino had the brilliant idea of making a spaghetti western movie – A movie that is a broad subgenre (mixture of two genres fused together) of Western films. – He wanted to produce
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Aesthetic and Thematic Definition of Independent Films "The Official cinema of the world has run out of breath. It is morally corrupt‚ aesthetically obsolete‚ thematically superficial‚ and temperamentally boring." (Lionel R et al‚ 1960) As a result of this and a great number of other reasons‚ independent cinema was born. For the most people who have a basic knowledge of American cinema‚ “independent filmmaking consists of low budget projects made by (mostly) young filmmakers with a strong personal
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Film Critique Inglorious Basterds is an intense action thriller with a comedic twist put together by director Quentin Tarantino. The movie is somewhat violent but real fantasy of what many people wish would have happened to Adolph Hitler during World War 2. Inglorious Basterds is the story of a small group of Jewish-American soldiers assembled by Lt Aldo Raine played by Brad Pitt. This group of soldiers are ordered to strike fear into the hearts of soldiers of the Third Reich by brutally killing
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Identifying Heroes: The Godfather and Pulp Fiction The form of Classical Hollywood films is‚ first and foremost‚ invisible. In a Classical Hollywood film‚ the narrative is foremost‚ and style serves the narrative. Camera angles‚ lighting and editing patterns such as the shot/reverse-shot pattern aim to give us the best possible perspective on the unfolding events(1). These events are arranged in a strongly causality-oriented linear narrative‚ with one event causing the next. This narrative is
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Taylor Rogers 4/8/12 O’Neal Paper 3 ENGL 1023 Character Analysis Can one character make an entire script move with reason? In the script “Pulp Fiction” by Quentin Tarantino Vincent Vega is that voice of reason that makes the entire script move. In the script “Pulp Fiction” by Tarantino Vincent Vega is portrayed and used as the voice of reason‚ and always uses logic to get to his final assumptions. In the first scene we come across Vincent he is talking to Jules about
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paragraph‚ people have the potential to put down the article. The first line almost attacks the readers personality with “If you take no pleasure in popular culture‚ with all its manic excess‚ then you are likely to be bewildered‚ even offended‚ by Quentin Tarantino’s extraordinary film‚ Pulp Fiction” (Stone 610). Not only does Stone use bias with the negative connotation words like bewildered and offended‚ but also he shows his own enjoyment in it by saying how ‘extraordinary’ Pulp Fiction was to him
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