1) How do camera angles and image juxtaposition tell a story? Describe an instance from each video where the filmmaker uses a camera angle or juxtaposition of images to enhance our understanding of the place they are documenting. In film number one the filmmaker used a lot of long and close up shots to show the natural beauty surrounding the bridge. The filmmaker also zoomed and focused in on a lot of simple things in the park such as the leaf with drop of water to show how serene the area is
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Pulp Fiction is like boot camp for the Marines. You come into it from your civilized life‚ they subject you to violent language until you’re numb‚ they abuse you verbally and physically until all of your normal feelings and values are reduced to dust. Leaving you aware that you have changed‚ and able to describe the change‚ you find yourself questioning the person you were previously. First thing you know you’re saluting. This story is a cleverly disorienting journey through a landscape of danger
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Ethical Values in Pulp Fiction Pulp fiction is a movie filled with drugs‚ violence‚ gambling‚ and pop iconography‚ describing how real-life society is going towards the “death of god” era; a life without morals. A lot of movie critics would say that Jules (Samuel L. Jackson) and Vincent (John Travolta) possess no ethical values‚ no sense of morality. They also say that the movie does not convey a message. The movie does convey a message; Quentin Tarantino just masks it behind the street-savvy
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I based my movie project on the film‚ Pulp Fiction‚ by Quentin Tarantino. This film stars such names as John Travolta‚ Samuel L. Jackson‚ Uma Thurman‚ and Bruce Willis. The movie has a few different aspect that takes form thoughout the plot. One of which is about John Travolta and Samuel L. Jackson’s characters‚ who play a couple of deadly‚ cold hearted hit-men. Another is about an over the hill boxer‚ played by Bruce Willis‚ who scams the head boss of a mafia-like cartel for some big time money
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Pulp Fiction (1994) is a mesmerizing‚ violent and entertaining movie. It has a bizarre cast of characters‚ a nonlinear sequence of events and endless references to pop culture. The underlying theme of the movie‚ however‚ deals with religion and the transformation of two characters: Jules (Samuel L. Jackson) and Butch (Bruce Willis). In the beginning of the film‚ Vincent (John Travolta) has returned from a stay in Amsterdam‚ and the conversation between Jules and Vincent deals with what Big Macs
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Pulp Fiction‚ is considered by many to be a key example of post modernist cinema. Its use of non-linear narration‚ copious references to other movies and its off beat dialogue‚ combined with Tarantino’s unique style make the viewer aware that there is something different about this movie from most Hollywood blockbusters. George Ritzer said that "in the modern world everything seems pretty clear-cut‚ (but) on the cusp of the postmodern world many things seem quite hazy." This is the case with regard
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Pulp Fiction is a controversial film‚ written and directed by Quentin Tarantino‚ in 1994. It has almost everything you could wish for in a movie; drama‚ hilarity‚ intensity‚ action‚ thrills‚ fun‚ intelligence‚ romance‚ intimacy‚ over-the-top bravado‚ vulgarity‚ sweetness‚ humor‚ and soul-searching. The film is very raw and brutal‚ but has a unique sense of style that keeps the viewers entertained. It will build its way up gradually to an incredibly intense scene‚ before dropping down to a relatively
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indie film movement with his earlier film Reservoir Dogs. Subsequently‚ Tarantino followed up with his well-received movie Pulp Fiction. Both Movies are similar plot-wise; they deal with gangsters coping with unexpected events. Quentin Tarantino uses camera placement and editing‚ themes‚ dialogue‚ and different movie genres to tell the story literally and cinematically in Pulp Fiction and Reservoir Dogs. Although both films deal with gangsters and criminals‚ they have different themes. In Reservoir Dogs
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One of my favorite aspects regarding Tarantino style is how he chooses to exclude characters or their faces from shots. This can be seen in several times in Pulp Fiction as well as Kill Bill vol 1. In Pulp Fiction we don’t actually see Marcellus’s (Ving Rhames) face till late in the movie all we see is the back of his head with a single Band-Aid on it. Ultimately the effect of this shot is building up Marcellus and giving him an intimidating aura. Tarantino does a similar style of shot when introducing
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During the beginning of the movie‚ the camera angles Browning used were always shot from a bird’s eye view. The camera is hardly ever eye to eye with the freaks and instead gives the audience the feeling that they’re being looked down upon. I think this helped Browning give the impression that the normal population in society was looking down rather than looking equal. However‚ this completely changes in the ending of the movie when the camera angles being to be at eye level. When all the freaks
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