In What Way Would A Modern Audience React To The Way Race And Racism Is Portrayed In ’Othello’? In the Sixteenth century‚ as we see clearly from Othello and other works of both Shakespeare and Cinthio’s original version of Othello‚ race was a topic of great debate and discussion. Today‚ in the twenty-first century the debate retains its controversy and passion. However‚ attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an
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innuendo referring to Othello as the muslim soldier and Desdemona the Venetian was established. Not a mean of showing his patriotism to Venice and service he had contributed‚ Othello articulated this since he was convinced that he‚ who had killed a Venetian‚ deserved the same end as the “turbaned Turk”(5‚2.349)‚ and hinted the tragedy at the end of the play when he stabbed himself. By referring to the Muslim soldier as a “circumcised dog” and making animal reference‚ Othello showed his disdain and
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Freudian Reading on “Othello” Is it possible for other people to act as our superegos? What are the effects of never resolving your oedipal complex? And when a situation becomes to over whelming‚ do we project our thought and feelings on to our peers? I am using “Through the Literary Looking Glass: Critical Theory in Practice” by Sian Evans and “Othello” by William Shakespeare to analyse the characters Othello and Iago as well as the major theme jealousy through a Freudian lens. The aim of this
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Representations of the Tragic Hero in Othello and Macbeth One of the engaging elements of Shakespeare’s tragic heroes is that they are not monstrosities of virtue but rather people who are simultaneously accessible and elusive; they are made up of qualities and characteristics that we find within ourselves and other characters within the play while exhibiting an intensity that places them beyond our grasp. We come to realize that we have never known such a person (20). This quality of the tragedies
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Revenge is the main theme in the play Othello by William Shakespeare and it is portrayed from the character Iago. Through Iago’s soliloquies he reveals his horrible doings. Iago wants to get revenge on Othello and his loved one Desdemona. The reason why he wants to get revenge at Othello is because he promotes Cassio to Lieutenant. Iago takes advantage of his reputation “Honesty Iago” to manipulate other characters in the play to get revenge from Othello. Iago is aware that he can easily manipulate
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In the story Othello by William Shakespeare‚ it tells a tale of revenge and jealousy between both protagonist and antagonist. Othello the protagonist and Iago the antagonist. Othello being corrupted by jealous‚ Iago eating the desert of revenge. Othello the innocent protagonist that been corrupted by the foul character Iago. Iago the greatest villain of the play. Committing many sins with his work with his power of deception‚ manipulation‚ and betrayal. Then there Othello‚ a character that is not
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Point Two: Iago suspects Othello to be sleeping with his wife. Proof: Point Three: Iago accuses Othello of being a thief to Brabantio Proof: Concluding Sentence: Second Body Paragraph Introductory Sentence: Point One: Roderigo is jealous of Othello as he is obsessed with Desdemona‚ and that is Othello’s wife. Proof: Point Two: Othello is jealous as Desdemona shares her love with someone else. Proof: Point Three: Iago engineers himself to become jealous of Othello for apparently sleeping
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men’s outlook on life?. In the play Othello‚ by William Shakespeare‚ reputation is a key idea because Iago plans to destroy both Cassio and Othello’s reputation. Due to Cassio’s position of being lieutenant has caused Iago to be jealous. Iago plan is to destroy Othello and Cassio’s reputation so Iago could build his reputation. Iago is jealous of Othello because Othello was the person who recommended Cassio to be the lieutenant.Iago believes to be cuckold by Othello so he needs to get revenge.The most
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Oral Presentation on Othello Greed! Lust! Envy! Pride! Gluttony! Sloth! Wrath! These are the 7 deadly sins! – Shakespeare often related to Christianity and Biblical concepts in his plays; Othello is no exception. Throughout Othello‚ there are certain events and deeds carried out by the characters which strongly resemble these 7 deadly sins. Wrath is deemed the worst of these sins and is by far the most recognizable and obvious sin within the play. Examples of these sins are sewn deeply into the
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Shakespeare’s masterpiece Othello has remained relevant beyond its original context not merely because of its universal themes of love and betrayal‚ but rather‚ due to its textual integrity‚ and the enduring value which is enhanced through the exploration of such issues‚ as marginalisation and the psychology of villainy. Shakespeare’s portrayal of Othello as being an outsider‚ and being “othered” by the Venetian society due to his different race‚ reflects traditional Elizabethan values and ethics
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