"Prop 69" Essays and Research Papers

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    One of the defining elements of postmodern dance making is the integration of many mediums into an all-encompassing performance‚ rather than dance being limited to one specific genre or technique; the rule is‚ there are no rules. World-renowned choreographer Pina Bausch was a pioneer of this medium‚ and popularized the hybridization of movement and dramaturgy‚ commonly referred to as “dance theater.” As a prominent figure in the Postmodern Dance Era‚ Bausch’s presence is an underlying influence in

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    At the start of the ‘living in peace’ scene from the film ‘Disturbia’ we know we are in the character’s (Kale) house as we can see he is in his bedroom with household props such as a table‚ bed‚ lamp etc. We can also tell they are in their home as they look fairly comfortable. There is also a shot of outside the house which lets us know it is set in a normal suburban location with large houses and with large houses there are normally basements which killers are typically known to keep their victims

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    worst costume. Donations to North Shore Rescue. (Oct 28‚ starts at 8am‚ 9am‚ and 9:30am) 10. Maan Farms Haunted Corn Maze: This year walk through Canada’s scariest maze‚ the corn field of terror! This year enjoy horrific scenes‚ hidden interactive props and live actors. You get chased‚ have to hide‚ and do whatever it takes to make it out alive. Tickets only available at the door; Maan Farms‚ 790 McKenzie Rd‚ Abbotsford. (See maanfarms.com for dates throughout October‚

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    Mise en scene

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    When applied to the cinema‚ mise-en-scène refers to everything that appears before the camera and its arrangement—composition‚ sets‚ props‚ actors‚ costumes‚ and lighting.[2] The “mise-en-scène”‚ along with the cinematography and editing of a film‚ influence the verisimilitude of a film in the eyes of its viewers.[3] The various elements of design help express a film’s vision by generating a sense of time and space‚ as well as setting a mood‚ and sometimes suggesting a character’s state of mind.[4]

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    Midsummer Night’s Dream‚ Act IV Scene I ends with Theseus finding the four lovers waking after an eventful night. This simple‚ joyous shot of the four lovers in a field‚ just outside the woods‚ separates past and future events. By using lighting‚ props‚ depth‚ composition‚ makeup‚ contrast‚ character placement and character proxemics‚ the director was able to set a lighthearted tone for the rest of the movie. When looking at the scene the dominant contrast is the four lovers‚ all similar in colour

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    Michael Gow's "Away".

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    performance‚ and therefore‚ the reader’s understanding of the characters and issues is always improved by its staging. "Staging" in Drama means the process or manner of putting a play on stage. This refers to the positioning of the characters and props‚ the way the actors move‚ the way they use their voice and how the character looks. Gore Vidal once said‚ "A talent for Drama is not a talent for writing‚ but an ability to articulate human relationships." By this‚ Vidal meant that to convey a play

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    INTRODUCTION. Theatre in Ghana predates ancient times although there is no document to support that‚ it is not farfetched because Ghanaian way of life has been theatrical and performance based; from child birth to naming ceremony through to puberty rites to marriage ceremonies and funeral rites. All these ceremonies are imbued with theatrical performances. It must also be noted that instoolment of Chiefs‚ festivals‚ enstoolment of Chiefs‚ grand durbars‚ victories at war‚ ritual ceremonies are all

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    Arlecchino’s‚ she can be in that scheme. In cases where she is an independent character‚ she can be in blacks and whites in the spirit of a French Maid. Columbina does not usually wear a mask but sometimes wears one covering only her eyes. Her signature props are a tambourine and a basket. Her physical appearance is attractive‚ perky and petite with a tiny waist‚ wide hips and lots of cleavage. She walks as if she is skipping on air with a little flick of the foot at the end of each step. All her posses

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    Ruby Moon Play Analysis

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    The plays we perform often display a frightening view of who we are. How are playwrights able to do this in Ruby Moon and Stolen? The frightening view of who we are is explored by Matt Cameron’s Ruby Moon and Jane Harrison’s Stolen‚ where the contemporary Australian theatrical practice is used to explore dark issues. The play Ruby Moon is a response to the current epidemic within Australian society; the fear of losing a child‚ and is concerned with life in suburbia‚ and Stolen by Jane Harrison

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    Media Studies

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    year old girl who ran away from home with her 17 year old boyfriend and is shown living in poverty in an abandoned flat and is desperate to go to school to gain qualifications and steals a uniform from a pupil to be able to fit in. the setting and props enhance the audiences view as it shows to be very rough and dirty as well as the costumes of the character‚ it makes the audience think that people who are working class or have no qualifications may end up living like that. It also represents age

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