which might be a typical ending that aims at a relatively happy closure of the play. In fact‚ if Hamlet’s uncle was killed by Hamlet in 3.3‚ I do not think this scenario will be seen as a dramatically tragic one because we might take it as a a form of poetic-justice scene in which the bad figure is punished. Thus‚ if Hamlet killed his uncle‚ I would have taken it as a wise decision. But Hamlet’s anger blinds him enough that he postpones revenge and withholds clemency from his uncle. In other words‚ he
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Aristotle presents the element of tragedy as more then the textbook definition; an event resulting in great loss and misfortune‚ but describes how it is an art that can enhance all types of poetry. He defines tragedy as being an imitation of an action that is a whole and complete in itself and of a certain extent. Aristotle shows how tragedy is actually more important than the history itself because it brings out people’s emotions‚ instead of simply presenting the facts. It is clearly stated throughout
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TRAGEDY Simple definition: A hero’s fall in a world of good and evil Classical definition: Aristotle – Ars Poetica (Poetic Arts) * Tragedy is serious * Hero is engaged in a conflict * Hero experiences great suffering * Hero is defeated and dies Tragedies involve… * A faulty or corrupt society * Tragic hero * Tragic flaw * Mistaken choice of action * Catastrophe * Discovery Tragedy arouses in the audience the emotions of pity and fear
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and of a certain magnitude” and causes pity and fear to be felt by the audience. With this in mind‚ what qualifies a character to be considered the tragic hero in this type of literature? These qualifying characteristics are defined in Aristotle’s Poetics and Arthur Miller’s “Tragedy and the Common Man”. They believe that there are several components to a tragic hero: the character must be noble or portray greatness‚ have a tragic flaw that causes his downfall‚ and the character must instill pity and
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In the light of Aristotle’s Poetics‚ we see the philosopher’s fundamentals regarding Greek drama‚ a structure or foundation that every tragedy needs for maximum expression and catharsis. It needs Plot‚ Character‚ Thought‚ Diction‚ Song and Spectacle – arranged in order of importance – so that it can be considered a Greek drama. In Plot‚ Aristotle explains how the drama is in the form of a tragedy‚ is efficiently maximized through the use of certain rules or laws called the Three Unities. Aristotle
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psychologically and sociologically The word “tragedy” evokes connotations of sadness‚ death‚ and irony. In literature‚ a tragedy is a plot in which the protagonist‚ also called a “tragic hero”‚ because of some inherent flaw in his/her character‚ dies. In the Poetics‚ Aristotle wrote that the purpose of Tragedy is to evoke a wonder born of pity and fear‚ the result of which is cathartic. As audience members we should sympathize with the protagonist‚ possibly recognizing in him/her our own human weaknesses. Because
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The Tragic hero & The Oedipus 1. Oedipus Rex is not only the greatest play of Sophocles but also the greatest Greek play. Aristotle‚ in the poetics‚ gives very high praise to the play. According to Aristotle‚ the tragic hero is a highly esteemed and prosperous man who falls into misfortune because of some serious hamartia. He particularly gives the example of Oedipus. Oedipus is closely the intermediate kind of person stipulated by Aristotle‚ not much wicked‚ not much virtuous. The complete reversal
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In his Poetics‚ Aristotle set forth the characteristics of good tragedy. To him the two most important features of tragedy were plot and character. The plot should contain a change in fortune‚ preferably from good to bad‚ and should ideally hinge on a recognition or discovery. T The main character‚ the protagonist‚ should be a person in whom good and bad are mixed but in whom the good predominates. That definition is usually paraphrased as "a basically noble person with
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catastrophe‚ the whole treated with great dignity and seriousness”. The Greek tragedies are plays based on myths which were well known and enjoyed by audiences. Most of the plays encompassed certain elements that Aristotle identified in his Poetics. The five Aristotelian elements for a tragedy are: 1. The tragedy must make the audience feel fear and pity toward the actions that take place on stage‚ and the play should inspire the audience to live better lives; 2. The hero must be of high importance
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Medea and Oedipus the King were and remain masterpieces of the Western literary patrimony. These tragedies gave rise to strong emotional releases of fear and pity. Because of this catharsis‚ it induced important philosophical reasoning. The main concern was whether or not it damaged the individual mind. The central figures in this debate were Plato and Aristotle. Paradoxically‚ it is difficult to navigate in the rivers of human drama without being splashed by feeling of fear and pity. The central
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