"Plato and aristotle in theatre" Essays and Research Papers

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    in which they would finance artists to produce art in many forms. Italian theatre used the plays of ancient Greek and Roman theatre (dramas) as well as mediaeval theatre (religious plays) as a foundation. Commedia dell’Arte The main style used by theatre groups in Italy during this period was called commedia or Commedia dell’Arte. Commedia dell’Arte or "the comedy of professional artists" was a mainstay in Italian theatre during its renaissance. This included bits of comedy performed by different

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    According to Plato a property that is abstract or quality is considered a form; if you were to take a property of a certain object and separate the property from the object‚ that itself would contemplate a form. A basketball could be taken for example here where you can take the roundness of the object being the basketball in this case and separate the roundness from all of the other properties the basketball has like the weight and the color‚ focusing only of the roundness would be the form of

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    American Theatre History

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    History of Theatre Early in the 1700’s British people that were involved with theatre were mostly middle class. There were 2 kinds of new dramatic theatre: sentimental comedy and domestic tragedy. The fist playhouse was in the American colonies was built in Williamsburg‚ Virginia. In 1741 the greatest British actor was born and his name was David Garrick. Aeschylus wrote the first major playwright and multiple contests. "The Orestria" was the last remaining tragic trilogy. Sophocles

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    According to Aristotle the good life is the happy life‚ as happiness is an end in itself. He also believes that all actions aim at the good and that the good is happiness. I believe ‘some’ of Aristotle’s views on the good life are correct but I believe sometimes we can sacrifice our own happiness for someone else’s happiness and the people that don’t have the power to reason do have souls and they are still as human as everybody else. In order to make my point I will first have to explain Aristotle’s

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    Theatre as Visual Rhetoric

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    Theatre as Visual Rhetoric In Scott McCloud’s “Understanding Comics‚” he defines art as both “any human activity that doesn’t grow out of EITHER of our species two basic instincts: survival and reproduction” (164)‚ and “the way we assert our identities as individuals and break out of the narrow roles nature cast us in” (166). Although McCloud was discussing graphic novels in his work‚ I think that these quotes and his argument apply to any type of visual rhetoric. As a former theatre minor at Marquette

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    Musical Theatre History

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    Musical theatre can be a great tool for teachers as it can help teach a variety of skills and provide information. However‚ musical theatre is often ignored in the classroom. This is not only a fault of people with distaste for theatre‚ but also lovers of theatre. As David Savran says‚ “And even for many devotees of the so-called straight theatre‚ musical theatre remains (at best) a guilty pleasure-a little too gay‚ too popular‚ too Jewish‚ and too much damned fun” (216). This blockage between

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    Aristotle Virtue Ethics

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    Aristotle had a few theories of ethics. Aristotle believed that one attains happiness by living a virtuous life and through the development of reason and the faculty of theoretical wisdom. He believed that moral virtue is a relative mean between extremes of excess and deficiency and in general the moral life is one of moderation in all things except virtue. He believed that virtuous acts require conscious choice and moral purpose or motivation. Finally‚ he believed that moral virtue cannot be achieved

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    Aristotle Virtue Theory

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    comings. It is only through habitually practicing to try to make the right decisions that we can aspire to become virtuous. It is not our response to a single situation but how we respond as a general rule. We need to be consistent in our actions. Aristotle realized that this is something that doesn’t come overnight but that it takes time to mold ourselves. How we find out what the mean is in every

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    ARISTOTLE ’S EUDAIMONIA Eudaimonia stands for happiness in Greek. Aristotle argues that the highest good for human beings is happiness. He insists that every action performed by humans is to pursue happiness. Aristotle also argues that human action is always aimed at some end or good. This "good" may not be viewed as a good action or any good by others‚ but for the doer of the action ("good")‚ the activity will be perceived as good and that it will bring a favorable outcome. Aristotle also said

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    Elizabethan Theatre and its Audience Soumita Samaddar Roll: ME10 00 14 Year: M A English‚ 2nd Semester Supervisor: Prof. Tamalika Das The posthumous impact of ancient Rome has an unsurpassable influence on the historical background of Elizabethan Theatre. The defining feature of the period is the growth of a modern consciousness‚ which has another alternative name‚ ‘Early Modern’. This is not only apparent in the theatre of the late sixteenth and early seventeenth century but in present

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