Photography shows us the world‚ but only the world the photographer creates. According to Sontag‚ “photography implies that we know about the world if we accept it as the camera records it.” In other words the viewer only sees what’s within the frame. Images allowed us to see situations that occurred‚ however‚ it’s extremely limited in what the audience can see. I agree with Sontag’s claim that photography limits our understanding of the world. Photography has accomplished the task of manipulation
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is taken and forever revitalized. Photography takes the essence of memory and seals it into the history of those involved in the process. Susan Sontag’s didactic text “On Photography” digs deep into the meaning of photography and claims that it has unlimited power within modern society. Her exclamation that “cameras are fantasy-machines” exerts the idea that photography brings the world closer together‚ yet seems so distant as if it were all but an illusion. Sontag starts off her text by asserting
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in the ocean with the ominous feeling of the gloomy clouds surrounding every corner of the photograph. Photography is a basis of knowledge to shed light upon what we know today. We are surrounded by it in our daily lives‚ but do we really see everything that lies behind a photograph? Photos capture memories and remind us of good times in our lives. However‚ today‚ society has turned photography from a tool to capture a memory into a device that is used by anyone who has an expensive camera or even
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In a world where our perception and understanding of the place in which we live is influenced by our surroundings and the way we view them‚ it is important that we look at all aspects of the matter from all viewpoints‚ both through the lens and with open eyes. In this case‚ I agree with Sontag in the fact that we can’t learn about the world just from what the camera has captured‚ but disagree with her idea that photography is negative in the way that it allows for us to fill our minds and makes us
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In her lecture “War and Photography‚” Susan Sontag discusses the role of photographs in raising awareness about human rights issues while simultaneously looking at the effectiveness of graphic images. She asks her audience to engage with how they respond to images that are a result of “concerned photography‚” and how those images impact their understanding and memory of the human rights event. Sontag also grapples with how shocking images lose their effectiveness over repeated viewings‚ or over the
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by Susan Sontag In Regarding the Pain of Others‚ Susan Sontag asks the reader to think about how our engagement with a photograph affects our understanding of suffering and war. Sontag evaluates the use of images and the role of photography in representing how the interpretation of images is heavily influenced by context‚ and the effect that these representations have on us. In doing so‚ Sontag addresses a few major questions concerning photography. What is unique about photography and representation
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Photography shows us the world‚ but only the world the photographer creates. According to Sontag‚ photos show that we understand through a photo in the way we see the picture. Seeing photos can limit our understanding because we only see the picture not whats going on around it. In other words the viewer only sees what’s within the frame. Images allowed us to see situations that occurred; however‚ it is extremely limited in what the audience can see. I qualify Sontag’s claim that photography limits
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photographed’ (Sontag‚ 2004). Does photography have a special role in the mediation of our lives‚ and how‚ according to Sontag‚ is this role changing? INTRODUCTION Attempting to comprehend the role of photography in the mediation of our lives would have to account‚ apart from historical evidence‚ an understanding of the importance and the necessity of the photograph in every day life. In a society that is constantly bombarded by images from different mediums‚ photography has transformed
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Though Sontag speaks and disagrees with the form of interpretation of art that can be invoked as a stereotype for art critics/interpreters in the modern world today‚ Aristotle’s representational view of art battles that notion and challenges the view of‚ whether imitational art is a art form in itself‚ or just simply the product of the egos that critics possess in hopes of polishing their appearances as an connoisseur of finding the latent contents in artworks. In “Against Interpretation” Sontag
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Susan Sontag an author Regarding The Pain of Others and of four novels‚ and seven non-fiction books. States that "Photographs tend to transform‚ whatever their subject; and as an image something may be beautiful - or terrifying‚ or unbearable‚ or quite bearable - as it is not real life." These words spoken by Susan Sontag explain almost every aspect that goes into evaluating a photograph. For instance a picture
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