Jackson Cung Prof. Ted Shank English 908 24 March 2013 Famine in Uganda This photograph was taken by Mike Wells on April 1980. It was taken in the driest region of Uganda‚ the Karamoja district during the 1980 famine that wiped out twenty-one percent of the population. The photograph has a hand of a missionary holding the hand of a starving child; its purpose is to show the audience how severe the famine is in Uganda by contrasting the two hands. I believe that the target audience would be the
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their work using the following categories for interpreting photographs found in Terry Barrett’s Criticizing Photographs: 1) Descriptive 2) Explanatory 3) Interpretive 4) Ethically Evaluative 5) Aesthetically Evaluative 6) Theoretical I will explain why I have placed each of these images in such categorization. I will then go on to discuss‚ in my personal yet humble opinion why I believe or do not believe it makes for a successful photograph. I will also discuss the value (if any) the image holds in
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view photographs may be the most important. The relationship between photography and power can be weaved together to make a variety of opinions. Sontag’s view of photography is not of an ordinary view. In fact‚ Sontag views photography as an art form. She views photos for its meaning and not its image. In Sontag’s point of view photographs explain everything‚ (Sontag‚ 1997‚ p. 780)‚ “Photographs furnish evidence. Something we hear about‚ but doubt‚ seems proven when we are shown a photograph of it
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around the world. The specific artwork that will be analyzed is a series of photographs‚ “The days we were happy” which was created on 1972. Each photographs are paper print that are the size of 10x14.5 cm each. Three of the photographs I selected from the series‚ “The days we were happy” display images of a television‚ a woman cooking‚ and an old man. The three specific photographs are captured in an old and ripped photograph. Nobuyoshi Araki most certainly comments on the idea of memory as the title
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Philadelphia‚ Pennsylvania. She showed great interest in the visual arts from a young age and attended the University of Philadelphia‚ where she graduated with a Master’s Degree in photojournalism (Habert). After graduating she received a scholarship to photograph Turkey and she also visited other European countries such as Greece‚ Spain‚ Germany‚ England‚ and Italy (“Mary”). In 1967‚ Mark moved to New York and began to explore her photography focus of humanism and experiences in diverse cultures (“Mary”)
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role in literacy while Perl claims the audience makes the last finding in a photograph. Through this‚ the audience is privileged to critique on their work because without them everything would be bogus. You need an audience in order to revise your writing because you need feedback to enhance your work for publicity. You need an audience to complete a scenario in a photograph not just by looking at the 2-D form in a photograph but by looking at it through every dimension. Both Perl and Thompson present
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Photographs 2009 The following guidelines are provided for centres to follow in the management of test day photos; the decision to accept the photographs submitted by a candidate is at the Administrator’s discretion. ▪ Candidates provide two identical colour photographs that are not more than six months old ▪ Cross reference with passport photograph (if the same has been used check the date of issue of the passport) ▪ Black and white photographs must not be accepted
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you the whole night. My photograph is of an important person this person has always been there for me and I’ve always love her. As I look back at my photo I relive our prom night over and over. As I walk up to the boat dock I spotted you‚ as our eyes meat I started to get the same rush as if it was tenth grade again and I’m sitting next to you in chemistry passing you notes. You’re dress hugging the curves that has everybody turning their heads. In the photograph people are able to see all the
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taken. Bravo was risky with his choice to take modest photos to show the truth of what was happening‚ promoting awareness. I think a lot of people would think it is immoral to capture dark moments including death that is so dramatic such as this photograph. I also agree believing that isn’t moral to capture the essence of a soulless body. Although Bravo had no intentions to demoralise but rather to make a statement about war some might not agree with his statement. It is hard for me to find a mutual
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“99 Cent” was an iconic photograph taken by the German photographer‚ Andreas Gursky in 1999. Gursky takes an ordered‚ indexical approach to his work. Capturing scenes with enormous amounts of visual information. Gursky has been known to subtly enhance and adjust the structure of his photographs‚ which enables the viewers to assimilate and consume more feasible with just our eyes alone. 99 Cent is a perfect example of the spectacle surrounding consumerism‚ as it is composed in an organized and rigorous
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