Othello is a character of extremes. He has no middle range. Right a response to this statement supporting your answer with suitable reference to the text. I agree with the statement that Othello has no middle range and his emotions and actions are extreme. At the beginning of the play he is competently in love and passionate with his ‘Sweet Desdemona’. In the first two acts‚ Othello shows his exaggerated love for Desdemona‚ by putting his life at risk and eloping with her. Act I Scene III “I
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All these themes are present in Othello. Most dominant‚ however‚ are manipulation and jealousy. Jealousy runs the characters’ lives in Othello from the beginning of the play‚ when Roderigo is jealous of Othello because he wishes to be with Desdemona‚ and to the end of the play‚ when Othello is furious with jealousy because he believes Cassio and Desdemona have been engaging in an affair‚ but manipulation the prominent action that fuels the jealousy within Othello. Some characters’ jealousy is fashioned
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Parker’s film version of Othello delves into the notions of a sexual reading focusing on the masculinity of Othello. Also‚ Parker demonstrates a racial side to the play employed to centralize the theme of jealousy which is the catalyst the ultimate tragedy in Othello. With the omission of parts of the play‚ Parker employs different characterization relating it to the modern social ladder. My reading focuses on Othello‚ the character. Othello was a foolish man who trusted the advice of a colleague
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Honor Being one of the central themes in Othello and Hamlet‚ honor is used in very strange ways by Shakespeare. He has a way of showing how his characters can be very honorable or have a lack there of. He displays how honor is interwoven with personal integrity and how acts of attempting to keep a reputation can be confused with the acts of personal integrity. Lastly‚ he also displays how honor relates to the foresight seen by his characters. Honor can be connected to almost any actions made by
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and Gullibility: The Devastating Flaws of Othello By: Ryan Mongon "The tragic flaw is the most important part of the hero and the events that occur in the work is a reflection of that flaw." Aristotle The plot of William Shakespeare’s Othello is a tale of love‚ jealousy‚ and betrayal; however‚ the characters‚ themes‚ and attitudes of the works are different‚ with Shakespeare’s play being a more involved study of human nature and psychology. Othello is considered to be a prime example of Aristotelian
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eponymously titled play ‘Othello’‚ manifests greed‚ ambition‚ jealousy‚ revenge and most of all‚ manipulation. Iago’s skillful manipulation of protagonist‚ Othello‚ eventually leads Othello to self destruct. The once “noble and valiant moor” is transformed into the “blacker devil” as he kills his beloved Desdemona due to her supposed infidelity with lieutenant Cassio. This is an illusion that Iago had created by insinuating that “the fair and gentle Desdemona” had turned her husband Othello into a cuckold
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Racism in Othello is able to be studied because of the contextual time period‚ and how human response changes in different contexts. Racism is one of the more broad viewing points in Othello‚ there is alot of points and techniques that can be observed in this theme. Iago has excused himself of his illdoings towards othello becuase of othello’s racial status. "I hate the moor and it is thought abroad that he twixt my sheets" Iago uses the word moor‚ tp directly reveal that he is expressing his discontent
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In What Way Would A Modern Audience React To The Way Race And Racism Is Portrayed In ’Othello’? In the Sixteenth century‚ as we see clearly from Othello and other works of both Shakespeare and Cinthio’s original version of Othello‚ race was a topic of great debate and discussion. Today‚ in the twenty-first century the debate retains its controversy and passion. However‚ attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an
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innuendo referring to Othello as the muslim soldier and Desdemona the Venetian was established. Not a mean of showing his patriotism to Venice and service he had contributed‚ Othello articulated this since he was convinced that he‚ who had killed a Venetian‚ deserved the same end as the “turbaned Turk”(5‚2.349)‚ and hinted the tragedy at the end of the play when he stabbed himself. By referring to the Muslim soldier as a “circumcised dog” and making animal reference‚ Othello showed his disdain and
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Freudian Reading on “Othello” Is it possible for other people to act as our superegos? What are the effects of never resolving your oedipal complex? And when a situation becomes to over whelming‚ do we project our thought and feelings on to our peers? I am using “Through the Literary Looking Glass: Critical Theory in Practice” by Sian Evans and “Othello” by William Shakespeare to analyse the characters Othello and Iago as well as the major theme jealousy through a Freudian lens. The aim of this
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