do you rouse me at this hour?” {Alexandre Dumas‚ the Count Monte Cristo} (A mild oath which called on the Devil /In heaven’s name/why the dickens/why in the world/why on God’s green earth/why the hell/ why the deuce/ why in tarnation [damnation]) {Oxford Thesaurus} -Why in the name of everything infernal do you want me to be ambassador? -I kept my eye on her after that‚ for I knew there was some devilry in the wind. I saw them from time to time‚ for I was anxious to know what they were after. {Sir
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The Oxford Group consisted of a group of intellectuals in England in the late 1960s and early 1970s associated with the University of Oxford‚ who met and corresponded to discuss the emerging concept of animal rights‚ or animal liberation.[1] The group initially consisted of post-graduate philosophy students‚ and included Stanley and Roslind Godlovitch‚ John Harris‚ David Wood‚ and Michael Peters. Its members were active in academic circles in Oxford‚ and through their influence others became interested
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Bibliography: Books: * Bogdanor‚ V.‚ ‘The New British Constitution’ (2009 Hart Publishing‚ Oxford) [ 10 ]. Bogdanor‚ V.‚ ‘The New British Constitution’‚ ‘Chapter One: A Peculiar Constitution’ (2009 Hart Publishing‚ Oxford) [ 11 ]
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Discuss the effect that political and economic factors had on the composition of Handel’s Judas Maccabaeus. ‘Judas Maccabaeus’ is an oratorio composed by George Friderick Handel and was written to be first performed in 1747. The piece was written in honor of the duke of Cumberland to acknowledge his success in the battle of Culloden during the Jacobite rebellion. The political links with the work had a clear influence on the final outcome of the piece‚ and this is shown through its story and
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Heitzenrater’s reference about John Wesley’s mention shows John Wesley’s theology in early oxford‚ “The balance between faith and good works‚ the following of virtuous tempers‚ and the use of all the traditional means of grace that God provided‚ would help one have the mind that was in Christ and walk as he walked.” It was natural for him to chase a godly life under his theological background and move toward it. While in Oxford‚ John Wesley began to learn and follow the tradition of holy life by reading pietistic
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Murder Will Out Crime Fiction - Literary Analysis “It is said that there is a potencial murderer in all of us‚ that if the pressures are great enough anybody can be driven to the ultimate act of violence”. (Crime Never Pays‚ OXFORD BOOKWORMS COLLECTION) This statement is reflected on most of the crime fiction stories. This genre of fiction deals with crimes‚ their detection‚ criminals and their motives. It has several sub-genders in which different well known writers concentrate on. Each writer
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• Hogett‚ Brenda‚ Mental Health Law‚ 4th edn‚ (Sweet and Maxwell‚ 1996) • Maguire‚ Mike‚ Morgan‚ Rod‚ Reiner‚ Robert‚ The Oxford Handbook of Criminology‚ 4th edn‚ (Oxford University Press‚ 2007) • M.Laing‚ Judith‚ ‘Care Or Custody? Mentally Disordered Offenders in the Criminal Justice System‚ (Oxford University Press‚ 1999) • Peay‚ Jill‚ Tribunals on Trial‚ 1st edn‚ (Oxford University Press‚ 1989) • S • The Divided Self: An Existential Study of Insanity and Madness (Penguin 1990). • Webb‚ David
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characteristics (Oxford‚ “The Role of Styles and Strategies in Second Language Learning”‚ 1989). The phrase ‘learning strategies’ refers to the actions and behaviors a person uses to learn (Oxford‚ 1989.) All learners use strategies to help them succeed‚ but not all are aware of the strategies they use. As Rebecca Oxford states: “…the most successful learners tend to use learning strategies that are appropriate to the material‚ to the task‚ and to their own goals‚ needs‚ and stage of learning‚” (Oxford‚ 1989)
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Criticism: Sixth Edition‚ New York: Oxford University Press. Connelly‚ M. (1993)‚ Martin Scorsese: An analysis of his feature films with a filmography of his entire career‚ USA: McFarland and Co Inc Publishers. Cook‚ D. (1998)‚ Auteur Cinema and the "Film Generation" in 1970 ’s Hollywood‚ USA: Duke University Press. Cook‚ P and Bernink‚ M [eds]. (1999)‚ The Cinema Book: Second Edition‚ London: British Film Institute. Friedman‚ L. (1997)‚ The Cinema of Martin Scorsese‚ Oxford: Roundhouse Publishing Ltd. Godard
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Heartz‚ Daniel. Haydn‚ Mozart and the Viennese School 1740-80. London: Norton‚ 1995. Hughes‚ Rosemary. Haydn (Master Musicians). London: Dent‚ 1974 (revised ed.). Landon‚ H.C. Robbins. Haydn. London: Faber‚ 1972. Wyn Jones‚ David (ed.). Oxford Haydn Companion. Oxford: Oxford University Press‚ 2002. ________ Haydn string quartets (BBC Music Guide). London: BBC‚ 1966. Keller‚ Hans. Haydn: the great quartets: their interpretation. London: Dent‚ 1986. Sutcliffe‚ W. Dean. Haydn: string quartets‚ op. 50. Cambridge:
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