William Shakespeare wrote many of his famous plays during his ‘great tragic period’‚ he wrote them with an aim to not only entertain his audience but to educate them through a social and political reflection using literary and staging techniques. Othello was in approximately 1603‚ to do exactly this. Shakespeare was known for pushing the boundaries and this play was no exception with the plays central character being an African man in a position of authority. As Aristotle explains‚ an audience’s pleasure
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Jealousy; The Green-Eyed Monster Rationale: Having just finished Act 3 of Othello (by William Shakespeare) ‚ a motif stood out to me. The motif jealousy‚ and it can corrupt anyone‚ even a noble Moor with principles like Othello. While reading I realized how complicated Iago is as a character and how he lacks an origin to his jealousy‚ yet is convincing himself to carry out his evil doings his ability to orchestrate a complicated interweaving of pre-planned scenarios. Iago ’s deception is
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portrayal of human experience‚ Shakespeare’s Othello prepares us for an inevitable tragedy. How is this revealed in the first 3 acts of the play? Whether the relationship is personal‚ public or rivalry; power is always present. Shakespeare demonstrates his thoughts on power in relationships in the tragic play‚ Othello. Throughout the play we see power struggles in three main relationships and the interaction between the main characters Iago‚ Othello and Desdemona. Iago’s manipulative ways are shown
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would any father. He feels betrayed not only by Desdemona but by Othello as well. It is a humiliating experiels as if he has lost his property to Othello‚ fathers of that time period had more control over their daughters. He is convinced that Desdemona only would marry Othello if the Moor had cast a spell on her using dark magic. He is motivated to protect his daug and his signature line of the play is his last‚ a warning to Othello‚ “Look to her‚ Moor‚ if thou hast eyes to see. She has deceived
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OTHELLO In the play Othello‚ the character of Othello has certain traits‚ which make him seem naive and unsophisticated‚ compared to many other people. This is why Iago‚ is able to manipulate him so easily. Iago told Roderigo‚ "O‚sir‚ content you. I follow him to serve my turn upon him "(I‚ i lines 38-9). Iago is saying‚ he only follows Othello to a point‚ and upon reaching it he will not follow him any longer. This is the first sign of how deceitful Iago will be. Iago has his own evil agenda
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English 2 Jealousy Shakespeare’s Othello portrays the effect of emotions. Throughout the play love and jealousy are the most prominent emotions. The characters’ emotions lead them into making the decisions that make this play a tragedy. Although some may argue love is the most important emotion in Othello‚ nevertheless jealousy truly is because it makes Othello and Iago make awful decisions. On one hand‚ some people might say love is the most important emotion in Othello because Iago’s motive for his
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The Importance of Reputation in Othello In William Shakespeare’s Othello‚ there are many motives that drive the direction of the play’s characters. None more prominent than reputation. Reputation is simply part of one’s life‚ none can dispute that fact. To some it is a blessing‚ to others it is a curse. Throughout the duration of the play‚ the characters Iago‚ Othello‚ and Cassio display the importance of reputation. Iago’s honest reputation‚ Othello’s war fought reputation and Cassio’s desperation
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Othello: A Feminist Reading Using ideas from feminine stereotypes‚ explore ways in which Othello might be regarded as a product of its time. The representation of women in literature was felt to be one of the most important forms of socialisation. It provided role models which shown to both genders what is “acceptable” of females. Feminist Criticism examines the ways in which literature has been shaped according to the issues of gender. The feminist challenges the idea of women being submissive
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Othello‚ in Act I‚ Scene iii‚ declares that he is “rude in speech”; however‚ he then goes on to describe at length how he seduced Desdemona by his wondrous capacity as a storyteller. “My story being done‚” he confesses to his friends‚ “she [Desdemona] gave me for my pains a world of sighs […] and bade me‚ if I had a friend that loved her‚ I should but teach him how to tell my story” (I‚ iii‚ 158-165). Throughout the play‚ in fact‚ Othello’s poetic expression is unabated; it merely changes tone
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‘Jealously remains the ultimate corrupting force within action.’ To what extent do you agree with this? Within the play Othello‚ jealously remains the ultimate corrupting force‚ as it is through jealously that dramatic conflict occurs and the tragic events unfold. The consequences of jealously have a catalytic impact on the characters of the play and their mutual relationships. This is clearly demonstrated through the machiavellian villain of the play‚ Iago‚ whose actions and dialogue are driven
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