Josh Smiertka Art History II Rinck The Influence and Artistic Intent of Caravaggio Michelangelo Merisi da Caravaggio‚ an Italian painter‚ known to be one of the most influential painters of the Baroque period. Known for his realistic portrayal of the human state‚ along with the use of dramatic lighting and intense use of tenebrism. While Caravaggio’s dramatic lighting is very iconic‚ he was most notorious for his naturalistic and raw approach to portraying his subjects. With Caravaggio’s
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and how he is a good friend‚ teammate and student. James Scobie is one of the best students in St Daniels. James gets good marks for every class and is the captain of the debating team. The debating team is made up of James Scobie‚ Bill Kingsley‚ Orazio Zorzotto‚ Ishmael Leseur and Prindabel. These guys have been winning debates after debates mostly because of James. James kept encouraging the team with his goofy looking face and never doubted the team once. James never showed fear when
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Learning Project One Assignment Two Chapter One: How did Christo and Jeanne-Claude conceive and install the Gates Project? What was the intended symbolism of the project and how was it perceived by the public? The Gates Project was built on Central Park property in New York City. It was built with the intention of making the public more aware of the surroundings of the park. The pattern that they used was very eyecatching. It consisted of 7503 orange steel gates draped with orange colored
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References: Sayre‚ H. M. (2009). A world of art (6th ed.). Boston‚ MA: Prentice Hall. Orazio Gintarro’s Art Images on the Web‚ (2009). Image: (figure 1) Myrone; Works Gallery Petronius‚ S. (2008). Diskobolos. Retrieved on November 13‚ 2010‚ from http://penelope.uchicago.edu/~grout/encyclopaedia_romana/miscellanea/museums/discob olus.html
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Renaissance. 22-4. Gianlorenzo Bernini. David. 1623. Baroque. Italy. 22-1. Gianlorenzo Bernini. St. Teresa of Ávila in Ecstasy. 1645–1652. Baroque. Italy. 22-B. Caravaggio. The Calling of St. Matthew. 1599–1600. Baroque. Italy. 22-14. Artemisia Gentileschi. Self-Portrait as the Allegory of Painting. 1630. Baroque. Italy. 22-23. Diego Velázquez. Las Meninas (The Maids of Honor). 1656. Spain. Baroque. 22-28. Peter Paul Rubens. The Raising of the Cross. 1610–1611. Flanders. Baroque. 22-38. Rembrandt
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Peter Paul Rubens perfectly represents artistic traditions and philosophical beliefs of the Baroque period because of Ruben’s techniques and subject matter. These techniques include the strong contrast between light and dark‚ the usage of rich‚ flamboyant colors which is offset by a dark background‚ the depiction of motion and facial expressions‚ the rendering of high detail‚ the naturalistic rather than ideal figures‚ the enlarges sense of space‚ the aim to create a dramatic effect‚ the theme of
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Artist Title Date Bernini David 1600s (19-7) [pic] Bernini Ecstasy of Saint Theresa 1600s (19-1‚ 19-8) [pic] Bernini Saint Peter’s‚ Vatican City‚ Rome 1600s (19-4‚ 19-5) Caravaggio Conversion of Saint Paul 1600s (19-17) [pic] Artemisia Gentileschi Judith Slaying Holofernes 1600s (19-20) [pic] Velázquez Surrender of Breda 1600s (19-29) [pic] Velázquez Las Meninas (The Maids of Honor) 1600s (19-30) [pic] Questions to prepare for Exam 2 (as well as the 5 numbered questions on study sheet
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Gentileschi‚ Artemisia. Judith and her Maidservant‚ 1612-1613‚ 1625. Galleria Palatina (Palazzo Pitti)‚ Florence. 3. Harr‚ Jonathan. The Lost Painting: The Quest for a Caravaggio Masterpiece. Random House‚ 2005. 4. Merisi‚ Michelangelo (Caravaggio). David
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Baroque Art and Architecture I INTRODUCTION Baroque Art and Architecture‚ the style dominating the art and architecture of Europe and certain European colonies in the Americas throughout the 1600s‚ and in some places‚ until 1750. A number of its characteristics continue in the art and architecture of the first half of the 18th century‚ although this period is generally termed rococo (see Rococo Style) and corresponds roughly with King Louis XV of France. Manifestations of baroque art appear
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The Life of Titian (Tiziano Vecellio) by Josh Palmer October 18‚ 2012 History 101 Tiziano Vecellio was born at Pieve di Cadore in the Alps north of Venice around 1490 A.D. He became known in english as Titian. At the age of ten Titian’s father sent him and his brother Francesco to Venice where they were to study painting at Sebastiano Zuccato’s workshop. After a short time at Sebastiano Zuccato’s workshop Titian decided to leave‚ while his brother stayed at the workshop to study painting
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