Political Aspects of Mozart’s Operas Music has been a medium for composers and musicians to express a multitude of feelings‚ concepts‚ ideals and other philosophical matters. This expression of the artists has literally been the push behind music and its creation thousands of years ago‚ and is what still influences music today along with all the time in between (DeNora). Starting with the transition of music from the Renaissance Era‚ music became more and more of a political device (The Birth). One
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Opera and Musicals Opera and musicals are popular performing arts of the world. Since a majority of people think that musicals are a lighter and an easier genre of performing art than opera‚ musicals are more widely appreciated than opera in this century. Opera and musicals both consist of music‚ stage‚ story‚ performer and audience‚ however‚ there are numerous differences among these elements. Opera’s history begins in Italy in late 16th century with a group called Camerata. Camerata was
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|[Type the company name] | |Seventeenth Century Venetian Opera | |Cultural and Economic Factors | |
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if viewed or taken from another perspective. The Phantom of the Opera is a classic‚ musical romance film popular because of its emphasis on love‚ constant entertainment‚ and powerfully touching music. The Phantom of the Opera is a popular novel and play which is still determined as one of the longest running show in history‚ and one of the most lucrative entertainment enterprises of all time. Both versions of the Phantom of the Opera movie‚ having radical differences but still being of the same kind
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While opera had been thriving in Europe since its beginnings in the 16th century‚ 19th century America was still a relatively young‚ focusing its growth elsewhere. Musically‚ opera did not appeal to the common American‚ who was much more interested in simpler tastes. Interest in opera was mostly shared among the upper class elite‚ and due to the lack of a middle class‚ wasn’t largely established in the general public until the turn of the 20th century. Socioeconomic limitations reinforced the exclusivity
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Just Later‚ That’s all is a story about a Barber and a Captain. Captain Torres goes into to get his hair cut at the Barbers because he hears a rumor of what the barber would do if the Captain was to come into the barber shop. Captain Torres and The Barber are similar because they both value their jobs where as they are different because Captain Torres values leadership and punishment and The Barber values respect and peace. Captain Torres and The Barber both vaule their jobs‚ in one way Captain
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satirical matter to draw attention to hypocrisy. Opera in particular constantly reflects the already built social constructs around the composer and the time. It is like a self-fulfilling prophesy because that music broadcasts to the general population these constructs and they are then reflected in the music. Opera shows the public how men and women are supposed to act and art imitates life (and vice versa). A classic example of gender roles in opera is Monteverdi’s Orfeo and its argued role reversal
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Complicated relationships seem to be a recurring theme throughout Italian Opera. In the movie version of the opera Cavalleria Rusticana by Pietro Mascagni‚ this seems to ring true. This opera is an example of realism‚ also known as verismo. This film version of the opera is focused on love and jealousy filled with symbolic music and a great libretto. The story revolves around Santuzza‚ Turiddu‚ Alfio‚ Lola‚ and Mamma Lucia. Yelena Obraztsova as Santuzza‚ in a soprano voice‚ is a peasant girl from
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MY SYDNEY OPERA HOUSE Against the stunning backdrop of the sydney harbour‚ lies this graceful architectural piece of urban sculpture‚ glistening in the sun and aglow at night. Pearl of austrailia jewel of sydney;The Sydney Opera House. Built in 1957-1973 and designed by John Utzon‚ proudly treasured by the people of austrailia and internationally admired‚ a master piece of modern architecture. In its relatively short lifetime it has gained a reputation as a world class performimg
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Bailey‚ Chairman of the Board of the Utah Opera Organization is leaning toward positively supporting the merger of the Opera and the Symphony Orchestra. Bailey favors the proposed merger for the following reasons‚ due to the economic climate the operas financial stability‚ although stable at present‚ could be at risk for decline in the years to come due to the declining public and private support. Also‚ he and the Opera trustees would like to see the opera become a top-tier organization‚ and with
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