The term opera seria refers to the noble and ‘serious’ style of Italian opera that predominated in Europe from 1710- 1770 however this term was rarely used during this time and only really attained common usage when it was becoming unfashionable. The phrase opera buffa was first used as an informal description of the Italian comic operas which were especially associated with developments in Naples during the first half of the eighteenth century. The development of the opera buffa was parallel with
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The goal of the Metropolitan Opera is to educate society about culture and the performing arts‚ in particular‚ opera. The Met aims to present operas of the highest quality featuring the world’s most talented performers and the broadest range of works. It tries not to repeat any operas and puts on from twenty-five operas a season‚ not to mention the tours and the recordings that they undergo. The Met also attempts to advance operas by producing new ones that are risky productions‚ which attracts a
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WELCOME TO PEKING OPERA Min Doh I organized basic facts and simple information mainly related to my presentation‚ however the actual contents might be different because I did not want to add any spoiler. :-) Brief Introduction & History Peking opera of China is a national treasure with a history of 200 years. Through a period of more than half a century of combination and integration of various kinds of opera there evolved the present Peking opera‚ the biggest kind of opera in China‚ whose richness
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Project Management 722G20 Dr. Paol Canonico and Dr. Jonas Söderlund Februay 13‚ 2009 Word count: 9‚944 The Sydney Opera House Stakeholder Management and Project Success Group 5: Vincent Anter Elin Hansson Ollie McNaught-Reynolds Annabelle Tessard Contents 1. Introduction ............................................................................................................... 3 1.1 Background .............................................................................
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Storytelling Through Opera In the following‚ three operas will be compared by their ability to effectively tell stories through music. The three operas that will be discussed are: “Don Giovanni” by Mozart‚ “La Boheme” by Puccini‚ and “Wozzeck” by Berg. All of them represent a different era in classical music‚ and have similarities and differences. The music will be analyzed both instrumentally and vocally‚ to show how each is able to communicate to the audience‚ and tell a story. The first
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My Critique of The Phantom of the Opera The Phantom of the Opera by Gaston Leroux‚ a treat for lovers of dark‚ mysterious fiction‚ see’s the life of someone who will do almost anything for love (especially when there is lack of it in their life) from the lives of Erik‚ The Opera Ghost (’O.G.’ for short)‚ and Raoul‚ Vicomte de Chagny. Both men are in love with the same woman‚ Christine Daee. Christine is a Swedish soprano at the Paris Opera House who has been singing with her father ever since
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Philadelphia High School High School Department S.Y. 2012-2013 The Phantom of the Opera A Movie Review Submitted by: Stephanie Pauline Dico Submitted to: Mrs. Velasquez September 24‚ 2012 The Phantom of the Opera (2004) is a romantic-horror movie directed by Joel Schumacher while the screenplay was written by the joint forces of Andrew Lloyd Webber and Joel Schumacher. The music they used were eventually put into a soundtrack and there were two versions released‚ the normal 14 disk
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European 19th century society‚ but it is still today a very controversial opera. Since its beginning‚ the main character‚ Violetta‚ became the central source for outrage and discussion. All because she was a courtesan‚ and this very well-known opera was seen by righteous women. The story portrays her as a powerful lady who is in charge of her life‚ unknown off at its time. Critics and opera specialists‚ sought to understand the opera as the decades passed and each director staged it differently. In 2012
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reference to your text identify what response your play write is aiming to elicit and how you as a director would realise this in performance. As a director we would identify what response The ThreePenny Opera is aiming to elicit and how we would realise this in the performance. The ThreePenny Opera is one of Bertolt Brecht most successful plays with the major social issue of class‚ power and who controls wealth. A conflict between Mr. Peachum- a man who owns all of London’s beggars and Macheath-
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Music 101 MWW Study Questions MWW 54: Rationalistic Distaste for Opera 1. Italianate Opera did not conquer every European center without resistance‚ especially in countries (like France and England) with strong traditions of spoken drama. What exactly does St.-Evremond (p. 201-3) object to about opera‚ and why? Exactly what parts of a drama does he say should NOT be set to music‚ and why? People observe the justness if the cincirds; and amidst all the varieties that unite to make the sweetness
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