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    On the Waterfront

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    On The Waterfront (1954) Terry Malloy dreams about being a prize fighter‚ while tending his pigeons and running errands at the docks for Johnny Friendly‚ the corrupt boss of the dockers union. Terry witnesses a murder by two of Johnny’s thugs‚ and later meets the dead man’s sister and feels responsible for his death. She introduces him to Father Barry‚ who tries to force him to provide information for the courts that will smash the dock racketeers. Marlon Brando ... Terry Malloy Karl Malden

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    “On the Waterfront shows that change is only brought about by individual effort” Do you agree? INTRODUCTION. On the Waterfront shows us that change is not brought about by one person alone‚ people are influenced by others around them and they have support of many people that have just the same importance as them. Terry Malloy’s role as an individual in change is pivotal as he is portrayed as a strong individual who is a major catalyst in the changes that occur. However‚ he does not do it

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    On the waterfront practise essay Elia Kazan’s masterpiece‚ “On the Waterfront” tells the story of Terry Malloy’s battle between reason and will. At the film’s centre lie’s Terry’s choice between remaining “deaf and dumb” about the corruption lead by Johnny Friendly‚ or becoming a ‘stool’ pigeon and testifying against him. Terry’s ultimate decision to testify against Friendly demonstrates his transformation from being a “bum”‚ lost in his morality‚ to a hero and leader for himself and his fellow

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    On the Waterfront

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    Psychology and Identity and Belonging Hint The best known psychologist in the field of Identity is Erik Erikson. He is really cool to write about in definitions/or expository writing on the context. Eriks’ theories can be used to discuss Frankie’s stages of struggle and change in the ‘Member of the Wedding.” Which ones help explain her actions‚ moods and choices? Why don’t you post a comment? Erikson speaks of identity being formed in a series of stages where at each one the individual

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    The protagonist shows way to overcome and deal with conflict this happens in both ‘Twelve angry Men’ with juror 8 and ‘On The Waterfront’ with Terry Malloy. While juror 8 is confident while having all the odds against him‚ Terry Malloy is very different while he needs encouragement from those that are around him. Juror 8 shows he is willing to break the law to achieve justice for the boy. He shows this by getting a knife and getting it inside the jury room. Terry is unsure on what to do and seeks

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    On the Waterfront Essay

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    film support Terry’s judgement of himself? On the Waterfront is a film where a young man has to struggle between conflicting choices in the harsh brutal waterfront days of the 1950s. Director Elia Kazan chose to shoot the film in black and white‚ to use as a contrast between the obvious right and wrong state of affairs on the waterfront. However obvious it is‚ the decisions Terry Malloy must make are not so easy. Sticking to the waterfront ideals of being "D and D" and self-preservation‚ Terry

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    It is Edie Doyle who is ultimately responsible for the‚ changes in father terry and father Barry. Discuss In on the waterfront both Terry and father Barry make difficult decisions that change who they are. Beginning with death of joey Doyle‚ Elia Kazan shows how Edie plays a significant role in reminding the two men of their normal and religious duties to god and the longshoremen although many of these changes are influenced by Edie Doyle‚ there are some attributes or decisions the two make that

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    On the Waterfront Timeline

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    On The Waterfront. 1. - Joey Doyle gets murdered. (pushed off a roof) * Terry gets questioned by the waterfront commissioners about Joey’s murder. * A church gathering (including dockworkers) is held to find out who murdered Joey. Terry is sent by Johnny to rat them out. * Terry hits on Edie (Joey’s sister) * Edie wants Terry to help her find Joey’s murderer. But he is partly to blame. * The cops tell Terry to testify in court. Terry is reluctant and doesn’t want to

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    In The Politics of Power in “On the Waterfront‚ “ author Peter Biskind employs sophisticated diction and a journalistic tone to analogize this film to the life of Elia Kazan during the Red Scare of the 1950s. His interpretation of the film is complex‚ but it mainly consists of the notion that Terry Malloy suffers from an “interior struggle‚ his struggle to come to moral awareness and to act on his new perception of right and wrong” (29) (much like Kazan went through during the HUAC hearings) and

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    Essay Topic 9 “There’s one thing that we have in this country‚ and that’s ways of fighting back.” How does On the Waterfront explore the power of the individual? The 1954 film‚ On the Waterfront‚ subliminally validates Director Elia Kazan’s message that‚ in a world of oppression and despair‚ individual empowerment can be earned by those who act in accordance to their moral conscience. In a world plagued by mob tyranny‚ administered through corrupt unions‚ the socially progressive film proves

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