‘By establishing Terry Malloy as the hero‚ On the Waterfront values individual conscience above community loyalty.’ Discuss. Kazan does not only use Terry Malloy by establishing him a hero in On the Waterfront to value individual conscience or moral growth above community loyalty or sense of obligation‚ but also other characters like Edie and Father Barry. Unlike Terry‚ who has to gain individual conscience‚ Edie and Father Barry have never been really closely connected to the community‚ which
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On the waterfront practise essay Elia Kazan’s masterpiece‚ “On the Waterfront” tells the story of Terry Malloy’s battle between reason and will. At the film’s centre lie’s Terry’s choice between remaining “deaf and dumb” about the corruption lead by Johnny Friendly‚ or becoming a ‘stool’ pigeon and testifying against him. Terry’s ultimate decision to testify against Friendly demonstrates his transformation from being a “bum”‚ lost in his morality‚ to a hero and leader for himself and his fellow
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Psychology and Identity and Belonging Hint The best known psychologist in the field of Identity is Erik Erikson. He is really cool to write about in definitions/or expository writing on the context. Eriks’ theories can be used to discuss Frankie’s stages of struggle and change in the ‘Member of the Wedding.” Which ones help explain her actions‚ moods and choices? Why don’t you post a comment? Erikson speaks of identity being formed in a series of stages where at each one the individual
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The protagonist shows way to overcome and deal with conflict this happens in both ‘Twelve angry Men’ with juror 8 and ‘On The Waterfront’ with Terry Malloy. While juror 8 is confident while having all the odds against him‚ Terry Malloy is very different while he needs encouragement from those that are around him. Juror 8 shows he is willing to break the law to achieve justice for the boy. He shows this by getting a knife and getting it inside the jury room. Terry is unsure on what to do and seeks
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“On the Waterfront is as much about love as it is about redemption.” Discuss. The film ‘On the waterfront’ is an Elia Kazan film set in the early 1950’s where crime gangs hold the power over the trade at the New York docks. ‘On the Waterfront’ depicts the lives of longshoreman on the docks and one in particular‚ Terry Malloy‚ the main protagonist. Terry is a man who cares only about his self just like everybody else‚ not bright and follows the code “D and D”. Redeeming yourself in this film is
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It is Edie Doyle who is ultimately responsible for the‚ changes in father terry and father Barry. Discuss In on the waterfront both Terry and father Barry make difficult decisions that change who they are. Beginning with death of joey Doyle‚ Elia Kazan shows how Edie plays a significant role in reminding the two men of their normal and religious duties to god and the longshoremen although many of these changes are influenced by Edie Doyle‚ there are some attributes or decisions the two make that
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film support Terry’s judgement of himself? On the Waterfront is a film where a young man has to struggle between conflicting choices in the harsh brutal waterfront days of the 1950s. Director Elia Kazan chose to shoot the film in black and white‚ to use as a contrast between the obvious right and wrong state of affairs on the waterfront. However obvious it is‚ the decisions Terry Malloy must make are not so easy. Sticking to the waterfront ideals of being "D and D" and self-preservation‚ Terry
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On The Waterfront. 1. - Joey Doyle gets murdered. (pushed off a roof) * Terry gets questioned by the waterfront commissioners about Joey’s murder. * A church gathering (including dockworkers) is held to find out who murdered Joey. Terry is sent by Johnny to rat them out. * Terry hits on Edie (Joey’s sister) * Edie wants Terry to help her find Joey’s murderer. But he is partly to blame. * The cops tell Terry to testify in court. Terry is reluctant and doesn’t want to
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In The Politics of Power in “On the Waterfront‚ “ author Peter Biskind employs sophisticated diction and a journalistic tone to analogize this film to the life of Elia Kazan during the Red Scare of the 1950s. His interpretation of the film is complex‚ but it mainly consists of the notion that Terry Malloy suffers from an “interior struggle‚ his struggle to come to moral awareness and to act on his new perception of right and wrong” (29) (much like Kazan went through during the HUAC hearings) and
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At first sight Salt of the Earth and On the Waterfront seem two structurally independent and unrelated movies that only share some basic theme elements in their plot. However‚ analyzing both‚ side by side and frame by frame‚ can give us a more profound understanding of the American film industry‚ Hollywood in particular‚ and its relation to the McCarthyism in 1950s‚ a dark chapter in the US history. Salt of the Earth‚ directed by Herbert Biberman‚ is a 1954 blacklisted movie based on a true
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