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    The Analysis of the Narrative Point of View in The Old Man and the Sea By WinnieYin 【Summary】This paper is dedicated to a study on the narrative point of view in Hemingway’s novella The Old Man and the Sea. Possibly Ernest Hemingway’s most enduring work of fiction‚ it is noted for its narrative art‚ in which the narrative point of view plays a huge part. The story is sometimes told in the narrator’s third person omniscient point of view‚ sometimes in an observer’s view and sometimes in the character’s

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    Alyssa Colletti FYW- 101 Professor Timmons April 15‚ 2013 The Old Man and the Sea Ernest Hemingway was born on July 21‚ 1899 in Oak Port‚ Illinois. Throughout his high school career he excelled in sports‚ and English class. For fun Hemingway enjoyed the outdoors‚ which got him into fishing and camping. When he graduated he started to work for The Kansas City Star as a junior reporter. Hemingway got his style of writing from the Kansas City Star’s Style Guide for writing: “use short sentences

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    This extract has been taken from the novella‚ “The Old Man and the Sea‚” by Ernest Hemmingway which was written in Cuba in the year of 1951 and was published in 1952. This fictional novella is Ernest Hemmingway’s last work and is a parable of man’s struggle with the natural world‚ his endurance in the face of adversity. Hemmingway’s idea of the fishing community was chosen particularly because he had witnessed the plight of the Cuban fishermen and could relate his life to theirs in many ways. Although

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    means to be defeated. Bearing this in mind would I agree with Santiago’s evaluation of the outcome of his adventure at sea? The answer to that question would most definitely be no. Santiago states this on (Page 103) when he says‚ "But a man is not made for defeat. A man can be destroyed but not defeated." After reading this outstanding novel written by Ernest Hemingway‚ I am strongly of the view that even though Santiago suffered an immense loss at the end of the novel‚ he is never defeated‚ instead

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    Themes embodying Human Nature in the Old Man And The Sea From the very first page to the last‚ the Old Man and the Sea‚ by Earnest Hemingway embodies the full plethora of a labyrinth known as human nature. Santiago‚ the protagonist‚ is described to the reader as flying the "flag of permanent defeat" (Hemingway‚ 9). He is a destitute individual‚ with barely food to eat‚ let alone a bed to sleep in. Yet he is a source of great determination‚ and promises that one day he will catch a fish of massive

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    The Old Man and the Sea In the novel “The Old Man and the Sea” the main character‚ Santiago is a tragic hero with a tragic flaw. His hubris ultimately leads him to triumph for a few reasons. Santiago’s hubris helps him to develop into a passionate‚ optimistic and determined individual‚ this is what ultimately helps lead him to his triumph. Santiago was not only proud but he was also very passionate in fishing. This is evident in his statement‚ “I must be worthy of the great DiMaggio who does

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    Character Analysis of Santiago Santiago‚ a character in Ernest Hemmingway’s The Old Man and the Sea‚ is a very interesting character who is especially worthy of an in-depth character analysis. By making Santiago really the only important and developed character‚ Hemingway focuses the mind of the reader on this one character‚ which allows the reader to fully concentrate on the actions and characteristics of Santiago. Hemingway also writes in such a way that‚ instead of offering up an analysis‚ there

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    “The Old Man and the Sea:” A Tale of Betrayed Brotherhood In Ernest Hemingway’s novella “The Old Man and the Sea‚” an old fisherman named Santiago faces the challenge of catching the largest fish of his life‚ an act he hopes will bring immortal greatness to his name. The accomplishment of this goal‚ however‚ hinges on the act of killing a creature Santiago often deems his equal‚ as exemplified by his recurring reference to the fish as a brother. The old man’s longing for greatness negates any moral

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    III Honors August 29‚ 2012 The Old Man and the Sea‚ written by Ernest Hemingway‚ was a story about an old fisherman named Santiago who lived in Cuba. Santiago went eighty-fourdays without a single catch. Hemingway uses great description when he describes the old man in the beginning of the story as “thin and gaunt with deep wrinkles in the back of his neck. His hands had deep-creased scars from handling heavy fish on the cords.” Using great descriptions often keep a reader thinking and provide

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    Generally speaking‚ Hemingway’s The Old Man and the Sea may be seen as a culmination of his long-drawn experiment spanning over 25 years and speculations towards finding out the means through which the “closed literature” can be converted into “an open one”‚ that is‚ to universalise the significance of the themes. He was very much aware of the danger in and difficulties with “closed literature” which in its factual texture‚ so lightly woven‚ presents such opacity of vision that the reader is unable

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