modern text‚ in many ways Arthur is a hero but in reality he is a tragic hero with flaws. Noble Stature is an important element of being a tragic hero‚ one must be remembered in order to be considered a hero‚ a tragic hero is not complete without a tragic flaw‚ most importantly a tragic hero must be excessively punished in order to learn an important lesson. Arthur’s father Uther Pendragon was a wonderful king‚ however he had a tragic flaw he was in love with Egraine which caused him
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Question #3: One of the essential elements of any tragic figure is his/her tragic flaw(s)-an inherent personality trait or set of traits that inevitably dooms the character to destruction. Identify and explain Hamlet’s tragic flaw(s) and how it/they bring about his downfall. A tragic flaw is a character trait that ultimately causes the downfall of the protagonist. In Hamlet‚ by William Shakespeare‚ Hamlet learns the truth behind his father’s death - that he was actually murdered by his brother
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Oedipus the King‚ by Sophocles‚ contains a very prominent tragic hero: Oedipus. A tragic hero‚ by Aristotle’s definition of one‚ must possess six traits. One of them is that the tragic hero must be of noble stature. Another trait of a tragic hero is a tragic flaw. A third trait defined by Aristotle is that a tragic hero must have a period of recognition of his crimes. Oedipus strongly displays each of the three aforementioned‚ necessary traits; and he is‚ then‚ an obvious tragic hero. Oedipus’ noble
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Things Fall Apart follows the style of a classic shakespearian tragedy with a tragic hero who inadvertently causes his own downfall through his own actions. Chinua Achebe crafts a traditional Shakespearian tragedy that differs from the culture of Shakespeare’s tragedies. Achebe represents Okonkwo as the tragic hero who is blinded by his pride. Okonkwo follows the path of the traditional Shakespearian hero and is undone by his own blindness. Achebe starts the path of a Shakespearian tragedy by introducing
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Though sometimes used in stories or fables as something to aspire to‚ such as being proud of one ’s work‚ pride is looked upon as quite the opposite in Beowulf. In Seamus Heaney ’s translation‚ pride is depicted as an unfortunate‚ often fatal‚ flaw which will eventually lead to tragedy or the untimely demise of the character cursed with this trait. Many of the main characters display this affliction‚ several examples being Hrothgar‚ whose pride leads to the deaths of his people‚ Beowulf‚ whose pride
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Brutus’ tragic flaws are part of what makes him a tragic hero. In Julius Caesar‚ Brutus is a great example of a tragic hero. His tragic flaws are honor‚ poor judgement‚ and idealism (Bedell). In Shakespeare’s plays‚ the tragic hero and his flaws cause the downfall of the play (Tragic Flaws). In the play Julius Caesar‚ Cassius and the other conspirators take advantage of Brutus’ honor. The conspirators wrote Brutus fake letters from the public to get him to join them. Once he joined the conspirators
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who interferes in everyone’s affairs. Hamlet’s hamartia is his indecisiveness and Polonius’ tragic flaw is interference. Two scenes that create catharsis‚ is the death of Polonius and the swordfight at the end of the play. The flaws of these gentlemen are what lead to the death of not only themselves but many others. “To be or not to be” (Shakespeare) defines Hamlet to perfection and it is this flaw in his character that leads to his demise. Hamlet demonstrates many times throughout the play
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characters and situations are universal. Each character is relatable on the fact that every major character is a classic epitome. Iago‚ a classic villain. A scoundrel with an astonishing ability to manipulate and cause turmoil‚ and Othello a classic tragic hero who’s own jealousy and deep internalized insecurity of the prejudices surrounding him‚ helps right into Iagos “evil genius” and ultimately are the key cause in Othello’s unfortunate downfall. Iago is one of the most infamous and puzzling villains
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of a tragic hero. In this composition of philosophy and literary theories‚ Aristotle’s ideas revolve around three crucial effects to audience members. First‚ the audience must develop an emotional attachment to the tragic hero. Next‚ the audience must fear what may befall the hero. Finally‚ once misfortune strikes‚ the audience pities the suffering hero. Clearly‚ for Aristotle’s theory to succeed‚ the tragic hero must be a complex and well-constructed character‚ as is seen in Sophocles’ Oedipus the
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While writing Macbeth‚ Shakespeare completely intended for Macbeth to be a tragic hero processed a tragic flaw that would eventually lead to his demise. At the opening of the play the audience see Macbeth portrayed as the most noble of all the knights. Multiple characters throughout the play refer to Macbeth as “Brave Macbeth” (I.i.6) or “Noble Macbeth” (I.i.70) claiming he is worthy of such praise. If Macbeth is so great‚ how could he possibly do anything awful enough to ruin everything he was earned
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