liberates Muslim women by protecting them from male gaze‚ freeing them from having to conform western femininity ideologies‚ and allowing them to be treated as worthy and not objectified. After looking at all these different aspects‚ this paper concludes that Islam can liberate women through the Quran because it provides them with rights and gender equality; honors and empowers their gender by giving them a voice in society; and protects them from male gaze‚ frees them from westernization‚ and permits them
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(University of Minnestoa Press‚ 1991) Freud‚ “The Ego and I.D.”‚ 2nd edition ( John Storey‚ 1997) Solie Ruth A.‚ “Musicology and Difference: Gender and Sexuality in Music Scholarship”‚ (The University Press Group Ltd‚ United States‚ 1995) Mulvey‚ “Male Gaze”‚ (Routledge‚1998) Citron‚ Marcia J‚ “Gender and the Musical Canon”‚ (Cambridge University Press‚ 2000) ----------------------- [1] McClary‚ Susan‚ “Feminine Endings: Music‚ Gender and Sexuality”‚ (University of Minnestoa Press‚ 1991) page 126 [2]
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FUNDAMENTALS 1.8 Emphasis and Focal Point Emphasis: the principle of drawing attention to particular content in a work Focal point: the center of interest or activity in a work of art‚ often drawing the viewer’s attention to the most important element Principles: the “grammar” applied to the elements of art— contrast‚ balance‚ unity‚ variety‚ rhythm‚ emphasis‚ pattern‚ scale‚ proportion‚ and focal point Elements: the basic vocabulary of art—line‚ form‚ shape‚ volume‚ mass‚ color‚ texture‚ space
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This semiotic analysis will examine the various sign systems embodied within an advertisement for Rolex (2011). It will also seek to comprehend the paradigmatic value‚ possible readings‚ the function of the gaze and mythic ideology present within the primary and secondary signifiers. Consequently‚ it will be determined how these functions systematically work together to represent an ideology of timelessness and success that the advertisement is intentionally constructing. Signs and Sign Systems
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the New York winter. Denzin in "Sacagawea’s Nickname‚ or Sacagawea Problem"(2006) explains:"The bodies of Native American woman have been turned into the object of male sexual gaze" (23). The gendered sexual gaze introduces and exposes the erotic‚ political side of everyday life under patriarchy. The active aggressive gaze of Lewis and Clark is harsh and masochistic(painful). It affirms their power over Native American women. At the same time‚ it suggests that sexual gazing was commonplace in the
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my blood‚ 5 Giving me strength erect against her hate‚ Her bigness sweeps my being like a flood. Yet‚ as a rebel fronts a king in state‚ I stand within her walls with not a shred Of terror‚ malice‚ not a word of jeer. 10 Darkly I gaze into the days ahead‚ And see her might and granite wonders there‚ Beneath the touch of Time’s unerring hand‚ Like priceless treasures sinking in the sand. -Claude McKay (American 1890-1948) Explication: The poem’s title ‘America’ presents
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This paper is a formal analysis‚ treating Peter Paul Rubens’ 1612 masterpiece‚ Massacre of the Innocents. The oil painting stands at approximately 150 x 200 cm‚ a size offering the viewer a window-like gaze into a historical scene of twisted‚ bloody carnage. Formally‚ there is much cohesion with the overall disastrous theme of human chaos and disorder. On a compositional whole‚ the anguish and psychological suffering compliments scattered lighting‚ vivid color‚ and clustered space. The painting is
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Tom had been on the go since six o’clock that morning‚ had confirmed that the brutal rape and murder of a woman was the work of a serial-killer‚ interviewed her friends and acquaintances‚ and spent hours perusing telephone phone and computer records‚ without coming up with one iota of substantive evidence‚ or feeling as if he’d located a direction in which to turn. The only break‚ and sustenance‚ he’d had all day was the quick lunch with Lila‚ and the Detective was mentally and physically exhausted
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started directly at the audience. This reminded me of the Luncheon on the Grass by Edouard Manet in 1860 where the female prostitute looks straight at the viewer. With a stern expression and hint at viewer involvement‚ the woman in Bermuda Lovers gazes intensely at the audience‚ perhaps it is a desperate cry for help‚ yet the onlookers‚ the viewers in the museum‚ do nothing but look back at her. In that way‚ the painting could be a commentary people’s lack of action toward wrongs and injustices.
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Identities and Bodies Freudian View of Identity Drive theory (biology): born pleasure seeking. Through the resolving the Oedipus conflict we come to accept external social demands Key for the development of our gendered and sexual identities is our acceptance of taboos on sexuality We employed all manner of defense mechanisms to meet these social demand‚ which is also formative of our personalities and the nuances of how we live our identities Marxist approach to Identity Ideology is‚ in principle
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