As one navigates through an ever changing and unknown world it becomes difficult for one to distinguish between the global and the local. For individuals the global can become the local or the local may become the global at once. As a conscious choice one must decide whether to accept‚ warily acknowledge or wholly retreat from the ‘new world.’ These notions and concepts are explored widely within Sophia Coppola’s 2003 film ‘Lost In Translation.’ As the two central protagonists Bob and Charlotte navigate
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Navigating the Global The 21st century term‚ globalisation‚ conceptualises the contemporary breakdown of traditional barriers and structures between cultural paradigms‚ culminating in an increasingly interconnected and complex global environment. Manfred Steger‚ RMIT Professor of Global Studies‚ describes this trend as the “increasing destabilisation of conventional parameters within which individuals imagine their communal existence”. Focusing on the redefinition of cultural and physical boundaries
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Extension One. Navigating the Global explores the transformation of boundaries from different angles. Write a narrative in which you evaluate the extent to which this is true. Peter slammed his office door and ruptured another splinter on its face like the thousands that plagued it. His shaky hands fixed three locks across the door that jarred into their familiar cradles. He dragged his chair through the cracked grooves in the floorboards and collapsed into it with a sigh. The paperwork on
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Extension 1. Lost in Translation. Directed by Sophia Coppola in the form of a comic melodrama‚ Lost In Translation pursue’s a view that until recently‚ had been left unanswered in many films alike‚ however Lost In Translation takes a different pathway‚ apprehending the viewers attention via a clandestine interpretation of love. Bob (Bill Murray)‚ the protagonist of Lost In Translation appears to be of a quite tedious nature at first. His film career has passed him by with his last major film
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“Creative Writing versus Technical Writing” It is often difficult to distinguish the differences and similarities between Technical Writing and Creative Writing. Writing is writing and good writing is creative writing. If we accept‚ however‚ that Technical Writing exists in its own category‚ with Creative Writing in another‚ how can we categorize creative Technical writing? One way to explore the differences and similarities between Technical Writing and Creative Writing is to
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sections: SECTION A: Creative Writing (50 marks) SECTION B: Longer Transactional Texts (30 marks) SECTION C: Shorter Transactional Texts (20 marks) SECTION D: Reference/Informational/Visual and Multi-media Texts 2. Candidates are required to answer ONE question from EACH section. 3. THE WRITING PROCESS 3.1 There must be clear evidence that you have planned‚ proofread and edited your work. 3.2 Use ONE or more of the following ways of planning: Brainstorming Writing down the main points
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How to make your creative writing better 1. USE NON-LINEAR STRUCTURE This means that you should practice writing stories out of chronological (or time) order. You could use flashbacks‚ or start your story at the end and then write about events that led up to the crisis. TV shows like Revenge and Lost have used this technique. You could also tell the story from different character’s perspectives. Novels like Across the nightingale floor alternate between the female protagonist’s perspective (written
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Emma’s creative writing ideas -Think creatively – Try not to use the first idea that comes into your head from a stimulus because chances are other people will have that same idea. If you are really stuck for ideas try changing time periods‚ set it in the future or the past‚ or a different country. Done to death ideas about belonging include the migrant experience and teenagers in school- if you can somehow twist these overused ideas into something unusual then they may be ok to use. -Use sensory
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Creative Writing Draft Chenzhuang Village notoriously known as China’s ghost town and phantom malls were abandoned. The stadiums‚ shopping centres and hundreds of accommodation once completed were now left deserted and derelict. Buildings‚ left for the rats to scavenge at and debris left lying around to rot. No longer was there beautiful buildings looming over the small village‚ but empty and forlorn places for squatters to hide and take shelter. As I watched the pale moon lie on its back whilst
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STRUCTURE ORGANIZATION is as important in creative nonfiction as it is in fiction. You need to have a plan before you actually sit down to write. You don’t want to ramble. This is as annoying in a writer as it is in a public speaker. You need to make sense of all the materials you have gathered. Some writers actually do outlines‚ which serve as blueprints for their essays or narratives. At the very least‚ they help the writer to focus‚ to be coherent. We generally think of structure in architectural
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