"Narratology" Essays and Research Papers

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    Dictionary of Narratology Terms for Charles Dickens’ ‘Great Expectations’ Narratology- The branch of literary criticism that deals with the structure and function of narrative themes‚ conventions‚ and symbols. A term used since 1969 to denote the branch of literary study devoted to the analysis of narratives‚ and more specifically of forms of narration and varieties of narrator. Narratology as a modern theory is associated chiefly with European structuralism‚ although older studies of narrative

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    Narratology

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    Manfred Jahn Narratology: A Guide to the Theory of Narrative Full reference: Jahn‚ Manfred. 2005. Narratology: A Guide to the Theory of Narrative. English Department‚ University of Cologne. Version: 1.8. New in this version: Some modified definitions in N1; set of analytical question in N1.33; recent narratological literature (N2.1); hypothetical focalization and empty centers (N3.2.5); story grammars (N4.5); revised references and bibliography. Date: 28 May 2005 This page: http://www.uni-koeln

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    Narratology

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    Narrative Structure The simple folksy dialogue between the two younger siblings hazel and George is very effective in downplaying their intelligence. With lines such as “that was doozy” or when George explains the sound he heard by saying “ sounded like somebody hitting a milk bottle with a ball peen hammer” George being so above average in intelligence has a mental handicap radio in his ear that beeps every 20 seconds in order to prevent him from taking unfair advantage of his thoughts. These

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    Narratology and Beowulf

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    Beowulf John Meister 9\21\96 The early English epic Beowulf is filled with a marvelous hero ‚ ghastly villains ‚ far off lands ‚ and deeds of great valor. These are some of the reasons why Beowulf is a great example of an early English epic. Beowulf is an epic because it has action that consists of deeds of great valor ‚ the setting of Beowulf is in vast scope covering great lands and far off places ‚ and the hero of the story ‚ Beowulf ‚ is of imposing stature of international

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    Narrative Instance

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    story happens‚ and also how the story happens. The concept of the story and what the narrator role of the story is called narratology. It would be better if we know the definition of it first. Narratology is one of literature approaches that examines the ways of narrative structures between our perception of both cultural artifacts and the world around us. To understand narratology theory we have to know the difference between these three important entities. They are story‚ narrative‚ and narration

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    New Historicism

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    CO-TEXT: A historical document which is contemporary with and studied alongside a literary document. COMEDY: A play or literary composition written chiefly to amuse its audience by appealing to a sense of superiority over the characters depicted with a (usually) happy ending for the leading characters. CULTURAL MATERIALISM: - A critical practice that concentrates on the interventions whereby men and women make heir own history and situate the literary text in the political situation of our own

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    Narrative Form Suzanne Keen Narrative Form This page intentionally left blank Narrative Form Suzanne Keen Washington and Lee University © Suzanne Keen 2003 All rights reserved. No reproduction‚ copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced‚ copied or transmitted save with written permission or in accordance with the provisions of the Copyright‚ Designs and Patents Act 1988‚ or under the terms of any licence

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    novels especially his Campus Trilogy: Changing Places‚ Small World and Nice Work in 70-80 in the 20 century. Campus Trilogy is regarded as the research object in the paper. This thesis attempts to make a comprehensive study of Campus Trilogy from Narratology Angle. It wonders to discover the undetected implication in the narrative works to fill the blank in this area of research by the macroscopic analysis and microscopic scrutiny. The thesis consists of four chapters. Introduction includes a brief

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    Table of contents 1. Introduction………………………………………………………………...................2 2. Analysis of narrative form………………………………………………………...…3 3. Narrative form in Margaret Laurence’s A Bird in the House………………….…4 4. Vanessa’s growing awareness………………………………………………………..7 1. Vanessa’s stories and their contribution to her growing awareness……….….9 2. Vanessa’s growing awareness illustrated in selected scenes ………………….10 5. Conclusion……………………………………………………………………….…

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    References: Murray‚ J. (1997) Hamlet on the Holodeck: The Future of Narrative in Cyberspace‚ Cambridge: MIT Press Gonzalo Frasca. (1999). Ludology meets Narratology: Similitude and differences between (video)games and narrative. Available: http://www.ludology.org/articles/ludology.htm. Last accessed 20th Mar 2012. Patrick Holleman. (2011). Narrative in Videogames. Available: http://thegamedesignforum.com/features/narrative_in_games

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    Porter Institute for Poetics and Semiotics Analysis and Interpretation of the Realist Text: A Pluralistic Approach to Ernest Hemingway’s "Cat in the Rain" Author(s): David Lodge Source: Poetics Today‚ Vol. 1‚ No. 4‚ Narratology II: The Fictional Text and the Reader (Summer‚ 1980)‚ pp. 5-22 Published by: Duke University Press Stable URL: http://www.jstor.org/stable/1771885 . Accessed: 14/03/2011 05:14 Your use of the JSTOR archive indicates your acceptance of JSTOR’s Terms and Conditions of Use‚

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    In 1986‚ Susan S. Lanser published “Toward a Feminist Narratology” on “style”-a journal in U.S.A. and used the concept of feminist narratology for the first time. In this influential article‚ she argued that the texts which push classical narratology are all written by male writers. Therefore‚ if the texts of female writers and the experiences of female readers were put into consideration‚ narratology‚ and even the entire literary history will be rewritten. She thought most of the abstract concept

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    Narrators in Film and Novel In this chapter‚ Stam introduces the different styles of narrators in Novel. According to him‚ they vary from the first-person report-narrator to the multiple letter writers of epistolary novels‚ to outside-observer narrators of reflexive novels like Don Quixote and Tom Jones‚ to the once intimate and impersonal narrator of Madame Bovary‚ to the “stream-of-consciousness” narrators‚ on to the intensely objective/subjective obsessional narrators of Robbe-Grillet. What

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    Efsefse

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    FIRSTPHE?SSN Design Game as Narrative Architecture Henry Jenkins The relationship betweengamesand story remainsa divisivequestionamong game fans‚designers‚ and alike. a recentacademic scholars At GamesStudies conference‚ example‚ blood feud threatenedto for a erupt betweent}e self-proclaimed ludologists‚ who wanted to seethe focus shift onto the mechanics of game play‚and the narratologists‚ who were interested in studyinggamesalongside other storytellingmedia.r Considersomerecentstatementsmadeon

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    Toni Morrison’s A Mercy Toni Morrison’s A Mercy: Critical Approaches Edited by Shirley A. Stave and Justine Tally Toni Morrison’s A Mercy: Critical Approaches‚ Edited by Shirley A. Stave and Justine Tally This book first published 2011 Cambridge Scholars Publishing 12 Back Chapman Street‚ Newcastle upon Tyne‚ NE6 2XX‚ UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2011 by Shirley A. Stave and

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    That Eye the Sky

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    What do you learn about the narrator? The narrator is a young primary school boy named Ort. Ort lacks knowledge and education‚ as we can identify through the colloquial language of the text with phrases such as ‘orrright’ and ‘seeyaz’. Ort’s choice of words and behavior towards his mother as she tells him to hop on inside’ contrasts his childhood innocence‚ although a slight level of maturity is released when Ort quotes “stubbed toes are something you have to live with in this life” which are

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    The Language of New Media

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    …and Interactivity Met with Cinema "The movie‚ by sheer speeding up the mechanical‚ carried us from the world of sequence and connections into the world of creative configuration and structure. The message of the movie medium is that of transition from linear connections to configurations." (McLuhan‚ 1994‚ p.12) On August 19‚ 1839‚ Louis Daguerre‚ who was already known for his diorama‚ introduced the new process of "daguerreotype". With this process‚ some lucky amateurs‚ for the first time became

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    Bias of Roots and Culture

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    The Bias of Roots and Culture Discussing roots and culture is often a very subjective topic. Quite often‚ the same story is interpreted entirely differently‚ depending on who is telling the story. This principle is also true in fictional works. A narrator will bring his/her own perspective and biases into the events that he or she is telling about. In Raymond Carver’s Cathedral‚ the first-person narrator has several biases that are used to reveal character. This first-person narrator has both

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    How does Coleridge begin telling the story in Part 1? In the first line of this poem‚ we meet the protagonist‚ “The Ancient Mariner”‚ who manages to get hold of one of the guests to the wedding that he is attending in order to tell him the story of his journey on a “bright” and “cold” day. Against the will of the wedding guest‚ the Ancient Mariner spends the remainder of Part 1 describing his tale in detail; which eventually leads to the shooting of a magnificent and supposedly good omen of an

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    Analyze the Winepress

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    The title of my story is: The Winepress From the beginning I want to tell a short plot of this story and then I will start analyze it. Charles Jousselin de Gruse was a winemaker. One day he was on the meeting with foreign diplomats. All people tried his wine and it was unusually tasty. And then he told the story of this wine. Pierre (de Gruse) was in love with Faniry. But she was jealous‚ and after some time he killed her by a winepress. All people was impressed by the story‚ and then they

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