Good Comedy is tragedy narrowly averted. How far do you agree with this statement with reference to ‘Much Ado about Nothing’? Shakespeare’s ‘Much Ado about Nothing’ (MAAN) juxtaposes the themes of love and deceit and how deception can be used for good or evil. This juxtaposition creates a fine line between tragedy and comedy for the audience and portrays the tragic elements underlying in comedy. There are many moments within MAAN that could easily become tragic highlighting the idea that good comedy
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In “Much Ado about nothing” by William Shakespeare‚ Beatrice is a foil to Hero because of her contrasting personality to Hero‚ her never wanting to marry‚ and Beatrice always speaking her mind. Hero brings out Beatrice’s flaws‚ but Beatrice also brings out Hero’s many flaws. Beatrice and Hero are complete opposites to each other. One of the ways is by their personality‚ Beatrice is known for her fiery personality and happens to be outstandingly loyal‚ whilst Hero is quiet and doesn’t seem to care
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‘Much Ado About Nothing’ by William Shakespeare contains many aspects that anchor the Elizabethan conventions of comedy‚ but allows us to question whether the ending gratifies the audience and does it actually create a satisfactory dramatic catharsis? Aristotle first discussed the concept of catharsis. He believed that “the poet’s aim is to produce pleasure in the spectator by eliciting from the representation the emotions of pity (for others) and fear (for oneself)”. I believe ‘Much Ado About Nothing’
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The plot of "Much Ado About Nothing" is an elaborate network of schemes and tricks. This statement is confirmed throughout "Much Ado About Nothing". The play contains many examples of tricks and schemes that are used to manipulate the thoughts and feelings of characters. The major examples of such manipulation include- Don Pedro‚ Claudio and Leonato tricking Benedick into believing that Beatrice loves him‚ Hero and Ursula trick Beatrice into thinking Benedick is in love with her. The relationship
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to the divine‚ and he is divine‚ but made a human mistake in the statement. 2. “We observe today not a victory of party but a celebration of freedom” -JFK Aphorism 1. “Lord‚ what fools these mortals be” (A Midsummers Nights Dream) 2. “Having nothing‚ nothing can be lost.” – Henry VI Colloquialism 1. In Huckleberry Finn‚ Mark Twain uses colloquialism to make the novel feel more free and at ease. “But by-and-by Pap got too hand with his hick’ry‚ and I couldn’t stand it.” 2. In To Kill a Mocking Bird
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you hadn’t had a comeback? Personally‚ I always answer and it’s only a matter of how stupid I sound when I do. A few weeks ago‚ under the persistent “inclination” of a friend‚ I was convinced to read a Shakespeare play‚ more specifically‚ Much Ado About Nothing‚ which in my opinion is one of his best comedies. Now‚ after a bit of research‚ I have a jam-packed arsenal of witty insults and comebacks‚ derived from a variety of his plays‚ like comedies‚ dramas‚ and romances. You’ll have to explain a
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In Shakespeare’s 17th century play‚ “Much Ado About Nothing”‚ he illustrates the confusion among the characters that leads to simple miscommunications. Arthur Miller agrees with Shakespeare that miscommunications can cause different conflicts to arise. In his 1949 play “Death of a Salesman”‚ Miller expresses the bond in a father-son relationship that is then ruined by the lack of communication skills. Willy Loman neglects Biff’s needs by threatening him to “come back here” then alarmingly says
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Don Pedro‚ Prince of Aragon Of all the main characters in Much Ado About Nothing‚ Don Pedro seems the most elusive. He is the noblest character in the social hierarchy of the play‚ and his friends Benedick and Claudio‚ though equals in wit‚ must always defer to him because their positions depend upon his favor. Don Pedro has power‚ and he is well aware of it; whether or not he abuses this power is open to question. Unlike his bastard brother‚ the villain Don John‚ Don Pedro most often uses his power
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William Shakespeare is known for his complex works involving love‚ and deceit‚ perhaps none as significant as in his play‚ Much Ado About Nothing. There are several instances where the main characters do not look for love‚ but instead it seeks them out. Perhaps the perseverance of love and its relevance in the real world is what has made this play enduring for so many years. A primary first example of love in the play would be Claudio and Hero‚ although they do not necessarily seek out each other
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How far do you agree that Much Ado About Nothing shows the truth of the claim that “good comedy is tragedy narrowly averted”? “Good comedy is tragedy narrowly averted”: these words were spoken by Jonathon Bate and Eric Rasmussen in their publishing of ‘William Shakespeare: Complete Works’. They show how many elements of comedy could be interpreted as almost tragic. The comedy in Much Ado About Nothing is often created when the audience can see that something could go horribly wrong‚ however it
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