"Movies a thematic analysis of alfred hitchcock s psycho" Essays and Research Papers

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    Alfred Hitchcock Essay

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    Alfred Hitchcock It is said that a director’s main objective is to create films that capture their audience’s attention and one director who has defiantly demonstrated this in all his film is Alfred Hitchcock‚ using various film techniques and his very own cinematic style. Hitchcock fashioned himself a distinctive and recognisable style. The audience is encouraged to identify with the camera which moves in a way that is supposed to mimic a person’s gaze‚ forcing viewers to engage in a form of

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    Esteban Mejia Mesa (2001) Psycho (1960) Perhaps no other film changed so drastically Hollywood’s perception of the horror film as did PSYCHO. More surprising is the fact that this still unnerving horror classic was directed by Alfred Hitchcock‚ a filmmaker who never relied upon shock values until this film. Here Hitchcock indulged in nudity‚ bloodbaths‚ necrophilia‚ transvestism‚ schizophrenia‚ and a host of other taboos and got away with it‚ simply because he was Hitchcock. The great director

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    Alfred Hitchcock's Psycho

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    Psycho Analysis Psycho was directed by Alfred Hitchcock. The horror film was made in the 1960s based on the novel Psycho by Robert Bloch. The film was distributed by Paramount Pictures in 1960 to 1968 and then by Universal studios 1968 to present. The thriller illustrates the encounter of secretary Marian Crane played by Janet Leigh who is hiding in an abandoned motel and the motels owner Norman Bates played by Anthony Perkins‚ it then proceeds to describe the aftermath of their encounter. The

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    I’ve never watched an Alfred Hitchcock movie. I’ve heard of him throughout my life. I know he is the go-to example for classic "horror" movies‚ but I’ve just never had the desire to watch his movies. His style of suspense would’ve been perfect for the days following World War I‚ but were they still relevant today? I went to Vintage Hitchcock a little bit cautious. I wasn’t sure what to expect. The idea of watching a live radio play fascinated me‚ but I wasn’t sure about the element of horror involved

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    filmmaker of that time was Alfred Hitchcock‚ who “is among the few directors whose films almost constitute a genre unto themselves‚ the suspense-filled “Hitchcock thriller” ’ (2 Dixon & Foster 102). In his career‚ Hitchcock directed many films from the late 1920s to the early 1970s‚ before dying in the 1980s (1Biography.com Editors 1). His first feature film‚ in Hollywood‚ was Rebecca (1939)‚ and then he went on to direct some other fantastic films such as‚ Rear Window (1954)‚ “Psycho (1960)‚ The Birds (1963)

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    Psycho (1960) is not only one of Hitchcock’s most notable films‚ but it’s one of the most notorious films of the 1960’s. The 60’s were a decade of change (especially in film). Similar to this decade‚ Psycho paved the way in terms of horror films‚ despite the fact that it doesn’t abide by the genre itself. Psycho defined‚ inspired‚ and changed the horror genre in the 1960’s through the use of sound‚ visuals‚ and narrative. This type of inspiration is apparent in horror films such as Blood Fest (1963)

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    the director; this is where roles corresponding to certain areas were introduced such as cinematographers‚ production designers and lighting directors. A classic example of a well-known director would be Alfred Hitchcock (1899 – 1980) who is famous for creating suspense films like The Birds or Psycho. I am mentioning him as he had revolutionised the way films

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    than 51 years‚ Hitchcock released more than one movie per year. In total‚ he created at least fifty-two films. Alfred Hitchcock was famous for his many frightening films such as “Psycho”‚ his most popular movie. He created many fearsome films because he contained many terrors. His strategy to get over his fears was to create a movie using his fears. In this way‚ he combined something he loved to do with his frights (“The Tireless Creativity of Alfred Hitchcock.”). Alfred Hitchcock related to his

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    Alfred Hitchcock’s powerful‚ complex psychological thriller‚ Psycho (1960) is the "mother" of all modern horror suspense films - it single-handedly ushered in an era of inferior screen ’slashers’ with blood-letting and graphic‚ shocking and killings. While this was Hitchcock’s first real horror film‚ he was mistakenly labeled as a horror film director ever since he directed Psycho. The master of suspense skillfully handle and guides the audience into identifying with the main character‚ luckless

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    over time in order to coincide with the time period. With this being said‚ two films particularly enforce this post-modern “horror” and yet both contain an array of sub-genres‚ mutating “genre” into a more complex idea. Alfred Hitchcock’s Psycho along with Mary Harron’s American Psycho are both post-modern “horrors” with a collection of sub-genre’s attached to them‚ leading the audience to question the originally believed “horror” genre. Horror-fiction generally manipulate the emotions of their

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