In the spectacular movie‚ Moulin Rouge‚ Bazz Luhrmann created a formalistic musical about freedom‚ beauty‚ truth and most especially‚ love. In this movie‚ he creates a fictional storyline about love relative to a few historical events that occurred during the early 1900’s in Paris’ well-known nightclub‚ The Moulin Rouge. Although the events all through out the movie are portrayed in a sense of fantasy through a remarkably choreographed comic musical and melodrama‚ Luhrmann is still able to make
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Word Count 1093 The Greatest thing you’ll ever learn to love and be loved in return Baz Luhrmann’s film Moulin Rouge adapts the ancient Greek Orpheus myth to the context of early 19th century France. The film celebrates Bohemian ideals through reshaping the archetypal story of The Orpheus Myth to illustrate the importance of love through music. Within the classical context‚ freedom is achieved through music and through love‚ both of which offer the individual emancipation from the confines
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In scene one of the film “Moulin Rouge” directed by Baz Luhrmann there are many elements in order to make the film that much better and to create an atmosphere. There are many elements in the film in order for the viewers to understand the meaning of the film and the material. The performers in the film are Nicole Kidman and Ewan McGregor including many more. The reason for this is because the genre of the film is romantic as well as a drama and musical and these are the kind of genres that Nicole
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Baz Luhrmann’s Moulin Rouge presents a dilemma for viewers as this movie displays the consequences of mixing obligations with personal interests and values. We see this with Satine as she is caught between two worlds in her role as a courtesan of the Moulin Rouge and also as Christian’s lover. She is obliged by her duty as a courtesan to protect Zidler’s interests‚ yet she also wishes to embrace the Bohemian values of Christian‚ those values being beauty‚ freedom‚ truth and most importantly to Christian
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Film Reflection for Moulin Rouge! Lighting 1. In the film‚ Moulin Rouge!‚ director Baz Luhrmann uses lighting to develop the story without being too explicit. The first example of this intentional lighting is in Christian’s attic. He has his head buried in his hands. He is shot in side lighting causing half of his face to be a shadow conveying his depression over the death of Satine. This point is further reinforced by casting him in blue light. Blue obviously symbolizing his deep sadness. Also
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Moulin Rouge‚ directed by Baz Luhrmann‚ tells the story of two men‚ Christian and the Duke‚ and their fight for Satine‚ a talented actress at the Moulin Rouge. Christian‚ who represents romanticism‚ believes that love is everything and even goes so far as comparing it to oxygen. The duke‚ on the other hand‚ looks at love as a possession‚ or a way to provide security. The film is essentially portraying the conflicts between realism‚ the Duke‚ and romanticism‚ Christian‚ with only one of them triumphing
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’Truth‚ beauty‚ freedom‚ and most of all‚ love ’. This is what Moulin Rouge is about. Good morning ladies and gentlemen. Moulin Rouge is the movie musical that merges fin-de-siecle decadence of the French Musical with modernised film directing skill which was done by a famous Australian director‚ Baz Luhrmann. This movie belongs to two genres‚ the romance and the musical. However‚ Baz Luhrmann subverted the typical conventions of the genre by re imaging historical trapping of the narrative which
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the misè-en-scene in the film Moulin Rouge! ------------------------------------------------------------------------------------------------------------------------ According to Wikipedia‚ misè-en-scene in French literally means‚ "putting into the scene"; however in cinema term it refers to the positioning of the actors or actresses‚ lighting‚ setting‚ props‚ costumes‚ make-ups‚ acting‚ space and also time. The movie that is about to be analyzed is Moulin Rouge! a modern musical filled with
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to the overall success of Baz Luhrmann’s Moulin Rouge in several ways. Specific techniques‚ including lighting and music‚ are vital contributors to the effect of this scene. The long shadows and the cold‚ blue light in the tower are captured by a PAN across the room prior to Satire’s dramatic entrance à la Marlene Dietrich. An ECU of her face shows the minute diamond shapes of which her veil is made‚ suggesting both her entrapment in the Moulin Rouge and the diamonds she is being offered.
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We are creatures of the underworld‚ we can’t afford to love. How does Lurhmann contrast images of sleaze with images of love? The Moulin Rouge is a club in Paris; it is a place of entertainment. The Moulin Rouge is also a brothel and bar‚ it is a place were the rich and beautiful come to play. The working men of the daytime come to escape reality and to unwind and relax. Baz Lurhmann does a good job of covering up that the Moulin Rouge is a brothel and that Satine is a prostitute‚ and leads us
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