The Vagina Monologues is made up of a varying number of monologues read by a varying number of women initially‚ Eve Ensler (the author of the Vagina Monologues performed every monologue herself‚ with subsequent performances featuring three actresses‚ and more recent versions featuring a different actress for every role. Every monologue somehow relates to the vagina‚ be it through sex‚ love‚ rape‚ menstruation‚ mutilation‚ masturbation‚ birth‚ orgasm‚ the variety of names for the vagina‚ or simply
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6. How does the planning of Banquo’s murder compare with that of Duncan’s murder? What change in Macbeth’s character does this emphasize? Act III‚ scene ii 7. Quote lines from this scene that show the torment of both Macbeth and Lady Macbeth‚ even though they have attained their ambitions. 8. What change in the relationship between Macbeth and his wife is shown by the planning of Banquo’s murder? Who appears stronger and more in control? 9. Copy down and explain two metaphors
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would having to be the constant monologuing. I don’t have any problem with monologues as a literary device‚ but Shigatsu uses it too much. It takes away from the impact of the monologues. I’m a big fan of showing‚ and not telling as much‚ but Shigatsu just barely does any *real* showing. There are plenty of monologues that can be taken out of the show‚ and it would be for the better. When there’s at least one monologue per episode (usually more)‚ it really starts to get tiring for me personally
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Cassius’ Monologues Cassius used two different monologues to convince Brutus to help him assassinate Caesar. In the first monologue‚ Cassius used ethos to change his reputation and make Caesar seem weak and in the second monologue‚ Cassius used pathos and logos to convince Brutus of Caesar’s ambition and convince Brutus that it was his duty to stop it; both monologues convinced Brutus of different things but together they persuaded Brutus to join Cassius. The first monologue was used to show Brutus
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requirements for her class. “Monologues will be due Monday morning.” I heard Ms. White say. My nerves could not catch a break. After class‚ I went home and wrote my monologue. I did not want to present my monologue to the class. I was shy and knew no one in my class. I told myself repeatedly that I could do it. Monday morning was here before I knew it. The feeling of dread filled me‚ and I wanted to back out‚ receive my zero with pride. When I arrived at school‚ my monologue clutched firmly in my hand
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TOEFL iBT RESCORING REQUEST FORM ® Check the appropriate box‚ complete the form‚ and follow the submission instructions below. I request that the following be reviewed through the rescore process for the test date indicated below: Speaking and Writing (US$160) Test Date: Name: Address (include ZIP or postal code): Month Day Speaking (US$80) Year Writing (US$80) Registration Number: Date of Birth: Month Day Year Check this box if your mailing address has changed since the test
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A monologue of a broken heart. by ~Sazroy‚ Apr 23‚ 2006‚ 6:36:33 AM Literature / Prose / Non-Fiction / Biography & Memoir What becomes of the broken hearted? Nothing. You think you know love -- then that love turns out to be an egotistical self-involved bastard who’s no braver than the house mouse living in your walls waiting ’til you least expect it. I’ve made mistakes before. But nothing compares to the ones made with him. The ones made in his arms‚ his unloving false arms’ embrace that somehow
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“Monologue for an onion” by Suji Kwock Kim The poem “Monologue for an onion” by Suji Kwock Kim begins with the peeling of an onion that could very well describe her and her agony‚ but further reading reveals that the majority of the poem is directed at the person doing the peeling. The reader cannot help but sympathize with the peeled onion‚ whether the emotions stem from the hurt state of the onion or from the aggressive peeler. Clearly the poet’s attack of the peeler grabs the attention of
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dream and reality‚ narration sets the pace and tone of the feature‚ with the audience being prompted by the omnipresent observations of the protagonist. Boyle’s efforts to elevate vocals to greater prominence is seen through Renton’s “Choose Life” monologue in Trainspotting (1996) or Richard’s expository interjections in The Beach‚ Damian’s saintly stories in
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Macbeth Monologue MACBETH: Is this a dagger which I see before me‚ The handle toward my hand? Come‚ let me clutch thee! I have thee not‚ and yet I see thee still. Art thou not‚ fatal vision‚ sensible To feeling as to sight? or art thou but A dagger of the mind‚ a false creation Proceeding from the heat-oppressèd brain? I see thee yet‚ in form as palpable As this which now I draw. Thou marshall’st me the way that I was going‚ And such an instrument I was to use. Mine eyes are made the
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