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In the Modernist Mirror: Jacques Tati and the Parisian Landscape Author(s): Lee Hilliker Source: The French Review‚ Vol. 76‚ No. 2 (Dec.‚ 2002)‚ pp. 318-329 Published by: American Association of Teachers of French Stable URL: http://www.jstor.org/stable/3132711 Accessed: 25/11/2009 13:02 Your use of the JSTOR archive indicates your acceptance of JSTOR ’s Terms and Conditions of Use‚ available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR ’s Terms and Conditions of Use provides
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Access to H.E. English Literature To What Extent is Mrs Dalloway a Modernist Novel? During the late nineteenth and early twentieth centuries‚ the world of literature was undergoing some changes in style and perspective. Just after the turn of the century – the previous having seen massive changes in the industrial world – the literary community was presented with one of greatest tragedies in human history: the First World War. This international conflict‚ mixed with the changes in industry
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Compare and contrast the modernist and flexible approaches to the ordering of traffic. My aim is to compare and contrast the modernist and flexible approaches to the ordering of traffic. This essay will focus on the two approaches in detail and the similarities and differences between them. I will use statistical evidence and the case study “The Drachten experiment” to support my answer. I will also use evidence from chapter 7 of “Making Social Lives”‚ written by Elizabeth B. Silva. The two different
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The Classical/Modernist approach was appropriate to the time in which it was developed but it is no longer suitable to the needs of contemporary organisations and change Introduction The aim of this paper is to understand if the classical and modernist approach has a place within modern organisations. First‚ an understanding of both approaches will be carried out‚ identifying key ideologies and theories these approaches may contain. Then‚ a discussion on the literature surrounding the suitability
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GEORGE ORWELL’S NINETEEN EIGHTY-FOUR: MODERNIST FABLE If thought corrupts language‚ language can also corrupt thought.[1] The world that Orwell presents in Nineteen Eighty-four has often been called a nightmare vision of the future. Writing sixteen years into that future‚ we can see that not all of Orwell’s predictions have been fulfilled in their entirety! Yet‚ “1984 expresses man’s fears of isolation and disintegration‚ cruelty and dehumanisation…Orwell’s repetition of obsessive
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A Telephone Call Analysis REALISTIC‚ MODERNIST PLOT‚ 1st person monologue A Telephone Call brings up issues such as the constraints of society and the different places men and women occupy it all through a simple device‚ the telephone. The character in this story is awaiting a call from her lover‚ who promised to call but has not. The woman goes through a variety of emotions including anger‚ hope‚ and despair. Parker uses this very uncomplicated situation to highlight the power dynamics to
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Man Ray’s Violin D’Ingres is a perfect example of a modernist photograph. Man Ray pushes both how photography is perceived and what is possible within a photograph in this example. Man Ray himself was an American‚ born as Emmanuel Rudnitsky‚ but moved to Paris and engaged in very non-American photography. Europe lacked the American ideals about what "strait photography" should be. While American schools of photography believed that an art photograph should only be made with a large negative with
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The poem I am choosing to examine is T.S‚ Eliot ’s The Waste Land emerging from the Modernist poetic movement. The modern movement occurred after World War one (1914-1918). This war marked momentous changes on a global scale. Before 1914‚ English literature and it ’s ideas were in many ways still harking back to the nineteenth century: after 1918 Modern begins to define the twentieth century. Among the influences of Modernism were the rapid developments both socially and technologically. Also new
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of mythic world to these poets is profound and they have sought poetic inspiration from here. Naturally‚ the subject of myths is predominantly present in the poetry of the modernists. The aim of this research is to show W. H. Auden’s treatment of classical myths in “The Shield of Achilles” in relation to other modernist poems. Bearing it in mind‚ we have focused on the mythic characters especially Thetis‚ her warrior son Achilles and the master blacksmith Hephaestus‚ and their role and function
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