"Modernism vs traditionalism" Essays and Research Papers

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    In his essay After the Great Divide. Modernism‚ Mass Culture‚ Post Modernism‚ Andreas Huyssen argues that “since the mid 19th century‚ the culture of modernity has been characterised by a volatile relationship between high art and mass culture.” The writer states that Modernist artists strove to distance themselves from the “l’art pour l’art” movements of the turn of the century like Art Nouveau‚ Symbolism and Æstheticism. This type of art pandered to the tastes of the middle classes striving to

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    Heart of Darkness: Modernism and Its Historians Author(s): Robert Wohl Reviewed work(s): Source: The Journal of Modern History‚ Vol. 74‚ No. 3 (September 2002)‚ pp. 573-621 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/345112 . Accessed: 30/09/2012 11:34 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service

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    Modernism in Earnest Hemingway’s Literature “The Old Man and the Sea” Introduction: 1. The definition of Modernism 2. The definition of Realism 3. The definition of terms 4. The significance of the study Chapter one: 1. The theory of Modernism 2.1. Stream of consciousness 2.2. Internal monologue 2. Realism as a literary technique 3.3. Internal realism Chapter two: 1. the implication of American modernism through the main characters

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    Gabriel Josipovici’s scathing tone throughout What Ever Happened to Modernism refreshes readers who find most literature hollow and the modern social landscape overly accepting. Near the end of a prolific career in both fiction and non-fiction‚ Josipovici writes from the perspective of a well-read scholar in his field; his vast knowledge provides him with endless opportunities for analysis. His masterful command of language and his interpretive genius are both a blessing and a curse‚ however. These

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    Formalist Approach: Characteristics: Theory of high art‚ focus on quality‚ retrospective specialisation (flatness)‚ self-definition. Key Terms: Flatness‚ surface‚ self-criticism‚ depth‚ medium specificity. For Greenberg‚ the key motivating force within modern art was the pursuit of quality (Art is a matter strictly of experience‚ not of principles‚ and what counts first and last in art is quality) By experience‚ he meant the practical aspect of making art and the artist’s attention

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    ideologies and unbridled optimism for society and mankind made way for departures from Romanticism towards a new movement; Modernism. Thomson Gale writes that Modernism can be "defined by its rejection of the literary conventions of the nineteenth century and by its opposition to conventional morality‚ taste‚ traditions‚ and economic values." (Thompson Gale). Literary modernism focuses on breaking away from traditional rules and conventions; to search for new perspectives and points of view while experimenting

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    Pulp Fiction‚ is considered by many to be a key example of post modernist cinema. Its use of non-linear narration‚ copious references to other movies and its off beat dialogue‚ combined with Tarantino’s unique style make the viewer aware that there is something different about this movie from most Hollywood blockbusters. George Ritzer said that "in the modern world everything seems pretty clear-cut‚ (but) on the cusp of the postmodern world many things seem quite hazy." This is the case with regard

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    MODERNISM: The Aesthetics of Abstract Expressionism Project Prepared for Donald McIntyre Professor‚ DeVry University Project Prepared by Colleen Mitchell Student‚ DeVry University June 7‚ 2009 Modernism is one of the cultural movements which took place in the nineteenth to the twentieth century. This movement was sure to draw attention to the artists’ work of art mainly because of the complexity of the artist’s creativity and breaking away from the more traditional works. Abstract

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    Maren Tova Linett ‚ Modernism‚ Feminism‚ and Jewishness Modernism‚ Feminism‚ and Jewishness by Maren Tova Linett Review by: Maeera Y. Shreiber Modern Philology‚ Vol. 109‚ No. 1 (August 2011)‚ pp. E67-E69 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/660813 . Accessed: 17/11/2013 02:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp

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    The Great Gatsby is a novel from the 1920s that shows the corruption of the “American Dream.” The novel shows modernism in its unreliable narrator‚ iconic symbols‚ and theme of wealth in the time of prosperity. Modernism is the rejection of social‚ political‚ or religious views‚ often with the basis of science explains everything. The novel is narrated by Nick Carraway‚ Daisy’s cousin who had close experiences with Gatsby. Everything in the story is what Nick Carraway saw‚ his opinions of what happened

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