Modernist writing is also very self-reflexive and deals with inner thoughts and feelings. A broken narrative can be present which is when the narrative stops completely or utilizes flashbacks and often picks up on different threads of thought. Modernism also holds a huge concern for tradition. I believe that modernist writer‚ Wallace Stevens‚ utilizes all the above aspects in his poem‚ “Sunday Morning.” The fragmentary thoughts are very apparent throughout Steven Wallace’s poem because the work
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Modernism • The period was marked by sudden and unexpected breaks with traditional ways of viewing and interacting with the world. Experimentation and individualism became virtues‚ where in the past they were often heartily discouraged. Modernism was set in motion‚ in one sense‚ through a series of cultural shocks. The 1st of these great shocks was WWI • Preoccupation of Modernism is with the inner self and consciousness. • Modernist cares rather little for Nature‚ Being‚ or the overarching structures
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What is Modernism? This term was usually referred to as the literature era of the 1920’s. During the “Roaring Twenties”‚ as most would say‚ was the time of flappers‚ gangsters‚ and the beginning of some of the most renowned literature known to the United States. One of the famous books written in this time was The Great Gatsby‚ written by F. Scott Fitzgerald in 1925. Included in the Modernism Era were the focus on trends and the extreme effect materialism makes on the society of the 1920’s. With
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“The importance of Modernism was in its ability to unite the masses by illuminating common feelings of disillusionment and rebellion through artistic forms.” Argue with reference to two poems of T.S Eliot and one additional text of you choosing. Rebellion and Disillusionment were fundamental feelings expressed by Western society in the late 19th and early 20th centuries. They came about as a result of a myriad of factors including; industrialisation‚ urbanisation‚ technological advances‚ militaristic
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In his essay After the Great Divide. Modernism‚ Mass Culture‚ Post Modernism‚ Andreas Huyssen argues that “since the mid 19th century‚ the culture of modernity has been characterised by a volatile relationship between high art and mass culture.” The writer states that Modernist artists strove to distance themselves from the “l’art pour l’art” movements of the turn of the century like Art Nouveau‚ Symbolism and Æstheticism. This type of art pandered to the tastes of the middle classes striving to
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Modernism in Earnest Hemingway’s Literature “The Old Man and the Sea” Introduction: 1. The definition of Modernism 2. The definition of Realism 3. The definition of terms 4. The significance of the study Chapter one: 1. The theory of Modernism 2.1. Stream of consciousness 2.2. Internal monologue 2. Realism as a literary technique 3.3. Internal realism Chapter two: 1. the implication of American modernism through the main characters
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Heart of Darkness: Modernism and Its Historians Author(s): Robert Wohl Reviewed work(s): Source: The Journal of Modern History‚ Vol. 74‚ No. 3 (September 2002)‚ pp. 573-621 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/10.1086/345112 . Accessed: 30/09/2012 11:34 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use‚ available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service
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Gabriel Josipovici’s scathing tone throughout What Ever Happened to Modernism refreshes readers who find most literature hollow and the modern social landscape overly accepting. Near the end of a prolific career in both fiction and non-fiction‚ Josipovici writes from the perspective of a well-read scholar in his field; his vast knowledge provides him with endless opportunities for analysis. His masterful command of language and his interpretive genius are both a blessing and a curse‚ however. These
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Formalist Approach: Characteristics: Theory of high art‚ focus on quality‚ retrospective specialisation (flatness)‚ self-definition. Key Terms: Flatness‚ surface‚ self-criticism‚ depth‚ medium specificity. For Greenberg‚ the key motivating force within modern art was the pursuit of quality (Art is a matter strictly of experience‚ not of principles‚ and what counts first and last in art is quality) By experience‚ he meant the practical aspect of making art and the artist’s attention
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ideologies and unbridled optimism for society and mankind made way for departures from Romanticism towards a new movement; Modernism. Thomson Gale writes that Modernism can be "defined by its rejection of the literary conventions of the nineteenth century and by its opposition to conventional morality‚ taste‚ traditions‚ and economic values." (Thompson Gale). Literary modernism focuses on breaking away from traditional rules and conventions; to search for new perspectives and points of view while experimenting
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