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    The third chapter of the book‚ “Discipline and Punish: The Birth of the Prison” by Michel Foucault is a look at the measures that were put into place in the seventeenth century when the plague was discovered in a town. The chapter‚ entitled Panopticism‚ discusses the social theory‚ named after the Panopticon‚ developed by Foucault. There is strict order that must be followed by all members of the town to ensure that the plague does not spread throughout the town and kill all of its inhabitants.

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    1. In a paragraph of roughly 100 words‚ summarize Michel Foucault and Roland Barthes’s central arguments in “What is an Author?” and “The Death of the Author.” Your goal is to capture the overarching argument‚ the big picture. Often‚ you will recognize the central argument when the rhetoric becomes abstract‚ more explanatory‚ conceptual‚ or theoretical in tone. ⎯ Michel Foucault and Roland Barthes’s main argument center on the figure of the author and attempt to deconstruct the vision of the author

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    Michel Foucault- Right of Death and Power over Life The concept is important. Don’t get to the details. * In ancient Roman times‚ power of the sovereign over his subjects could be exercised in an absolute and unconditional way. The king had the authority to directly expose the life of his subjects in times of war and thus he held an indirect power over them of life and death. * During the classical age in the West‚ this death that was based on the right of the sovereign was not manifested

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    Benjamin’s essay‚ The Work of Art in the Age of Mechanical Reproduction‚ and Foucault’s essay‚ Panopticism‚ don’t seem to have anything in common at all. The former discusses the reproduction of art and the loss of aura that follows it‚ while the latter is mostly about discipline‚ with a design of a prison as its main foundation. However‚ after further reading and a lot of analysis‚ both essays talk about power quite a bit. While the two authors have opposing views on this subject‚ their ideas complement

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    Student I.D. 25822123 3. Foucault in Contemporary Theories Our bodies are connected to essentially all aspects of our lives. We utilize them to survive and function on a biological and social level. It is no wonder there is abundance of theories concerning embodiment. One key philosopher that has influenced theories concerning embodiment is Michel Foucault. By putting the body into focus‚ he has decompartmentalized power dynamics concerning the body‚ state‚ and society. He suggests power does not

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    The chapter of Panopticism is based on the society based system of discipline and punishment. It was stated by Foucault that the idea first derived from the a plagued town and later influenced Bentham. Panopticism is a system of observation and and laws or regulations that maintain order within a designated area. The action of punishment is issued to those who break the rules. It uses a variety of staff to monitor multiple subjects within the enclosed area. The staff also sometimes provide various

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    Michel Foucault ’s Archaeology of Knowledge While Michel Foucault ’s work has always been about the nature of power in society‚ his more particular concern has been with power ’s relationship to the discursive formations in society that make knowledge possible. Power here is not the conventional power of institutions and leaders‚ but the "capillary" modes of power that controls individuals and their knowledge‚ the mechanisms by which power "reaches into the very grain of individuals‚ touches

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    Jean-Michel Basquiat

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    Jean-Michel Basquiat Jean-Michel Basquiat was a painter and a graffiti artist. His work is mostly composed of graffiti‚ paintings on canvas and other mixed media compositions. Basquiat seemed interesting because‚ even though he did not live a long time‚ his life seemed to be filled with drama. His works seem interesting because they have a story behind them and they are supposed to be very political. Jean-Michel Basquiat was born on December 22‚ 1960‚ in Brooklyn‚ NY. Basquiat ’s mother‚ Matilde

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    Research Paper On Foucault

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    tyranny of what he calls ¡¦totalizing discourses¡¦ and a rediscovery of fragmented‚ subjugated‚ local and specific knowledge. It is directed against great truths and grand theories.¡]p.80¡^ (¡° vs. Lyotard’s grand narrative/small narrative) ¡P Foucault rejects the Hegelian teleological model‚ in favour of Nietzschean tactic of critique through the presentation of difference. The gap between the past and the present underlines the principle of difference at the heart of Foucault’s

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    care as the confession of it was more important‚ requiring a stricter ritual and promising more decisive effects)?” History of Sexuality‚ Scientia Sexualis (pg. 61) Based on the above quote from Scientia Sexualis‚ in The History of Sexuality‚ Foucault writes about the nature of secrecy and confession in terms of sexuality. The first sentence explains that‚ “from the Christian penance to the present day‚” the concept of sex is one in which people keep to a confessional manner. Throughout history

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