Age of Visitors- Gender: Between the ages 10-19‚ it is obvious that female prefer much more going to the cinema than males. The reason is that males are in pubescence. As their nature they have turn their energy out. Because of that they like to spend time outside rather than sitting in cinema. Females at these ages are also in pubescence‚ but they are more concentrated on their emotional development. So the films are helping them with that problem. When it comes to ages 20-29 and 30-39‚ the rate
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5. Most of the music that was notated during the middle ages was sacred or secular? 6. Was most medieval music vocal? 7. What is Gregorian Chant? Discuss its origin‚ texture‚ melody‚ rhythm‚ text. How did it receive its name? What is its purpose? 8. When chant was notated‚ was the rhythm notated or just the melody? 9. What are church modes? 10. What is the Mass? 11. What is the Proper of the Mass? 12. What is the Ordinary of the Mass? 13. Who is Hildegard of Bignen? 14. When did composers
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line‚ and can be within a plain or folk song (in the orchestral arrangement by David Bobrowitz‚ the tenors previously mentioned will be represented by the violas). From measures 1 to 17 the violins I present the melody for the first time‚ and restate it in measures 20 to 25. This melody once again resurfaces with the cellos‚ bass‚ and most importantly violas (tenor) at measures 32 and so on to 36.
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Review Questions: 1. The basic elements of music are pitch‚ rhythm‚ dynamics‚ melody‚ and form. 2. Pitch is the frequency of a sound; it relates to the highness or lowness of a tone that we hear. 3. Syncopation involves placing emphasis on normally un-emphasized beats or using a rest on a normally emphasized beat. The types of music that uses syncopation are ska‚ reggae‚ rap‚ jazz‚ and some forms of metal. 4. The three examples in forms of music are concerto‚ sonata‚ and symphony
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Mozart. Known as Lacrimosa‚ it is a small piece of a bigger picture called The Requiem. The original piece of work is the foundation for the Evanescence version of the song. The piece that was composed by Mozart’s is played constantly as the main melody though the whole song. Instead of the song being played in a D-minor‚ like the original piece‚ it was changed to an E-minor. Amy Lee‚ the vocalist of the song‚ sings in a soprano tone giving the song a different musical timbre than the rest of the
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duplicate the vocal lines in order to support and reinforce the singers if they find it hard to maintain on the right pitches. At the opening pervasion imitation is used‚ soprano sings the single phrase “Ave Maria” and each voice sings the same melody in succession. In addition to imitation in different voices‚ it also occurs between pairs of voices. For instance‚ soprano and alto come into duet in the phrase “Ave‚ cuius conceptio”‚ while the two lower voices imitate in succession. In the phrase
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These two pieces were very dark as the continuo bass and steady tempo was continued throughout the entire piece. The melodies came mostly from the cello‚ which was emphasized the most. The harmonies were purposefully at times a bit irritating to the ear. As for an average citizen with limited amount of musical knowledge the harmonies were very unusual and difficult to consume. The melodies were at time very emotional with a sudden burst of excitement which maybe an expression of anger. The second part
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and melismatic style. The performing resources for this cantata were a solo soprano vocalist accompanied by basso continuo. The published score contained only the simplest version of the singers melody. It was the performers responsibility to add in ornamentations and trills to decorate the melody line[1]. Similarly‚ the accompanist‚ playing the basso continuo part was required to realize
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In cycle 1‚ the guitar melody outlines the chord changes by beginning each bar with a bass root note‚ doubled by the glockenspiel. The melody seemingly alters the harmony in cycle one from what is described above. For instance‚ the first bar of the other cycles is simply eb‚ but the phrases on the last two beats of bar 1 suggest Gb and ab‚ leading the melody convincingly into the Gb phrases of the next bar. In bar 2‚ rather than simply being
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Listening‚ the only type of music that was even recognized that the time was sacred church music . Vocal music in the Medieval period was characterized mainly by chanting religious texts to simple melodies. For example‚ the Gregorian chant was usually sung a capella in unison‚ with a monophonic melody. During this age‚ women were not allowed to sing publicly. It was felt that the place of women should be in the home‚ and women could informally sing there‚ but not in the church. Women still‚ however
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