style of Paco de Lucia and arpeggios and picking technique by John. Actually in this song John could show off more skills than Paco de Lucia. The second musical piece is called "Chiquito" and it was created by Paco de Lucia‚ a song with a wonderful melody. This song has a rhythm that is always going up and down; starts slow and then begins to raise the rhythm faster and faster. A curious note in this song I saw‚ was the way that John guitar played his guitar‚ for
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A Modern day Sleeping Beauty Once upon a time there lived a young couple who had found true love and were bound together by fate. His name was Brian and hers was Melody. They lived it the beautiful city of Anchorage‚ Alaska. Brian was a C-17 Pilot stationed at Elmendorf AFB and Melody a 1st grade teacher at local school. Melody was a beautiful sight; her body was athletic‚ her hair fell over her shoulders and was highlighted to the most beautiful blonde‚ her skin was flawless and her eyes were
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JAZZ IMPROVISATION At the heart of jazz lies improvisation. Jazz improvisation is the process of spontaneously creating fresh melodies over the continuously repeating cycle of chord changes of a tune. Musical improvisation is the spontaneous creative process of making music while it is being performed. For example‚ improvisation is like speaking or having a conversation as opposed to reciting a written text. Most improvisation is structured‚ with certain predetermined structures shaping
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Appalachian Spring that music should appeal to a broader public without losing high musical standards. To achieve this‚ Copland created the American modern style by combining Neo-classical elements such as motivic unity and variation technique into folk melody and style. When he was young‚ Copland started to search for personal expression in music that can be related to its own culture and people. Living in the time of the mass music distribution media‚ such as Phonograph‚ radio‚ tape recording and television
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Melody: In Section A‚ there are stead left-hand quavers supported by a lyrical right-hand melody. This begins and ends with the 4 bar phrases repeated with small variation. In Section B it is also based on 4 and 8 bar phrases with some of them repeated. The melody has a narrow range and it consist mainly of quavers‚ longer notes in the bass and the quaver pedal transfers to the top part. The Cods starts unaccompanied and then it moves to an inner part before the final cadence. The melody also included
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notes used are F#‚ C#‚G#‚D# and B#. Melody Chopin’s Raindrop prelude has a conjunct melody (there is only a small pitch change between each note). From the name of the piece‚ Raindrop Prelude‚ the sustained notes are used to act as the continuous raindrops falling. To represent these raindrops‚ Chopin uses descending notes and arpeggios. He also uses septuplets and turns to create similar effects. He changes to the relative minor to create variation. The main melody in the A section is in the right
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around the turn of the century. Perhaps the greatest composer of rag‚ Joplin incorporates the fundamental characteristics of ragtime his piece‚ specifically the technique of syncopation‚ a repeating left hand pattern and a catchy melody. While listening to the recording‚ the melody of "The Entertainer" caught my ear immediately‚ seemingly very familiar. Some of you may recognize the catchy tune of the song from the 1973 Oscar winning-film‚ The Sting‚ or perhaps from attending a piano recital‚ which is
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period therefore changes in how composers wrote and played melodies‚ harmonies and rhythms were enormous‚ creating some characteristics by which romantic pieces can be identified. Some of these characteristics are: * Very expressive- dynamic contrast in both the written and interpreted music; * Melodies with complex rhythms were the main emphasis with rich harmonies under it; * Complex use of chords as an accompaniment to the melody; * Emotional- has a story to tell if played with feeling-
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The soft melody played in piano and “lusingando”‚ which means to be played in a coaxing style‚ convey the delicate and smoothness of the water. The ascending semi-quavers accompanied with a slight crescendo at the beginning of the phrase as well as a two quaver rests at the end of the bar create a rippling effect‚ symbolising the slight waves of a stream. Furthermore‚ the lone plucked pizzicato quavers by the strings add small splashes of colour to decorate the continuously flowing melody of the airy
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Middle-Ages‚ western music was mainly monophonic. Monophony or monophonic music consists of a single melodic line‚ in which one person singing can exemplify monophonic texture. The Roman Catholic Church used the Gregorian chant‚ which consisted of a melody set that was sacred to Latin texts‚ and was sung without accompaniment; this type of chant was known as a monophonic texture. The Gregorian chant has a soft‚ smooth touch; it symbolizes the voice of the entire church instead of a single individual
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