Exploitation films have been produced since the beginning of film‚ but once the Production Code was no longer in effect‚ more these films could be produced and at a faster rate. One genre of exploitation cinema is the drug crime film. Starting as early as the 1930s‚ filmmakers made movies about the dangers of doing drugs. These films were often cheaply made and aimed at a small audience (Clark 4). They were theatrically simple‚ with an uncomplicated narrative: “these are films whose entire function
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Film Analysis: Bernie In the movie “Bernie”‚ we follow the story and between a Carthage‚ Texas funeral director Bernie Tiede‚ and his co-dependent relationship with a wealthy widow‚ Marjorie Nugent. As “Bernie” unfolds‚ we see the companionship turn for the worse as Ms. Nugent’s ill-temper causes Bernie to snap – and lands her dead in her freezer. This movie brings up some questions‚ specifically regarding image. After analysis‚ the question I keep coming back to is “Was Bernie genuine and sincere
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Code and convention of horror film: A horror film follows certain code and convection to achieve its purpose of scaring and alarming the audience. The following are some of them: Setting/location: The location used for this genre of a film is isolated and lonely area that has been abandoned or an area where the victim will feel vulnerable. For example small communities‚ dark streets‚ narrow alleyways‚ roads‚ woods‚ haunted places‚ farms‚ country sides and cities etc… sometimes places with ‘dark’
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Growing up in Limerick‚ being poor while seeing wealth gives Frank the motivation to make his life better. I will use the Marxist lens to show how social class influences affect Frank and the decisions he makes. The way Frank and his family are treated by the church inspires him. His family relies on the money from the church. He is upset because of how difficult it is to get the money his family needs for survival. Frank is so poor that he begs and steals to get food for him and his brothers. Frank
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Zone One and Marxism Colson Whitehead’s novel‚ Zone One‚ draws attention to the issue of consumer capitalism through a post-apocalyptic plot line. Leif Sorensen draws on at this point by discussing how Zone One feeds into his claim that “capitalism insists that the future will be an endless repetition of its cycles of creative destruction” (562). My essay builds and extend this claim by focusing on an overlooked aspect of the novel‚ the stragglers’ role of attempting to cling to the past. By concentrating
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Film Noir‚ meaning “black film’ in French‚ was the trending style and genre in American culture between the 1940s and the 1950s. It is a combination of European cynicism and the American landscape. Film Noir has its origins from German Expressionism and French Poetic Realism. Nino Frank‚ who was a French film critic‚ was the first to introduce this black and white genre to Hollywood in 1946. Many of the directors who introduced Film Noir where refugees from Nazi‚ Germany. From that moment in time
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her bread when her family was starving” (Wikipedia 1). There are strong literary themes throughout this work that readily lend themselves to various forms of critique. This paper will focus on two main genres of literary criticism. The first is Marxist criticism‚ for which there is plenty of material that reveals the novel’s explicitly anti-imperialist agenda. There is a strong oppression of the poor by the rich‚ and socioeconomic subjugation is responsible for the huge disparity between the “haves”
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What kind of films do you like? Most people don’t care about what they watch. It’s important because people can learn more from poetic films. Japanese films are more poetic and better made than other films‚ from how war affects others‚ how the characters change‚ and the tough issues that are involved. For example‚ Japan’s films involved the effects of war‚ and social acceptance (Nastasi). In the films Nausicaa of the Valley of the Wind‚ and Princess Mononoke‚ the characters are dealing with the
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In the 1939 film Mr. Smith goes to Washington‚ directed by Frank Capra there is a strong corrupted depiction of the United States political system in the way that the Senate functions. There is evident character conflict‚ development‚ and interaction which is able to entice the audience and keep them guessing as to who will come out on top. The characters manipulate one another for personal gain and political gain which keeps the film moving‚ as well as helps the main character‚ Mr. Smith‚ grow‚
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A Marxist Analysis of Indiana Jones and the Temple of Doom In Stephen Spielberg’s Indiana Jones and the Temple of Doom‚ an archeologist name Indiana Jones teams up unexpectedly with a young boy and a night club singer for his second great adventure. After mistakenly crash landing outside of a small village in British controlled India‚ the trio is whisked off on a mission after discovering that not only is the village missing valuable and rare stones‚ but also all of their children have mysteriously
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