Cesario presents his speech to Olivia tells that she cannot love Orsino and sends Cesario away. Act II- In this act Shakespeare uses gender bending on the way that Viola is showing some sort of affection towards Viola. Viola is given a ring by Malvolio that was supposedly a ring Cesario left with Olivia. Viola feels weird since Olivia is falling in love with Cesario instead of Orsino. Orsino and Cesario start to talk about love and its flaws however Viola doesn’t like the view Orsino has on women
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depends on Viola’s disguise to keep things exciting. Viola’s disguise becomes increasing more important as the events take place. The majority of the plot lines depend on the disguise. Without it‚ the main theme of the play would be the gulling of Malvolio. In a play where most of the characters fall in love with each other‚ blind to the gender and true identity of the objects of their desires‚ a disguise like Viola’s becomes the center of the action‚ and causes almost all the of the important aspects
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Duke Orsino and Viola/Cesario are pushing each other around‚ Stubbs’s character starts to lose control and begins to squeal like a girl‚ although the same thing happens to Bynes multiple times throughout “She’s The Man.” it is most noticeable when Malvolio‚ the tarantula‚ crawls into the room. Stubbs and Bynes also have differences that make one better than the other as playing a male character. Stubbs is better at playing a male character mainly due to her facial structure. Stubbs’s face is not
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Viola falls in love with Orsino but can not tell him ‚ because he thinks she is a man ‚ while Olivia ‚ the object of Orsino’s affection ‚ love Viola ’ Cesario ’ ‚ Olivia wants to let Cesario know that she loves him by sending him a ring by way of Malvolio ‚ it was her way of expressing her love . Love in this play is coming out of apure hearted people ‚ who ‚ loves for love . the characters in this play have a very deep sense of love ‚ that they love each other spirtualy away from any phisical impact
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The love triangle between Olivia‚ Cesario‚ and the Duke is a perfect example. What’s complex about is that Cesario is really a woman‚ which is a bit disturbing because Olivia’s feelings towards Cesario seem very genuine. Also‚ playing the prank on Malvolio‚ which leads to believe that Olivia is interested in him‚ just adds to complex mix of love. Another thing is the
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 Shakespeare uses disguise in his play‚ Twelfth Night‚ to cause confusion and internal conflict between his characters and it is this confusion and conflict that appeal to the audience. It keeps them wondering how many more of these situations will arise‚ and in the end‚ how will this confusion and conflict be resolved? The first time that this is evident is in Act I‚ Scene IV‚ where Cesario‚ really Viola is sent by her master‚ Orsino‚ to win the love of Countess Olivia for
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How would it feel to be in the center of a four-person love triangle? That is how Olivia‚ a character in William Shakespeare’s Twelfth Night felt. In Twelfth Night four men have fallen in love with Olivia‚ a wealthy‚ beautiful‚ countess in Illyria. Malvolio‚ Olivia’s steward‚ Sir Andrew‚ a friend of Olivia’s uncle‚ Orsino‚ the Duke of Illyria‚ and Sebastian‚ brother to a character named Viola‚ are all competing for Olivia’s love throughout the play. Too add more confusion‚ Viola dresses up as a man
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Night because of the vast variation between time set of the two plays and the writing characteristics used in them. Shakespeare used his language to convey a difference in feelings‚ attitudes‚ or personalities of characters in different situations. Malvolio generally speaks showing intelligence‚ yet Feste the clown often plays with words and uses puns. In contrast there are smoothly-flowing lines from Orsino “If music be the food of love‚ play on‚ Give me excess of it‚ that‚ surfeiting‚ The appetite
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Allusion “Sonnet” Sonnet by bill Collins is a great example of modern day sonnets. The sonnet has everything that a sonnet should acquire to be considered a sonnet. In this sonnet Bill Collins seems to criticize the sonnet form of Shakespeare. Also‚ in the sonnet of Bill Collins he puts many allusions in his sonnets. For example‚ in the beginning of the sonnet where he mentions in an alliteration form in line 3 where you get the allusion of the story troy; to launch a little ship on love’s storm-tossed
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When Feste does not involve himself with the invention or execution of the original trap for Malvolio‚ why does he repeat the “barren rascal” taunt to him in the last scene when the steward asks why he has been tormented? (V.1) When he refers to the “whirligig” of time which “brings in its revenges”‚ is he speaking in a general sense‚ or hinting
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