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    landscape paintings

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    know that‚ yes‚ it’s true I’m here‚ and I’m just as strange as you.”  ― Frida Kahlo “I paint flowers so they will not die.”  ― Frida Kahlo “My painting carries with it the message of pain.”  ― Frida Kahlo I am not sick. I am broken. But I am happy to be alive as long as I can paint. ― Frida Kahlo Really‚ I do not know whether my paintings are surrealist or not‚ but I do know that they are the frankest expression of myself. ― Frida Kahlo www.fridakahlofans.com BIOGRAPHY Frida Kahlo

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    painting style

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    used to establish tonal values in fresco painting quickly‚ creating a soft greenish-gray for the shadows of flesh tones. Architectural details in frescoes were often left in the pure Verdaccio coloring‚ hence we are able to still see evidence of it today in works such as Michelangelo’s Sistine Chapel. What does Verdaccio have to do with modern oil painting? As any artist can tell you‚ achieving realistic flesh tones is one of the hardest aspects of painting in color. But even early tempera painters

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    Oil Paintings

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    OIL PAINTINGS One of the images that I’m most fond of is the “Madonna and Child with the Chancellor Rolin” by Jan and Eck. This piece is one my favorites because it uses oil. When using oil the images of the paintings seem to realistically speak to me. This particular painting enables both fusion of tones and crisp effects and is unsurpassed for textural variation. The standard consistency of oil paint is a smooth‚ buttery paste. In this scene it depicts the Virgin crowned by a hovering Angel while

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    Miniature Painting

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    What is a miniature painting? GUIDE-LINES TOWARD A DEFINITION OF A MINIATURE PAINTING There are many way of defining a miniature painting. Each culture has its own rules. Here we offer some Hilliard Society guidelines towards a definition of miniature painting and the criteria set by the Society: * A high standard of draughtsmanship and composition. * Mastery of miniature technique in chosen media and palette. * No subject larger than life‚ portrait head no larger than 2” (5cm).

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    Baroque Paintings

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    One of the characteristics of the Italian Baroque is the realistic depiction of human figures‚ vivid use of color and foreshadowing techniques‚ especially in the paintings. In addition‚ the figures of the paintings seem to emerge from the background‚ giving huge differences between light and dark. The Italian baroque structure has a sense of movement and that of energy when in static form. The sculptures make the observers to have multiple viewpoints. The Baroque architecture has characteristic domes

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    Painting In Beowulf

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    Painting is poetry that is seen rather than felt‚ and poetry is painting that is felt rather than seen.” ― Leonardo da Vinci. There is an art in writing poetry‚ for you must embed meaning within it while not just blatantly writing the message. In poetry there are many different ways of doing this‚ so it is up to the poet’s stylistic choice how to deliver these messages. Seamus Heaney‚ in translating the poem Beowulf from it’s original dialect is able to use stylistic choice to bring out different

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    Painting Analysis

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    richness and lavishness. The viewer will observe a fusion of the realistic tradition of Flemish painting with the imagination and freedom of Italian renaissance painting. The painting expresses Neoplatonic views while also providing the viewer with endless topics for discussion and analysis‚ making it a true conversation piece. The “Garden of Love” depicts a scene of passionate festivities. In the painting‚ a group of aristocratic lovers decorated in the most extravagant of satins and lace are placed

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    Drawing to Painting

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    Drawing to Painting ART/230 November 10‚ 2014 Berta Stead Drawing to Painting Just as writing needs a rough draft‚ painting needs a drawing before expressing his or her ideas through the final product. Brainstorming is imagination‚ and drawing is putting it all down on something a little more concrete. Through drawing‚ an artist can see what roams around in his or her mind. It is a way for a painter to understand his or her inspiration as well as a painter’s first connection with the subject. By

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    Painting with Color

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    Interracial Relationships- Painting with Color In the 18th century‚ who you married depending greatly on your race‚ culture‚ and your religious upbringing; in this day and age it is argued that the only external component that matters is the love that binds two people in holy matrimony. Although the institution of marriage has been around for many centuries‚ not all civil unions are legal‚ as is the case of homosexuals. Although more and more couples are taking the plunge‚ they seem to be conflicted

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    Whistler Paintings

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    which it organizes color and line into a formally satisfying and therefore beautiful whole. These artifacts communicate the reality of nature and village scenes. Whistler also created nudes‚ and portraits. In his landscapes he tried to make his paintings like a musician plays a keyboard where all elements are available‚ but the musician‚ or painter must choose which one to use. In his nocturnes he describes how at night a warehouse can look like palaces‚ and the whole city hangs in the heavens with

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