within the residence. The Duke is describing a painting of his last wife. The room is stately‚ well furnished‚ and decorated with several artistic items. Similarly‚ a speaker whose identity is unknown tells the poem "Porphyria’s Lover." In a dramatic monologue‚ each speaker relates the details of his poem. Unlike "My Last Duchess‚" the poem‚ "Porphyria’s Lover‚" has a very different setting. The events that transpire in "Porphyria’s Lover" happen in a small cottage on a stormy night. The speaker is alone
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Character: Solitude as a Litmus Test in “Mariana” and “Porphyria’s Lover” Victorian poets Robert Browning and Alfred‚ Lord Tennyson frequently structure their poetry as a dramatic monologue to gain insight into the mind and motivations of their characters‚ with the solitude that accompanies such dramatic monologues becoming a central focus of the work. Tennyson’s poem “Mariana” and Browning’s poem “Porphyria’s Lover” explore the relationship between solitude and individuality‚ in particular focusing
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Macbeth and MacDuff have come from the same character background both are Kinsman to the King of Scotland Duncan. But as the story progresses we see a loyal‚ brave and Noble Macbeth turn into treacherous bloodthirsty monster his betrayal has no bound for he has killed his king Duncan‚ his best friend Banquo and slaughtered the children of MacDuff whereas MacDuff is committed to ending MacBeth’s reign by seeking out Scotland’s true heir Malcolm and Donalbain. In Act MacBeth and Banquo come across
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Macbeth‚ Banquo‚ and Macduff are all very interesting and crucial to the play‚ Macbeth. They are also complex in a way. The most complex in my opinion is Macbeth. He is introduced at the the beginning as this one great hero thats just outstanding and wonderful‚ and everyone is esteeming him. He then sees the witches‚ that say he will be king of Cawdor. He is suddenly struck with the thought that he would have to kill Duncan for the the throne. This changes him and turns him into someone that he wasn’t
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The poem was written in the style of a dramatic monologue‚ which is where the speaker‚ the Duke of Ferrara‚ talks to a dramatic audience. The poem “My Last Duchess‚” is known as his best work using dramatic monologues. We are told by Marchino that this poem can be considered ironic.This is seen as ironic because it shows the audience the worst traits of the Duke instead of those of
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In Robert Browning ’s "My Last Duchess‚" a portrait of the egocentric and power loving Duke of Ferrara is painted for us. Although the duke ’s monologue appears on the surface to be about his late wife‚ a close reading will show that the mention of his last duchess is merely a side note in his self-important speech. Browning uses the dramatic monologue form very skillfully to show us the controlling‚ jealous‚ and arrogant traits the duke possessed without ever mentioning them explicitly. The
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Another Domineering Husband “My Last Duchess” by Robert Browning is a dramatic monologue that combines elements of both horror and romance about the Duke of Ferrara who is speaking to the envoy of a count from a neighboring court‚ giving him a tour of the castle and its treasures. Although this poem is spoken by one person‚ it is very specifically addressed to someone else. There are at least two points of view inscribed into the poem: the speaker’s and the addressee’s. This is discovered in the
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I. Author ROBERT BROWNING Robert Browning is the author of the poem “my last duchess”. He is a son of Robert Browning‚ a Bank of England clerk‚ and Sarah Anna Wiedemann‚ of Scottish-German descent‚ Browning received little formal education. His learning was gleaned mainly from his Father’s library at home in Camberwell‚ South London‚ where he learnt something‚ with his Father’s help‚ of Latin and Greek. Though he attended lectures at the University of London in 1828‚ Browning
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Porphyria’s Lover by Robert Browning - An Analysis The finest woks of Browning endeavor to explain the mechanics of human psychology. The motions of love‚ hate‚ passion‚ instinct‚ violence‚ desire‚ poverty‚ violence‚ and sex and sensuousness are raised from the dead in his poetry with a striking virility and some are even introduced with a remarkable brilliance. Thanks to the changes wrought by the Industrial Revolution‚ so many people living in such close quarters‚ poverty‚ violence‚ and sex
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presents a long dramatic monologue of a Carmelite monk and gifted painter‚ Fra (Brother) Lippo Lippi‚ who‚ returning stealthily from his amorous adventures‚ is detained by night watchmen. Yet‚ as Fra Lippo Lippi is a protégé of the powerful Cosimo di Medici‚ he has nothing to fear from the guards. In the very beginning of the poem he exclaims with satisfaction: “Aha‚ you know your betters! Then‚ you’ll take Your hand away that’s fiddling on my throat…” (12-13). Why then is the monologue delivered? It might
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