Lesson 1: Origins of Theatre Learning objectives: List the performance elements and understand their role in both ritual and theatre: time‚ place‚ participants (players‚ audience)‚ scenario (agenda/goal/text/rules)‚ clothing (uniform‚ costume‚ mask‚ makeup)‚ sound (speech‚ music)‚ movement (gesture‚ pantomime‚ dance)‚ and function or purpose. Can be clock or fictional time‚ places vary (designed to meet needs)‚ rituals might take place in one space or they might involve a procession with portions
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Katherine Hui RAYMOND WATERS CWL320 30 November 2011 POWER STRUGGLES AND THE STRONG WOMAN “Morning Glory”‚ directed by Roger Mitchell‚ is a romantic comedy and a reification of morning television. It is heavily coated in a formula base plot – the female protagonist is faced with obstacles in which she must overcome to prove her worth to those who have doubted her wrong; while simultaneously balancing her love interest. One of the most prominent archetypes in comedy is the strong woman archetype
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Introduction HIS100 History of Western Civilization to Middle Ages Lesson 5 Quiz This assignment is worth a total of 60 points. Please make sure you have answered all questions prior to submitting. Once you click the submit button‚ you will not be able to return to this section. Question 1 of 60 What type of columns does the Parthenon have? | Alsacian | | Ionic | | Corinthian | | Doric | Question 2 of 60 In 490 B.C.E. the Athenians defeated the Persians at the Battle
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Euripides =Medea Aristophanes = Lysistrata‚ Clouds ROMAN Background: Mythology‚ Lyric‚ Pastoral‚ Tragedy‚ New Comedy‚ Closet Drama Poetry Prose
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HELLENIC AGE PHILOSOPHY • Greeks used observation and reason to find causes for what happened • Ethics and morality • In Athens‚ Sophism- success is more important than moral truth o Rhetoric- art of skillful speaking o Socrates- Sophist‚ Athenian philosopher ▪ Socratic Method- pose series of questions to students and challenge them to examine the implications of their answers o Plato- student of Socrates ▪ Emphasized the
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Cited: * Aristophanes‚ and Alan Sommerstein. “The Clouds” Lysistrata And Other Plays.Penguin Classics‚ 2002. Print. * Thucydides‚ and Rex Warner. History of the Peloponnesian War. London‚ England:Penguin Group‚ 1972. Print. * Schironi‚ Francesca. “Thucydides’ Social Theory (Athenian Plague & Corcyra); The Melian
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In the column‚ “ The Boys Fall into the Gender Gap” (2016)‚ Suzanne Fields‚ a nationally syndicated columnists‚ argues that boys are falling behind in the gender gap and are reading less books‚ skipping pages while reading‚ and lack an interest in reading that is resulting in a slow decrease of male college graduates. Fields illuminates the cause by using studies form the Center for Education Policy‚ National Assessment of Education Progress‚ and several schools to exhibit the problem among boys
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Aristophanes ’ Frogs: Brek-kek-kek-kek ! On Broasdway‚ AJPh 126 (2005)‚ 127-133 Grafinger‚ Ch.M.‚ Niebuhrs Antrag zur Entlehnung der Aristophanes-Handschrift aus Ravenna‚ RhM 148 (2005)‚ 107-112 Culpepper Stroup‚ S.‚ Designing Women: Aristophanes’ Lysistrata and the “Hetairization” of the Greek Wife‚ Arethusa 37 (2004)‚ 37-73 McGlew‚ J.F.‚ “Speak on my Behalf”: Persuasion and Purification in Aristophanes’ Wasps‚ Arethusa 37 (2004)‚ 11-36 Papageorgiou‚ N.‚ Ambiguities in kreitton logos‚ JCS 4 (2004)
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Over the course of approximately one-hundred years there has been a discernible metamorphosis within the realm of African-American cinema. African-Americans have overcome the heavy weight of oppression in forms such as of politics‚ citizenship and most importantly equal human rights. One of the most evident forms that were withheld from African-Americans came in the structure of the performing arts; specifically film. The common population did not allow blacks to drink from the same water fountain
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was instrumental in the formal establishment of ETHOL being both the group’s Artistic Director and a Director. He has directed "0 Filos Mou 0 Lefterakis"‚ "Kokkina Fanaria"‚ "Return to Ithaca"‚ "Kai Etsi Kai Allios"‚ "Mia Italida stin Kypseli"‚ "Lysistrata"‚" Despinis Eton 39"‚ "Dafnes kai Pikrodafnes" and radio plays and programmes of cultural interest. He is often invited to present or read over for the London Greek Radio and The Hellenic Centre. Costas is also a member of The Directors Guild of
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