Overview of the Movie: The Joy Luck club centers on four‚ middle-aged‚ Chinese immigrants‚ Suyuan Woo‚ An-mei Hsu‚ Lindo Jong‚ and Ying-ying St. Clair. Although the relationships that exist between each of the four women are important‚ it is the exploration into each woman’s relationship with her first generation daughter that is central to the plot line. Through this exploration‚ the generational and cultural gaps that exist between the each of the women and their daughters are exposed; allowing
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Symbolism is frequent in Amy Tan’s The Joy Luck Club. The two symbols I chose are the jade pendant and the red candle. Each symbol has a significant meaning to the respective characters. In the “Best Quality” her now deceased mother Suyuan gives June a green pendant(life’s importance). The pendant was given to her after she and Waverly Jong got into a verbal altercation. In order‚ to fully understand why her mother decided to her the pendant you have to break down the situation. As a child‚ Waverly
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As with most movies spun off of books‚ the Joy Luck Club was very different from the paperback. I had seen the movie beforehand‚ so I already knew this‚ and was ready to look for distinct differences. Many things were left out‚ some things were out of place‚ and some things were even changed. There was a lot of information that was left behind in the making of the movie. For instance‚ the whole “Moon Lady” chapter was completely absent. The viewer also never learns how Ying-Ying St. Clair’s husband
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Amy Tan’s Use of Prologues to Bridge the Gap Between Chinese and American Culture Cultural divides are difficult to overcome in storytelling because understanding another culture is a not an easy task. However‚ in The Joy Luck Club‚ Amy Tan does a wonderful job of making the Chinese culture comprehensible to American readers. With a culture that is exceedingly different from the American way of life‚ Tan presents both cultures side by side in order to draw attention to their differences. One way
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We all want to be remembered‚ to leave some kind of legacy‚ something that we are known for. The Joy Luck Club by Amy Tan shows how Chinese immigrants‚ Suyuan Woo‚ An-mei Hsu‚ Lindo Jong‚ and Ying Ying St. Clair try to leave their legacy with their American assimilated daughters. Whether that be through stories about their lives in China or lessons that they learned‚ they hope they can connect with the new generation. One of the major themes embedded in this novel is that of identity. The mothers
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GIRL POWER IN JOY LUCK CLUB AND A TASTE OF HONEY Kitchen sink realism (or kitchen sink drama) is a term coined to describe a British cultural movement that developed in the late 1950s and early 1960s in theatre‚ art‚ novels‚ film and television plays‚ whose ’heroes ’ usually could be described as angry young men. It used a style of social realism‚ which often depicted the domestic situations of working-class Britons living in rented accommodation and spending their off-hours drinking in grimy pubs
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Raymond Chandler‚ a fiction writer‚ once said‚ "The most durable thing in writing is style." True‚ the style is often defined as one of the most important elements in writing. In Amy Tan’s novel‚ "The Joy Luck Club"‚ the style significantly contributes to the development of both the tone and the theme of the influences that a mother can have on her daughter. The author effectively portrays the somber tone and the theme by using a concise style of diction‚ images‚ details‚ language‚ sentence structure
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Thoughtful Laughter Amy Tan uses thoughtful laughter in her novel‚ The Joy Luck Club‚ to make a point through laughter or humor. Thoughtful laughter is effective because it grabs the attention of the reader and expresses a point‚ whether the reader knows it or not. One scene that provokes thoughtful laughter is in the chapter “Best Quality” while the family picks crabs to eat. When there was only two crabs left‚ Jing-Mei Woo tries to choose the crab with the missing leg‚ so her mom would have the
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A Boundary of a mother and daughter relationship The film “The Joy Luck Club” based on the book “The Joy Luck Club” by Amy Tan. It depicts a story of a group of aged Chinese women in San Francisco who are fun of playing mahjong while sharing stories of their lives. The movie unveils sixteen different stories of how these Chinese immigrants and their American-Chinese daughter faces cultural conflict. The film shows the sufferings that these Chinese women encounter back in China and how they cope
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In "Double Face" of The Joy Luck Club‚ Lindo Jong recounts her journey coming into America as she sits in Waverly’s hairstylist‚ Mr. Rory’s‚ chair‚ preparing for Waverly’s second wedding. The symbolism surrounding Waverly and her mother’s conversation through the salon mirror subtly imply an underlying theme of a lack of communication. Waverly and her mother seem to be talking in different worlds as both daughter mother struggle to understand each other’s culture. For example‚ Lindo tells Waverly
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