interpret Botticelli’s masterpiece‚ painted in or around 1482 for Lorenzo de Medici‚ better known as Lorenzo the Magnificent (1449-1492)‚ the great ruler of Florence and patron of the arts. The scholars‚ Professor Guidoni says‚ missed the real point of the masterpiece. It was a codified representation of Lorenzo’s ambitious‚ and abortive‚ plan for unifying Italy through a network of alliances between the warring city states. Lorenzo had thus anticipated Garibaldi’s struggle to unite Italy by almost
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age of 13 Michelangelo’s father Ludovico Buonarroti placed Michelangelo in the workshop of the painter Domenico Ghirlandaio through connections with the ruling Medici family. About two years later Michelangelo studied at the sculpture school in the Medici gardens. Shortly thereafter he was invited into the household of the magnificent‚ Lorenzo
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on enjoying life and the world around man‚ and talented individuals sought self-gratification through art and philosophy (Vary). In Italy‚ the Renaissance presented through literary and art themes a new humanistic conception of man. The rise of the Medici family also held a great role in the sponsorship of the arts. Humanism was considered to be the most significant intellectual movement of the Renaissance. As its name implies‚ humanism was a philosophy that was characterized by its blending of the
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of the Medici family‚ one of the most powerful families in Florence‚ Italy. He left Florence in 1480 to help decorate the Sistine Chapel in Rome with some of his art which only the most famous painters of that time were invited to do. In 1482‚ Botticelli returned to Florence and shortly after painted the Birth of Venus (Angelis‚ 4). PART III - ANALYSIS OF THE SITE AND ART OBJECT A. Even though I would love to visit and view the Birth of Venus in
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Rome in 1498‚ the cardinal Jean Bilhères de Lagraulas‚ a representative of the French King Charles VIII to the pope‚ commissioned "Pieta‚" a sculpture of Mary holding the dead Jesus across her lap[https://www.biography.com/]. Despite being in the employ of the Medici Pope Clement VII‚ Michelangelo backed the republican cause and was appointed director of the city’s fortifications. In 1527‚ the citizens of Michelangelo’s native Florence expelled the ruling Medici family and installed a republican government
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refused to compromise‚” and countless mornings and nights were consumed with sculpting‚ away from his family (39). Although family is still important to him‚ they are important for the most part due to the Buonarotti name and bloodline‚ while the Medicis become like a second family because they recognize his talents and encourage his desires‚ all while providing for him much of the things his own father could not‚ such as materials for his art‚ advice for improvement‚ and inspiration for his
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Michelangelo as an artist‚ which was unusual at the time. Demonstrating obvious talent‚ he was taken under the wing of Lorenzo de’ Medici‚ the ruler of the Florentine republic and a great patron of the arts. For two years beginning in 1490‚ he lived in the Medici palace and attended the Humanist academy‚ where he was a student of the sculptor Bertoldo di Giovanni and studied the Medici art collection‚ which included ancient Roman statuary. At the academy‚ both Michelangelo’s outlook and his art was influenced
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Niccolo Machiavelli was born on May 3‚ 1469 in Florence‚ Italy. The young Machiavelli became a diplomat after the temporary fall of Florence’s ruling Medici family in 1494. He served for 14 years during Medici family exile. After his involvement in an unsuccessful attempt to organize a Florence militia against Medici return in 1512. Machiavelli was jailed and banished with any role in political life. As an exile Machiavelli turned to farming and writing. His major efforts‚ however‚ were of a literary
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at the monastery of Santa Maria degli Angeli‚ probably around 1410–1415. The manuscript was owned by renowned organist Antonio Squarcialupi in the middle of the 15th century‚ then by his nephew‚ and then passed into the estate of Giuliano di Lorenzo de’ Medici‚ who gave it to the Biblioteca Palatina in the early 16th century. At the end of the 18th century it was passed into the hands of the Biblioteca Medicea Laurenziana. Works Cited Abraham‚ Dom Anslem Hughes and Gerald‚ ed. Ars Nova and the
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follow his own artistic vocation. He then apprenticed under Domencio Ghirlandaio at the age of thirteen after learning the art of fresco. A year later he at the sculpture school in the Medici gardens and soon after was invited to the household of Lorenzo de’ Medici‚ the "Magnificent". There he met two younger Medici who would later become Pope Leo X and Pope Clement VII(www.Michelangelo.com). He also produced his first
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