HSC Advanced English‚ Module A: Richard III and Looking For Richard‚ Essay Connections of commonality and dissimilarity may be drawn between a multiplicity of texts through an appreciation of the values and attitudes with which they were composed. Accordingly‚ the values and attitudes of the individual being may be defined as an acute blend of externally induced‚ or contextual and internally triggered‚ or inherent factors. Cultural‚ historical‚ political‚ religious and social influences‚ dictated
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A deeper understanding of ambition and identity emerges from pursuing the connections between King Richard III and Looking for Richard. Compare how these texts explore ambition and identity. Ambition; an earnest desire for some type of achievement or distinction‚ as power‚ honour‚ fame‚ or wealth‚ and the willingness to strive for its attainment * Al Pacino’s production as an art-house vanity project * Promotes himself – manipulating the audience through cutaways‚ specific and timed
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reading Pacino’s Looking for Richard Review? That’s exactly what you’re doing‚ and this pleasant surprise is about all the insight I can give you about the fantasy sto… I mean ‘docudrama type thing’. Yes ‘Docudrama type thing’ as described personally by the narrator Al Pacino. The opening scene with the cold winter background‚ leave less grounds and the grey skies that was alluded to above‚ is a direct connection to the opening soliloquy exerted by Richard in Shakespeare’s Richard III‚ "Now is the
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The texts King Richard III and Looking for Richard both accept the centrality of power and the yearning for it‚ as a central plot driver and an assumed part of the human condition. However‚ each presents a different perspective as to the nature of power; its origins and morality. Discuss this statement with close‚ detailed reference to both texts set for study. Power is defined as the possession of control or command over people and events. In Shakespeare’s play ‘King Richard III’‚ the centrality
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The comparative analysis of Shakespeare’s “Richard III” circa 1591 and Al Pacino’s 1996 docudrama “Looking for Richard” (LFR) reveals the capacity of these texts to transcend their timeframes due to their exploration of ideas perennially relevant to human nature. As humans‚ there is an innate desire of us to exert our ideals and beliefs on others as well as an underlying ambition for power‚ hence these texts explore the way in which art can be used to shape and reshape historical perceptions as well
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scenes of both. (50/50) Due: Thursday 16th Shakespeare’s play King Richard III and Al Pacino’s documentary Looking for Richard are two text composed more than 400 years apart that can be linked through their themes and techniques. The influence of these themes or values however‚ is subject to the context of the audience. Both texts explore the characterisation of the main character Richard and how he is presented. They explore the craft of performance‚ presenting two different
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understanding of context and values Examinations of Shakespeare’s play ’King Richard III’ and Pacino’s docu-drama ’Looking for Richard’ reveals relationships between the texts and their respective audience. The fifteenth century and twentieth century contexts demonstrates the values of each text and enables understanding of how the film enriches the ideas presented in the play. ’King Richard III’ portrays a hateful‚ corrupted Richard exploring divine justice and the notion of appearance versus reality in
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William Shakespeare’s “King Richard III”‚ an Elizabethan play written as a piece of Tudor propaganda‚ and Al Pacino’s 1996 docudrama “Looking For Richard” set in contemporary New York‚ have distinctive parallels in what values they concern themselves with despite their markedly different contexts. Our understanding of both texts is advanced through exploring the composers’ contrasting values of free will clashing with Providentialism and the importance of integrity and honesty in the Murder of Clarence
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Our values and morals remain timeless as they form the basis of our interaction with each other and are instilled as part of our humanity defining us as beings. The Shakespearean play‚ “King Richard III” and its hybrid doco-drama appropriation‚ “looking for Richard’ directed by Al Pacino‚ reveal inherent values of power in relation to our morality and justice. As Shakespeare focuses on the human psyche and the role of god’s Devine retribution in the Elizabethan era‚ Pacino on the other hand emphasizes
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"An honest tale speeds best‚ being plainly told.” This quote from William Shakespeare’s King Richard III is a seed from which Al Pacino’s docu-drama Looking For Richard grows‚ both texts demonstrating the intrinsic relationship between contexts and the composition of texts. As 21st century students‚ we see Pacino’s creative reshaping emphasise inherent values within the original text‚ from dynamic perspectives to interpretational understandings‚ presented in an ‘honest’ and ‘plainly told’ composition
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