Stylistics is the study and interpretation of texts from a linguistic perspective. As a discipline it links literary criticism and linguistics‚ but has no autonomous domain of its own.[1][2] The preferred object of stylistic studies is literature‚ but not exclusively "high literature" but also other forms of written texts such as text from the domains of advertising‚ pop culture‚ politics or religion.[3] Stylistics also attempts to establish principles capable of explaining the particular choices
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earliest offerings of his literary theory. The essay outlines his philosophy of "tradition" and the implications this has for the poet‚ critic‚ and scholar. Tradition for Eliot includes a much broader definition than is recognized by the popular conception of the term. His idea of tradition includes psychological and philosophical aspects‚ and sets forth of the aims of poetry‚ the role of the poet‚ and how to assign poetic value. Eliot is one of the founders of the New Criticism‚ or formalism‚ which
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exaggeration and ridiculous antics. I am going to use the Formalist Approach of literary criticism to explain why the humor‚ well developed image and tone of the farce I’m Going‚ A Comedy of One Act spoke to me more than any of the other readings available during week one. The Formalist Approach is the most widely and commonly used methods of literary criticism. The formalist approach takes into account the literary tools that were used to create a story and in what manner that they were used to
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“Literature is the mirror of life” is one of the main quotes which our lecturer‚ Mr.Puveneswaran keep on telling to us in his every lesson. This quote answered my question which I asked myself since the first lesson of Literature in English. A great literature is the mirror upon which the realities of life are reflected. A term that used to describe written or spoken material is known as literature. By studying this subject‚ I could understand that literature is all about the obsession with ideas
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Reflection “Their eyes were watching God” a novel by Zora Neale Hurston left me with a lot of wandering thoughts and questions. Through annotating these two literary criticisms by Claire Crabtree‚ Jordan Jennifer and two social issues by Keith Richburg and Anne Kingston I learned a lot about what was going on with the protagonist Janie in the story and deep in her Feminist mind and why she did some of the things she did. The first source by Jennifer changed the way I thought about Janie in the
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philosophy and literature Of Grammatology‚which includes writings on Claude Levi Strauss‚ Saussure and Rousseau and Speech and Phenomenon‚ a deconstruction of the Logical Investigation of Edmund Husserl. Deconstuction ‚ as applied in the criticism of literature‚ designates a theory and practice of reading which claims to “subvert” or “undermine” the assumption that the system of language provides grounds that are adequate to establish the boundaries ‚ the coherence or unity and the determinate
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ARCHETYPAL CRITICISM & PSYCOANALYTIC CRITICSM A. ARCHETYPAL CRITICISM The term archetypal comes from the Greek word arche (beginning) and typos (imprint). But as linguistically‚ the term arch is an adjective means literally “chief” or “principal” and prefix types that can be meant “highest” or “important.” Walker (2002:17) argued that archetypes are unconscious principles to returning images‚ symbols‚ or patterns. Thus statement can be explained that an author when make a literary work sometime
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FORMALISM (also known as NEW CRITICISM) A Basic Approach to Reading and Understanding Literature Formalist theory has dominated the American literary scene for most of the twentieth century‚ and it has retained its great influence in many academic quarters. Its practitioners advocate methodical and systematic readings of texts. The major premises of New Criticism include: "art for art’s sake‚" "content = form‚" and "texts exist in and for themselves." These premises lead to the development
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Russian formalism was an influential school of literary criticism in Russia from the 1910s to the 1930s. It includes the work of a number of highly influential Russian and Soviet scholars such as Viktor Shklovsky‚ Yuri Tynianov‚ Vladimir Propp‚ Boris Eichenbaum‚ Roman Jakobson‚ Boris Tomashevsky‚ Grigory Gukovsky who revolutionised literary criticism between 1914 and the 1930s by establishing the specificity and autonomy of poetic language and literature. Russian formalism exerted a major influence
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philosophoteron and spoudaioteron’27): it is in the light of what is serious (spoudaios) that philosophical debate over the nature and value of poetry retains its strongest connections with what prompted its initiation.” (De Gaynesford‚ Maximilian. Essays in Criticism. Jan2009‚ Vol. 59 Issue 1‚ p1-21. 21p). This is proof that poems use more of an image to keep a connection with the readers. A short story has plots and different characters. It can also be told from many points of view. Unlike poems short stories
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