EDOUART MANET‚ 1867 • LES MYSTÈRES DE MARSEILLE‚ 1867 - The Mysteries of Marseilles • NOUVEAUX CONTES À NINON‚ 1874 • L ’ASSOMMOIR‚ 1877 - The "Assommoir" / The Dram-Shop- Ansa‚ suom • THÉÂTRE‚ 1878 • LA RÉPUBLIQUE FRANÇAISE AT LA LITTÉRATURE‚ 1879 • NANA‚ 1880 - transl. - suom.- films: 1925‚ dir. by Jean Renoir; 1934‚ dir‚ by Dorothy Arzner; 1954‚ dir. by Christian-Jacque • LE ROMAN EXPÉRIMENTALE‚ 1880 • LES SOIRÉES DE MÉDAN‚ 1880 • LES ROMACIERS NATURALISTES‚ 1881 • LE NATURALISME AU THÉÂTRE
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As with most authors‚ Ursula Le Guin bases most of her stories and novels on her beliefs and disbeliefs. She is an atheist and relies more on philosophy than religion. Perhaps that is why "Standing Ground‚" a story that deals with abortion‚ was written with no objectivity. Le Guin had no religious beliefs interfering with her intended theme. Many of her stories are based on Taoism‚ where there is good in every evil and evil in every good. In her writings‚ Le Guin addresses enduring human problems
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The famous legend of King Arthur and his knights of the Round Table is arguably one of the most highly acclaimed themes in British literature and history. Although the Arthurian legends‚ full of magic and heroism‚ seem to be far-fetched and a complete fantasy‚ evidence to prove the existence of the so-called “King Arthur” actually does exist‚ just not in great numbers. The historical foundation surrounding King Arthur is not enough to validate that he actually existed‚ yet it still leaves historians
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EMILE ZOLA LIFE AND FAMILY: Emile Zola or Émile Édouard Charles Antoine Zola was a French writer‚ the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. Zola was born in Paris in April 2‚ 1840. His father‚ François Zola (originally Francesco Zolla)‚ was an Italian engineer. His mother is Alexandrine Zola‚ the family moved to Aix-en-Provence in the southeast‚ when Émile was three years old. Four years later in
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Bonheur de Vivre (Joy of Life) is a twentieth century painting by Henri Matisse and is widely considered as one of the trademark paintings of early modernism. Les Demoiselles d’Avignon is also a twentieth century painting by Pablo Picasso and it has been said that he produced this controversial painting with intentions of usurping Matisse as the pioneer of the early modernism movement. Both paintings were simultaneously inspired by and‚ also broke free from Paul Cézanne’s famous painting‚ The Large
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Le Loupgarou” and “Ol Higue” Folklore exists in many cultures throughout the world. Folklore in the form of tales‚ myths and legends is passed from generation to generation through the oral tradition. Folklore in the Caribbean has been drawn from the rich and diverse backgrounds of our ancestors who came from various parts of the world. Our ancestors brought with them their language‚ culture‚ religious beliefs and practices‚ and their tradition of storytelling. The tales of demons‚ ghosts‚ zombies
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The sixteenth and seventeenth centuries were filled with enormous and unprecedented change for the medical profession in France. Citizens of the country were beginning to choose between different available types of healthcare and practitioners that practiced their brand of medicine throughout the country (Brockliss and Jones 284). The qualifications of these practictioners varied greatly—as Brockliss and Jones put it‚ “…running from learned graduate physicians to theatrical itinerant charlatans
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"19th century‚ the developing age of Magic-industrial and the changing of social life in Walpurgis and the neighboring dimensions had begun‚ although the problems with diseases‚ famine and war which were on the mind of people at the time. October the 17th‚ 1837 which marks the end of the first Lunarian civil war which ended in the birth of a much greater technology known to the world as "Mystech‚ headed from the scary yet devastating weapon often called‚ “the mechanical star destroyer Betelgeuse"
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done by Matisse‚ Picasso and Cézanne are examined as follows with their similarities and the modernistic style changes from the traditional art styles. The painting of Matisse’s known as the Bonheur de Vivre (Joy of Life) and as well the Picasso’s Les Demoiselles d’Avignon painting is considered to be in the same category of modern paintings in the early times. The emergence of both paintings between 1906 and 1907 shows the new turning and shape that art work painting is taking into another century
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from the front and back at the same time. Cubism was first introduced to the world in 1907 by Picasso and Braque. Its introduction‚ into the art world‚ changed the viewer ’s visual representation. This was clearly evident with Picasso ’s painting‚ Les Demoiselles d ’ Avignon (1907). Many found this painting very disturbing and ugly‚ but the painting was groundbreaking in the history of modern art. This painting contributes to a general impression of disorientation in space. However‚ the painting
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