THE DESIGN PROCESS Faculty of Architecture‚ Delft University of technology Strategic Architectural Design Development (SADD) Msc 5‚ Chair of Materialization 1st Tutor (A): Ir. Maarten Korpershoek 2nd Tutor (BT): Ir. Huib Plomp External Examiner: Dr. Ir. Ana María Fernández Maldonado Student: D. Kaatee (1401475) Date: 07 March 2013 Preface This paper is part graduation studio SADD (Strategic Architectural Design Development). In this document the focus will be on showing the way of working
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Architect. Architecture (Latin architectura‚ after the Greek ἀρχιτέκτων – arkhitekton – from ἀρχι- "chief" and τέκτων "builder‚ carpenter‚ mason") is both the process and the product of planning‚ designing‚ and constructing buildings and other physical structures. Architectural works‚ in the material form of buildings‚ are often perceived as cultural symbols and as works of art. Historical civilizations are often identified with their surviving architectural achievements. "Architecture" can mean:
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Egyptian Architecture Due to the scarcity of wood the two predominant building materials used in ancient Egypt were sun-baked mud bricks and stone‚ mainly limestone but also sandstone and granite in considerable quantities. From the Old Kingdom onward‚ stone was generally reserved for tombs and temples‚ while bricks were used even for royal palaces‚ fortresses‚ the walls of temple precincts and towns‚ and for subsidiary buildings in temple complexes. The core of the pyramids came from stone quarried
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It seems that ideas about "regionalism" have emerged at the beginning of swing architecture pendulum‚ where the anti-establishment institution took over. In 1940‚ as modernity (or international style) began to take up the dominant rhetoric in architecture‚ Mumford published a widely shared view of the region in the 1980s‚ when the anti-establishment institution (postmodernism) began to take over the new institution: Regional through Lefaivre & Tzonis as well as Frampton. The "transformation" of the
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KTH (www.kth.se) – Department of Machine Design RFI of Vehicle Mode Architecture /RFI (v1.1) – Answers to request for information by KTH Martin Törngren‚ DeJiu Chen‚ Lei Feng 6.1 General questions 6.1.1 Does the RFI omit any important aspect of vehicle mode management? If so‚ please explain. Answer: The following aspects are treated in this subsection: • Consideration of a mode taxonomy • The definition of the concept of mode itself • Dependency between vehicle modes and the vehicle
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Alongside being an architect‚ he was an artist‚ teacher and to a certain extent a philosopher‚ some might label him as poet and one of the great thinkers of his time. Charles E. Dagit‚ Jr says ‘His was a genius that profoundly changed the course of architecture worldwide’. (Louis I. Kahn: Architect‚ 2013‚ page xi). Louis Kahn’s legacy began from an early age where in high school his teachers immediately noticed Louis developing on his drawings and placed him in courses that nurtured his skills. He progressed
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Kathryn Ryan CFII/Brosh Cloisters Paper Medieval Art is characterized largely by the use of both Gothic and Romanesque architecture. As Christianity was highly significant to the middle ages‚ much of said architectural design is exemplified in the cathedrals of the time. Romanesque and Gothic architecture differ greatly from one another‚ as is displayed in a comparison of a Gothic chapel and a Romanesque chapel. The Cloisters Museum and Gardens: the branch of The Metropolitan Museum of Art devoted
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Everyone knows the legacy of Roman Architecture and Engineering have the greatest impact on today’s society. If Roman Architecture and engineering weren’t around‚ we wouldn’t have a 360 degree view at Gillette stadium. Imagine paying a lot of money to watch a football game and not see a touchdown! The Roman Architecture and engineering influenced people around the world to build similar structures created by the Roman Architectures and engineering. The coliseum has been just one of the buildings
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Western architecture traces its descent from the major public buildings in ancient Greece. Some earlier structures were built with an eye for proportion and striking decoration‚ but they had little influence on the evolution of building design. The Greek and Roman buildings bear some striking similarities as well as differences. From 750 to 30 B.C.E.‚ the Greeks created impressive temples‚ stoas (covered colonnades)‚ theaters‚ and amphitheaters. The temples‚ built in marble and limestone‚ retained
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Rome was as important in architecture as it was in literature. Classical orders and architectural elements such as columns‚ pilasters‚ pediments‚ entablatures‚ arches‚ and domes form the vocabulary of Renaissance buildings. During the Renaissance‚ architects trained as humanists helped raise the status of their profession from skilled laborer to artist. They hoped to create structures that would appeal to both emotion and reason. Three key figures in Renaissance architecture were Filippo Brunelleschi
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