I have chosen the artwork Judith Decapitating Holofernes by Artemisia Gentileschi in 1620. The reason I chose this painting is because of the graphic nature and the history behind the painting. The painting is 6’ 6 ⅜” x 5’ 3 ¾” oil on canvas located at the Uffizi Gallery in Florence‚ Italy. The painting shows two women (Judith and her maidservant) holding down and cutting off the head of Holofernes. This is clear because of the sword that Judith is holding near his neck and the blood that is painted
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19‚ 2014 Chapter 2 Assessment In Judith Beheading Holofernes‚ created in 1599‚ Michelangelo Mensi da Caravaggio uses high contrast and vivid lines to capture the dramatic essence of the beheading of Holofernes. In this rectangular oil painting done on canvas measuring 57 inches by 77 inches‚ the realistic view of the physical and emotional human state is depicted in a vulgar manner. Caravaggio’s painting illustrates a book in the catholic Bible dedicated to Judith in which she depicts an example
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Judith and Maidservant with the Head of Holofernes and Joseph the Carpenter Artemisia Gentileschi’s Judith and Maidservant with the Head of Holofernes (98) and Georges de La Tour’s Joseph the Carpenter (151) are great examples of Chiaroscuro. Chiaroscuro meaning the representation of balance between light and shades within artwork. This type of artwork is typical of the renaissance era. There are several aspects of chiaroscuro; modeling which is light falling across a curved or round surface. Highlights
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October 26‚ 2009 Formal Analysis: Judith Cutting Off the Head of Holofernes As I was walking across the 17th century art section at Walters Art Museum‚ hanging behind the big rectangular pillar in the middle of the hallway‚ an oil painting on panel by Trophime Bigot draws my attention. The high contrasting tones of colors and values and the artist capability to make the grotesque painting appealing interest me. Judith Cutting Off the Head of Holofernes (Figure 1)‚ ca. 1640‚1 is consisting
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Descriptive Paper In this essay I will describe the elements that make up Judith Cutting Off the Head of Holofernes by Trophine Bigot‚ a Baroque artist. This work is an oil painting on wood panel from 1640. It is part of the permanent collection at the Walters Museum in Baltimore Maryland. The painting is of a close up scene occurring between two females and a male. Behind the people there are red curtains parting open. It is the only part of the back ground that is visible to the viewer. The
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Jacquelyn Archey Mr. Gans AP Lang – Period 3 11/14/12 Slaying the Beast Perched on a rock‚ the heroic victor leans on his bloodied sword with the decapitated head from the six-headed beast raised up towards the light. His patriotic toga remains wrapped dutifully around his shoulder while the remaining five heads sneer in disgust and plot their revenge behind him. This Greek mythological hero is anything but; he is American president Barack Obama holding the disapproving‚ lifeless head of Osama
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Judith is a 349- line poetic fragment. It is one of five articles in the British Library‚ MS. Cotton Vitellius A.xv. It is a document originally made up of two manuscripts. The first of the pair known as the Southwick Codex‚ is thought to of been produced during the twelfth century. The Nowwell Codex also known as “The Beowulf Manuscript” is about 150 years older and dated between A.D 980 and 1020. The manuscripts were combined in the 17th century. Like much of the other works housed at the Cotton
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Slaying the Dragon: How Asian Women were Portrayed in Movies "Slaying the Dragon" by Deborah Gee is a comprehensive look at media stereotypes of Asian and Asian American women since the silent era. From the racist use of white actors to portray Asians in early Hollywood films‚ through the success of Anna May Wong’s sinister dragon lady‚ to Suzie Wong and the 50s geisha girls‚ to the Asian-American anchorwoman of today. The movie also shows how stereotypes of exoticism and docility have affected
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Judith – Old English and Vulgate Versions Upon looking closely at the Old English and Vulgate versions of Judith‚ one can catch a glimpse of how culture was during the time they were written by comparing and contrasting the elements of the story that are presented and modified. The distinct differences that can be found between the Old English and the vulgate versions of Judith provide a clear view of what the Anglo-Saxons considered to be important‚ and what they felt required respect. When comparing
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Judith Jamison Quote on Judith Jamison “If you look at a dancer in silence‚ his or her body will be the music. If you turn the music on‚ that body will become an extension of what you’re hearing.” Fact • Judith Jamison was born on May 10‚ 1943 in culturally vibrant Philadelphia to gifted parents who valued the arts. • Jamison began taking dance lessons at age six at the Judimar School
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