John Berger definition of mystification through Hal’s painting In John Berger’s reading‚ he states that “Mystification is the process of explaining away what might otherwise be evident” (pg 103). To my understanding‚ Berger is saying that mystification is a way of what we think may be clear to our understanding of something. It seem as though Berger express mystification in ways that one may not grasp something clearly even though it may seem to be evident. By expressing this‚ Berger used the passage
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2010 Seeing Comes First One of the most important senses that we human have is the ability to see things. We see the image of the object first before the image is send to our brain and processes it. The essay “Ways of Seeing”‚ written by John Berger took art as an example‚ to show the way how modern people view art and the influences that traditional oil painting has had on society and modern day society. The way people now a day perceives an art image is different than the way it was seen
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the Meaning of an Artwork According to John Berger in his essay “Ways of Seeing” the way that a painting is viewed by some may already be distorted prior to analyzing it because we are not viewing the original piece. The information that comes from the silence of a painting is only truly experienced when looking at the original work rather than a reproduction of it. The original work speaks to you in a way that a reproduction is not able to. Berger says this clearly when he states:
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influential book‚ and confronts several important aspects of art‚ unlike any other author. John Berger takes a general approach of Marxism and New Art History relating to social history in Ways of Seeing. He focuses less on the aesthetic properties of art‚ and more on the New Art History approach; on the social and political construction of artworks‚ mainly oil paintings concerning class‚ race‚ gender‚ and ethnicity. Berger also focuses on a Marxist methodology‚ in which he explains art works as the reflection
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In John Berger’s article‚ ’Ways of Seeing’‚ it explains European eighteenth century art and how it relates to many of todays cultural transitions. Before Berger begins explaining the art itself‚ he tells us about the cultural constructions that exist today. These cultural constructions are enforced and were highlighted through European eighteenth century art. He began by explaining the difference between a man and a woman’s presence. Men’s presence depends how much power he is able to successfully
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our own way of seeing” (Berger 142). In other words‚ Berger is saying if ten people look at the same piece of art each interpretation is going to be just as unique and different as the person looking at it. Based on one’s knowledge of the artist‚ time period‚ and the painting itself gives a whole different perspective than someone who doesn’t know any of the history. Also different life experiences can change the way a person can relate a painting to themselves. John Berger is known as one of Europe’s
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Bryan Washington Professor H. Alvarez English 1A 17 March 2013 Essay #2 “Both John Berger in “Ways of Seeing” and Michel Foucault in “Panopticism” discuss what Foucault calls “power relations.” Berger claims that “the entire art of the past has now become a political issue‚” and he makes a case for the evolution of “ new language of images” which could “confer a new kind of power” if people were to understand history in art. Foucault argues that the Panopticon signals an “inspired” change in
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Although John Berger and Anthony Appiah discuss very different topics in their essays Ways of Seeing and race‚ they are very similar in several ways. I found that the two have similar writing styles. Although Berger’s is a little bit more complex than Appiah’s‚ I found that they both write using extremely long sentences and difficult vocabulary. Aside from writing styles‚ I also found Berger and Appiah similar in their views. Both seem to go against the normal view of society. For example‚ in
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colors and happiness‚ but behind all that sends one important message. The message of not being afraid to stand out. Berger‚ a world-known art critic‚ had this belief that pictures help us jump to conclusions before words can. We tend to believe what our eyes see‚ more than what our mind reads. “Seeing comes before words. The child looks and recognizes before it can speak” (Berger). Why would I trust anything more than what I have seen with my own
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In John Berger’s “Ways of Seeing‚” his use of artist jargon makes it difficult for the casual reader to comprehend a lot of the points he makes. A section that demonstrates this can be found in the first full paragraph on page 145. Berger uses phrases such as “compositional unity” and “harmonious fusion” when analyzing the paintings Regents of the Old Men’s Alms House and Regentesses of the Old Men’s Alms House. His language can be understood by different readers in drastically different ways‚ which
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