Issues of dieting‚ fat‚ and slenderness are hot topics in our culture. Bordo addresses them from a postmodern‚ but historical‚ feminist perspective. In this essay‚ she attempts to explain the appeal of slenderness in our society; and also‚ how the ideology of normal our society holds can be mentally and physically damaging for many people. So‚ what does it mean to be slender? The ideas behind slenderness have changed considerably throughout human existence. The Greeks believed that the regulation
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PARAGRAPH-BY-PARAGRAPH READING WORKSHEET ¶ | Author’s ActionA presents text Y / A tells story Y / A reports from Y / A analyzes Y / A reads Y / A speculates Z / A argues Z | 1 Sentence Distillation of Paragraph Spoken in Author’s VoiceIf this column is filled out properly and thoroughly you should be able to read it from top to bottom as an accurate distillation of the whole essay. Review and amend earlier distillations for accuracy and coherence as you go. | Key WordsList key words. Review
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influential book‚ and confronts several important aspects of art‚ unlike any other author. John Berger takes a general approach of Marxism and New Art History relating to social history in Ways of Seeing. He focuses less on the aesthetic properties of art‚ and more on the New Art History approach; on the social and political construction of artworks‚ mainly oil paintings concerning class‚ race‚ gender‚ and ethnicity. Berger also focuses on a Marxist methodology‚ in which he explains art works as the reflection
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the Meaning of an Artwork According to John Berger in his essay “Ways of Seeing” the way that a painting is viewed by some may already be distorted prior to analyzing it because we are not viewing the original piece. The information that comes from the silence of a painting is only truly experienced when looking at the original work rather than a reproduction of it. The original work speaks to you in a way that a reproduction is not able to. Berger says this clearly when he states:
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In John Berger’s article‚ ’Ways of Seeing’‚ it explains European eighteenth century art and how it relates to many of todays cultural transitions. Before Berger begins explaining the art itself‚ he tells us about the cultural constructions that exist today. These cultural constructions are enforced and were highlighted through European eighteenth century art. He began by explaining the difference between a man and a woman’s presence. Men’s presence depends how much power he is able to successfully
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Bordo Summary In “Beauty (Re)discovers the Male Body” Susan Bordo discusses the image of the male body. She starts by talking about how “the naked and near naked female body became an object of mainstream consumption” (168) while the male body has been gone with fashion. She tells about her first time seeing an ad using the male body. It was an underwear ad for Calvin Klein underwear. Bordo explains how this ad was different from other ads in the way the guy posed. In other ads the guys pose would
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necessarily be that for another. I personally agree‚ yet it is possible to say what most women find ideal‚ and that’s what this essay will mostly be about. According to Susan Bordo’s ’’Beauty (re)discovers the male body’’‚ the ideal male has changed through time. Calvin Klein is in the spotlight for a big part of her essay. Bordo insists‚ that before Klein created advirtisements of attractive men in underwear‚ it was never intended for women to be so highly attracted to sexy men. A hard working‚
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come out strutting down the runway with one of those looks that says you “Feast on me‚ I’m here to be looked at‚ my body is for your eyes.” (Bordo 191) Bordo uses this quote as she describes the young man in the Calvin Klein ad who without being forward about it portrays an image of sexuality. This is contrary to most of the images we usually see and Bordo describes this in an interesting way as she says “His body isn’t a stand-in phallus; rather he has a penis.”
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THE WHITE BIRD John Berger From time to time I have been invited by institutions--mostly American--to speak about aesthetics. On one occasion I considered accepting and I thought of taking with me a bird made of white wood. But I didn’t go. The problem is that you can’t talk about aesthetics without talking about the principle of hope and the existence of evil. During the long winters the peasants in certain parts of the Haute Savoie used to make wooden birds to hang in their kitchens and perhaps
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our own way of seeing” (Berger 142). In other words‚ Berger is saying if ten people look at the same piece of art each interpretation is going to be just as unique and different as the person looking at it. Based on one’s knowledge of the artist‚ time period‚ and the painting itself gives a whole different perspective than someone who doesn’t know any of the history. Also different life experiences can change the way a person can relate a painting to themselves. John Berger is known as one of Europe’s
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