Body The invited reading is about grandpa who is a kind old man but does not let his old age stop him from spending time with his grandchild and how much joy can be had. The intended reading is achieved through many ways firstly the use of intertextuality. During the story the dialogue between the old man and his grandchild refers to things such as the story about Noah‚ a song to which I not known until Shikara told me and others. There for you had to draw knowledge from other texts to understand
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CTCS 190: Lecture/Discussion Notes Style/Mode of Representation • Another voice into the production/consumption of a film text • Particular film is rendered in a particular style; has to be addressed by consumer • Objectivity v. Realism Realism • Mode of representation that attempts a 1:1 correspondence with reality with how the subject is depicted (in film‚ artwork‚ etc.) — exactly how a person sees it • Never possible to have exact realism • Everyone’s reality is different • Ideology — relative
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Throughout life there will be points when people try to change each other. Sometimes it is for the betterment of the changed person; other times it is the opposite case. In the cases of Eliza Doolittle‚ and Gracie Hart they are changed to become more proper ladies. Both of these female protagonists have a teacher figure that transforms them‚ but both do so in different settings to meet different expectations‚ and the climax of each plot differs as a reflection of these differing circumstances.
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Hui Lin French New Wave 17 Nov. 2012 Bande a Part--Godard’s Tribute to Surrealist Literature In Godard’s films we find intertextuality aplenty—citatios‚ allusions‚ borrowings—as well as what Gerard Genette calls “hypertextuality‚” the derivation of one text from another by transformation or imitation. By quoting lines and allusions from surrealist literature in Bande a Part‚ he has made a great tribute to French surrealism movement. After watching Godard’s film Bande a Part‚ you may find
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Thao Nguyen 9/26/2011 English 1020-027: Core Composition I (11:00am-12:15pm) Ms. Andrea Jones Third draft for unit one paper assignment: Definition of ORIGINALITY. Originality is a new idea? No! In 2004‚ after reading the script of a Bryony Lavery’s Frozen‚ psychiatrist Dorothy Lewis was shock because every details in this play were similar to what she used to write in “Guilty by Reason of Insanity” in 1998. A chart of fifteen pages long was made up with the totaling of six hundred and seventy-five
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concludes‚ should stumble up ideas‚ not put them in order. This explanation actually is a small prototype of the entire book in terms of its meaning and “conclusion”. The Name of the Rose is a book that has a multiplicity of meanings‚ an unlimited intertextuality‚ and an important theme of ex-centricity. However even this explicit announcement made for the title does not satisfy some result-obsessed people who continually ask Eco why he has chosen that title upon which he answers in his article “Reading
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societal norms is a negative‚ paticurly when the focus is on someone who is marginalised through no fault to his own. In this instance‚ Edward is the brain-child of a well meaning inventor‚ however the Frankenstein sub-genre of film provides intertextuality that is wrong and irresponsible to play god with creation of life. Therefore‚ from the start‚ Edward is constructed as an other within a normality society. Although the intentions of those close to Edward are good‚ his destiny is to be marginalised
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identity. When it comes to literature‚ authors explore their characters´ true selves differently depending on the intention they have. In the novel “Kafka on the shore” Murakami uses several unusual resources in his novel such as themes and intertextuality in order to explore the concept of identity within his writing. The author through the presentation of the relationship between dreams and reality and the concept of destiny linked to the notion of lack of control reveals the true self by inquiring
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In what ways does Frankenstein complicate the Romanticist conceptions of creativity and individualism? Make reference to Frankenstein and at least one other Romanticist text. Mary Shelley’s novel‚ Frankenstein‚ complies with all the fundamental principles associated with Romanticism; use of the supernatural and sublime‚ especially with regards for nature‚ thus leading to pantheism‚ compassion and a sense of morality towards humankind‚ individual freedom and rebellion against contextual societal
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Beyond language: the postmodern poetics of Ang Lee’s adaptation of Lust/ Caution Shaoyan Ding Abstract Based on Robert Stam’s notion of filmic adaptation as a cultural critique and through a detailed analysis of the postmodernist styles of intertextuality‚ dissolving the history‚ parodic representation‚ and the body narrative in the filmic text‚ this article argues that Ang Lee’s film Lust/Caution (2007) adapted from Eileen Chang’s fiction Lust‚ caution is a re-creation embedded with subtle and
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