Journal of Pragmatics 36 (2004) 1253–1269 Metaphor and translation: some implications of a cognitive approach ¨ Christina Schaffner* School of Languages and European Studies‚ Aston University‚ Aston Triangle‚ Birmingham B4 7ET‚ UK Received 5 June 2003; received in revised form 12 September 2003; accepted 8 October 2003 Abstract Metaphor has been widely discussed within the discipline of Translation Studies‚ predominantly with respect to translatability and transfer methods. It has been argued
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History of sociology From Wikipedia‚ the free encyclopedia Jump to: navigation‚ search Sociology | | Portal | Theory and History | Positivism · Antipositivism Functionalism · Conflict theory Middle-range · Mathematical Critical theory · Socialization Structure and agency | Research methods | Quantitative · Qualitative Computational · Ethnographic | Topics and Subfields | Cities · Class · Crime · Culture Deviance · Demography · Education Economy · Environment · Family
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Fashion cannot survive without the media. Its success as both an art form and a commercial enterprise depends upon attention in the media. The media have played a vital role in shaping fashion into the complex cultural phenomenon it has become. Photography‚ and later film and television‚ have medialised fashion. Fashion has become an intrinsic part of today’s visual culture‚ and vice versa. Fashion magazines‚ glossies and women’s journals cannot exist without fashion‚ but fashion also cannot exist
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Film Music Analysis and Pedagogy David Neumeyer The ubiquitous videocassette gives us‚ for the first time‚ a convenient way to examine films and their music closely. Many classic films are available‚ especially in VHS format‚ and‚ thanks to cable stations‚ more films of all eras and genres are being shown on television than ever.1 Since music has been an important element in the medium from its earliest days‚ it follows that now we have the opportunity to invoke film scores routinely as audio-visual
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L3 Language Literacies Learning Harvard referencing guide UniSA This guide will help you apply the Harvard referencing style to your writing at UniSA. It is designed to help you understand the conventions and principles of this style and make decisions about referencing. There are many different versions of the Harvard style. This guide presents one consistent version for use at UniSA‚ which conforms to the Australian Government standard guidelines presented in Snooks & Co (eds) 2002‚ Style manual
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. A Reader’s Guide to Contemporary Literary Theory Fifth edition RAMAN SELDEN PETER WIDDOWSON PETER BROOKER . A Reader’s Guide to Contemporary Literary Theory . . A Reader’s Guide to Contemporary Literary Theory FIFTH EDITION Raman Selden Peter Widdowson Peter Brooker . PEARSON EDUCATION LIMITED Edinburgh Gate Harlow CM20 2JE United Kingdom Tel: +44 (0)1279 623623 Fax: +44 (0)1279 431059 Website: www.pearsoned.co.uk Fifth edition published in Great Britain in
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Critical Vocabulary Builder A Abjure – To renounce or retract esp formally or under oath‚ or solemnly. Abduration – The act of renouncing. Ablation – The surgical removal of an organ‚ structure‚ or part. Ablate. Ablution - The ritual washing of a priest’s hands. Abnegate (abnegation) – To deny to oneself; renounce privileges‚ pleasure‚ etc. Abstergent – Of cleaning or scouring Abstruse – Not easy to understand; recondite; esoteric. Acalculia – psycol. An inability to make simple
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Christopher Marlowe on Shakespeare‘s Artistry. London: Ashgate‚ 2007 Lucking‚ David. ―Our Devils Now Are Ended: A Comparative Analysis of The Tempest and Doctor Faustus.‖ The Dallhousie Review 80 (Summer 2000): 151-167. Lynch‚ Stephen J. Shakespearean Intertextuality: Studies in Selected Sources and Plays. London: Greenwood Press‚ 1998. Marlowe‚ Christopher. Doctor Faustus: A- and B- texts. Ed. David Bevington and Eric Rasmussen. Manchester‚ UK: Manchester UP‚ 1993. Mebane‚ John S. ―Metadrama and the Visionary
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Engagement with Atonement and The Blind Assassin. Philosophy and Literature 29.1 (2005): 130–45. Hidalgo‚ Pilar. “Memory and Storytelling in Ian McEwan’s Atonement.” Critique: Studies in Contemporary Fiction 46.2 (2005): 82–91. Ingersoll‚ Earl G. “Intertextuality in L. P. Hartley’s The Go-Between and Ian McEwan’s Atonement.” Forum for Modern Language Studies 40.3 (2004): 241–58. Lamarque‚ Peter. “Tragedy and Moral Value.” Australasian Journal of Philosophy 73.2 (1995): 239–49. Leys‚ Ruth. Trauma: A Genealogy
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Narrative Form Suzanne Keen Narrative Form This page intentionally left blank Narrative Form Suzanne Keen Washington and Lee University © Suzanne Keen 2003 All rights reserved. No reproduction‚ copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced‚ copied or transmitted save with written permission or in accordance with the provisions of the Copyright‚ Designs and Patents Act 1988‚ or under the terms of any licence
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